

Motion Creative Strategy Bootcamp
The 8-week live training and private community designed to help you succeed as a top creative strategist.
Week 3 Homework - Prioritize your creative ideas based on evidence
- Pitch two ad ideas — one iteration, one new concept — with evidence for why you think each will perform. Post both ideas in #homework-week-3.
- Pick proven personas to anchor your ideas around. Then, come up with one iteration of an existing ad for that persona and why you think it'll work.
- Next, come up with one net new concept for a proven persona (either the same persona as above or a different proven persona) and your evidence for why it'll perform.
- Share both ideas in the Slack Community in #homework-week-3. Comment on other people’s work, add your thoughts, and our Creative Strategy Coaches will be reviewing too!
Sample - Completed Homework
Here’s my Week 3 Homework.
My iteration:
The iteration idea:
The persona this targets:
Link to the original ad that I’m iterating on:
My evidence this iteration will work:
My net new concept:
The net new concept idea:
The persona this targets:
My evidence that this idea will work:
Full instructions and extra tips
Make sure you watch the video above as Ed walks you through every step. Last week, we gathered a lot of research. We've looked at a lot of inspiring ads with formats we could copy. And we have ideas swirling in our heads.
Now we need to practice the skill of turning raw research into an actual plan for what ad creative to make next.
This is where things become real.
Average creative strategists look at competitors and are reactive, bouncing from one new idea to another.
The sheer act of prioritizing and mapping out creatives in advance will put you leaps ahead of your average creative strategist.
The best creative strategists plan and prioritize their ideas by impact and confidence, looking for evidence that a creative will work.
With ad production, we're going to invest a lot of time in getting an idea live, so we want to make sure that we're betting on the right ones.
So this is the skill you’re learning: prioritizing your ideas based on the most evidence for performance.
As Dara covered, these are some of the signals you should be looking at, ranked from high confidence to low confidence.
- Pressure tested past performance, aka iterations on existing winning ads.
- New formats for proven messaging.
- Partnership ads for proven performance and messaging.
- New insights and hooks from proven personas.
- New personas from thorough research.
- Because it's working for our competitors.
- Because it's our competitor's longest-running ad.
- Because our competitors did it.
You typically want to go from the top to the bottom, as 1, 2, 3, 4, 5 are the highest confidence signals you can have. The lower numbered ones—like “because our competitors did it”—are low confidence and shouldn’t be a big part of your creative pipeline.
For this week's homework, we suggest you use either 1, 2, or 4 in the list above to prioritize your ad ideas.
Step 1: Pick a brand
This can be your brand, a client you're working on, or you can do it for a sample brand.
If you don't know what to start with, use the brand you did last week in week two homework, or select Jones Road, HexClad, or Ridge.
Step 2: Identify an existing persona targeted by that brand
Note, we're not inventing new personas. That's a whole other exercise. Instead, we are looking for a persona that already works for the brand.
Beginning with a proven persona is our first piece of evidence that our ad idea will work vs. testing random ideas against a new audience.
If you use Motion and have connected your ad account, good news: you'll be able to see that right away with the Intended Audience tag.
These personas are picked up by Motion’s AI. Motion analyzes your ad creative and then understands which personas you're trying to target. Pick one from the personas Motion has identified for you.
If you don’t have your ad account connected to Motion, you can do this on a sample brand by giving Motion’s AI Chat Runneth this prompt:
You are an expert Creative Strategist. I'm going to give you access to a competitor's ad library. Your job is to analyze it and return a structured intelligence report.
Your analysis should cover two things:
Before you begin, you need to understand what a messaging angle is:
A messaging angle is the specific emotional lever or core claim a brand uses repeatedly to connect its product to a customer's desire or pain. It's the strategic "why should I care" — not the words themselves, but the underlying logic that drives the ad. A good angle is specific, repeatable, and can be summed up in a short phrase.
Think: Seed Health's "one poop a day" (a visceral, specific outcome claim), Dollar Shave Club's "razor companies are ripping you off" (a named enemy), or Native Deodorant's "natural and actually works" (objection crusher).
A messaging angle is NOT:
A messaging strategy or brand positioning ("we're the premium option")
A creative format ("UGC testimonial" or "talking head")
A hook ("Stop scrolling if you've ever struggled with X") — hooks are how you open an ad; angles are the reason it converts
A vague benefit ("better skin," "save time")
The test: Can you say it in one punchy phrase? Does it show up across multiple ads? Does it tap a specific pain, desire, or objection? If yes, it's an angle.
- Top 3–5 Audience Personas (inferred from ads only)
Look across all ads and identify the 3–5 most clearly targeted audience personas. Base your conclusions only on signals from the ads themselves — language, pain points, imagery, tone, and scenarios depicted.
For each persona:
Persona name (e.g. "Overwhelmed Founder", "Health-Conscious Mom")
One sentence on what signals in the ads point to this persona
One ad example — include the actual creative asset, either a video or static ad
Present each persona as a self-contained block. Lead with the ad example, not the explanation.
- Top 3–5 Messaging Angles
Identify the 3–5 messaging angles this brand repeats most. These are the underlying arguments or emotional levers — not just surface copy, but the strategic logic underneath.
For each angle:
Angle name (e.g. "One Poop a Day", "Razors Are a Rip-Off")
Which persona(s) from above this angle targets
One ad example — include the actual creative asset, either a video or static ad
Lead with the ad example. Keep explanations tight.
Format rules:
Use clean headers and short blocks — this is a reference doc, not an essay
Anchor with creative examples — either a video or static ad
Each persona and angle should fit on a single screen — no walls of text
Here is the ad library I want you to study: [INSERT THE NAME OF THE BRAND - E.G. “JONES ROAD BEAUTY”
This will show you the core personas and winning messaging angles.
Step 3: Find one low-hanging fruit idea based on a winning ad (aka iteration)
Using that persona identified, now come up with an iteration idea. This should be based on an existing ad that is proven. Aka, we’re betting on a high confidence signal.
Easy iteration ideas:
- Improve or reuse the visual hook
- Swap or shorten the body
- Introduce the product sooner or later
- Use the existing hook - but promote a new product or offer
- Add more social proof, a stronger offer, or a clearer CTA
Bonus cheat code from Dara!
“This is the EASIEST way to get a winning ad:
Step 1: Find your top-performing video ad in Motion.
Step 2: Look at the hook. (Take note of both the text overlay & audio portion)
Step 3: Extract the essence of that hook into a phrase or 3-4 words of copy.
Step 4: Put that into a static ad.”
**Step 4: Come up with one net new concept based on a winning messaging angle **
Using that persona identified (or you can select a different one if you like, so long as it is a proven persona), now come up with a net new concept.
A net new concept is an idea we haven’t tried before.
This could be trying a new format like a before-and-after ad, testing a new style of creator (such as older or younger compared to your existing ads), or trying a yapper ad if you’ve traditionally only used highly scripted UGC.
Net new concepts are untested. So how do we de-risk it? We make sure it is anchored to a proven persona and proven messaging angle.
Again, we want to be making creative bets based on evidence of what will likely work.
Step 5: Share your 2 ideas + evidence of why you prioritized these ideas in our Slack community, #homework-week-3
Sample - Completed Homework
Below is the sample homework Ed shared in the video above.
My iteration:
The iteration idea: Take the existing visual hook and angle of “Unlock a 6-figure salary” that was a winner and adapt it for our new content piece, Motion’s 2026 Creative Benchmarks.
The persona this targets: Marketing Professionals
Link to the original ad that I’m iterating on:
https://projects.motionapp.com/organization/69441477e6e360bb81e39da8/6944148b22af79295f8edea1/inspo/ad/1456086869567232
My evidence this iteration will work:
The original ad has a high thumbstop rate of 47% and got $15,000 in spend. It’s targeting one of our core personas—Marketing Professionals—and we’ve seen similar results from other ads that use the “Unlock a 6-figure salary” angle.
My net new concept:
The net new concept idea: “Motion from the POV a hiring manager.”
Pitch Motion’s new AI features - but from the perspective of the hiring manager and standing out to recruiters. In this video, a student uses Motion’s AI Chat Runneth to show up extremely prepared for a job interview with in-depth knowledge of the brand’s advertising strategy.
The persona this targets: Aspiring Creative Strategists
My evidence that this idea will work: we did a similar ad featuring Cate Wright that was a top performing ad for us. It got 42K in spend and had a high 39% thumbtop rate. I want to reuse the visual hook (as it really works) and adapt the angle of “stand out to recruiters” that appeals to our core persona of Aspiring Creative Strategists with a new script and new creator.