Zaria Parvez: > [VISUAL: Title card with a grid background. Text reads: "Motion presents", "CREATIVE STRATEGY SUMMIT 2026". A small box contains a wireframe globe icon.]
My whole talk today is about how organic and paid can actually be besties, especially in a world where I think we kind of like to silo ourselves and sometimes say like, this is my team, this is your team, we'll try to figure it out.
The title card animates. The text "NEW WORLD. NEW PLAYBOOK" appears. A "Watch the full event" button is visible. A grid of eight headshots of speakers appears on the right.]
> [VISUAL: A new slide appears. Title: "BUILDING AN ORGANIC PAID SYNTHESIS INTO YOUR CREATIVE ENGINE". Below, "WITH ZARIA PARVEZ" and the DoorDash logo. A headshot of Zaria Parvez is on the right.]
> [VISUAL: A new slide appears. A small video of Zaria Parvez is in the top left corner. The main slide text reads: "ORGANIC & PAID: they can be besties" with a handshake emoji below. The DoorDash logo is in the top right.]
Um, but before I go into that, I actually think my favorite part about all of this and working in social media in general, and if you know, you know, I could probably bullshit a team of marketers for like 45 minutes and maybe only like 5% of the room might actually catch on because working in social is a very unique trait almost. Obviously it's a job that many of us have, but a lot of people actually don't get what we do and if you say enough jargon, you can kind of get away get away with it. Um, but I will not be doing that today.
A new slide appears. Text reads: "think about: ALL THE TIMES YOU'VE ATTENDED A MARKETING TALK AND WALKED AWAY WITH NOTHING OTHER THAN 'swing big', 'take risks', 'just create'. ...yada yada yada". A hand emoji is below.]
Because I think there's been a lot of times where we've all really attended a marketing talk and I don't know, I've walked away with people just saying like, swing big, take risks and just create and like for me that is personally very frustrating because cool, how do I do that? What are the things? So my hope today is that you kind of walk away with something that you're like, huh, maybe that's a cool way of thinking or maybe that's something different that I just never thought of. Um, and I really try to break down like the steps that it took to get to something because like candidly, sometimes it's really well thought out and it's strategic. Other times it was a slack message at 2:00 AM that blew up and then we broke the internet. So that's just the reality of social. So I hope to kind of give you a view into all of that today.
A new slide appears. Text reads: "IF ANYONE HAS TOLD YOU THERE IS A SET FORMULA TO GOING VIRAL OR WAYS OF WORKING - THEY ARE TRYING TO MAKE MONEY OFF YOU. THERE IS no one size fits all. AND THERE NEVER WILL BE."]
Um, and I think the number one thing that I always try to anchor myself in, especially because coming from Duolingo and the success we've had there, like the reality is like if anyone has told you there's a set formula to going viral, they're genuinely just trying to make money off of you. I've had awesome experiences where we've gone super viral. I've gotten canceled before. I've gotten weird messages before. I've done it all. Um, but there really is no one size fits all and there never will be. And trust me, if I had the set formula for virality, I would not be here right now. I'd probably be on a private island somewhere and selling that formula everywhere. Um, so I'm still learning with you guys and like there are mistakes and things that I've also made and how I've like figured out like, okay, what is the right places to be? When is the right place to cross the line? When was it not and how do we like pivot and grow from that?
A new slide appears with a fire emoji and a red LEGO brick. Text reads: "What works for Duolingo, probably won't work for LEGO. What works for LEGO, probably won't work for VISA. What works for VISA, probably won't work for DoorDash. You get it."]
And I think like the reality is like what works for Duolingo is probably not going to work for like a Lego and what works for Lego probably won't work for a visa and what works for visa isn't going to work for a DoorDash. And like the reality is is like social people to us like breaking the internet, resonance, like that is important, but sometimes like you shouldn't let great get in the way of good. Like sometimes you don't actually have to break the internet or go incredibly viral to do the thing that the business needs. And I think that's something that we always kind of have to ground ourselves in. Like there's the needs that we have as creatives that excites us and then there's kind of the needs that the business has and how do we like reconcile and mesh both.
A new slide appears. Title: "BUT WE CAN TRUST social-first principles that can work across organic and paid." Below, a numbered list: "THEY HELP US UNDERSTAND: 1) WHAT WE'RE WORKING WITH 2) WHERE WE SHOULD BE GOING 3) WHAT ARE SHARED GOALS AND WHAT GOALS ARE OK TO BE DIFFERENT". On the right, a video of a woman laughing and covering her mouth, with a text overlay "YALL DOORDASH GOT ME DEAD ASF 🙌". The video then shows a screen recording of the DoorDash app.]
Um, but in my like couple years of working and doing this thing and breaking the internet here and there, I think there's like social first principles that I've really taken to heart and like these are kind of like what kind of guides really every campaign and every work I do even if it isn't like the most globally resonant. Um, and I think these principles that I'm going to share with you really help us understand like what we're working with, like what is the lay of the land of each company that we're at? Like it changes. Some places like truly value top of funnel, break the internet, go crazy. In some places don't care. And I think like that's actually okay and understanding where you want to prioritize is important. Um, also like where we should be going. We all know the internet changes nonstop all the time. Do we want to keep up with it? Do we want to stay in our lane? Do we want to do a mix of both? Like what is the vision? Because I think often as social people we can get lost in like day-to-day trends, but how do we make sure there's like a strategic vision beyond that? Or how do we make sure we're like staying on top of things and not getting lost in the sauce if that makes sense. And like what are shared goals and what goals are okay to be different. I think goal actually probably guides most of us in the workplace and like actually can be a deep source of conflict because if I'm a social manager and my goal is to go viral, but there's someone else on a different team then their goal is just to do sales, that might conflict very fast and obviously the best outcome is you do both, but like it doesn't always work that way. So like understanding the push and pull of like when you want to let go, when you want to be aligned and like when it's worth, you know, figuring out an escalation path and like which is the right way forward.
A new slide appears. Title: "what we'll cover today:". Below are three rounded boxes with emojis above them (phone, melting smiley face, house). Box 1: "THE PARTNERSHIP BETWEEN ORGANIC AND PAID. We have different goals, but we need each other to be relevant. How do we do it?!". Box 2: "KNOW YOUR PLACE IN THE ECOSYSTEM. Understand how you're seen in the world. Sometimes you don't need paid. Sometimes you don't need organic. And that's ok!". Box 3: "THE RIGHT SOCIAL ARCHITECTURE. Learning how to build the right team, principles and buy-in to do the thing."]
So, I really want to cover today, the main thing is like the partnership, right? between organic and paid. The different goals, how do we do it? Knowing your place in the ecosystem as a brand. Um, obviously like everybody wants to be the brand that people tattoo on themselves and that people are obsessed with, but like sometimes like it's okay if you're not. And sometimes you don't need paid and sometimes you don't need organic and like I think acknowledging that also is just as important as trying to do both and everything and everything all at once. Um, and then the right social architecture is something that like I picked up a lot from just seeing how other brands and other teams work and just conversations is like something we're not really addressing and talking about is like how do you actually build the right team principles and buy in to do the thing? Like I can yap all day about like this is what is needed, this is what a brand is, this is how you do all this. But if you have none of that foundation in place in the workplace and on your team, like it kind of doesn't mean anything because how do you resource what you need to do.
A new slide with a dark red background. Text reads: "How should paid and organic partner?"]
So those are the three areas I'm going to try to cover and hopefully like maybe there's things you can screenshot, send to your boss if you want to say I told you so. I'm sure nothing I'm saying today is quite revolutionary and like a lot of us are very intelligent people. You're here, you're excited. You probably know this, but sometimes you just need that extra from someone to say it else in a different way. Um, to help get that buy in. So, the first thing we're going to really talk about is like how should paid and organic partner?
A new slide appears. On the left, text reads: "THE RATE AT WHICH WE ARE CONSUMING SOCIAL CONTENT IS AKIN TO muzzle velocity". On the right, a black and white slow-motion video of a bullet being fired and hitting a target.]
Something I think about a lot and I'm sure many of us do is like the rate at which we're consuming social content is really akin to this idea called muzzle velocity, which like sorry to be a little bit gruesome, but the muzzle velocity is actually like the speed of a bullet leaves a gun. Like it's incredibly fast. And the way that we are consuming content is at this velocity even before like the ice melts in our morning coffee, right? So like when you have this much content coming at you, breaking through, like we all know this is so freaking hard. And like if you overemphasize on organic or overemphasize on paid, it's possible you're not going to break through. You're kind of just in this algorithm stuck and like having both of us work together is kind of what I guess cancels out this intense muzzle velocity.
A new slide appears. Title: "HOW TO ADAPT together:". It shows a timeline with four circular points. 1) "UNDERSTAND THE TREND FORCE" with images of "Rizzler" and Hasbulla. 2) "BRAND TRUTH" with an image of a DoorDash bag. 3) "YOU NEED MORE THAN SPEED TO WIN. ELEVATE." with an image of UFC fighters. 4) "SWEAT THE ASSETS." with an image of Hasbulla and "The Rizzler" meeting.]
So, I wanted to walk through a couple of examples because that's just like the easiest way for me to talk through it versus just like giving you vague swing big responses. Um, and these are like two examples of how at DoorDash we're trying to adapt together with organic and paid synergy. So, this is one of my favorite examples and this like would not have happened and have gotten the organic reach without our paid media team. Like period, that is they are the ones who did the thing. Um, and because of a paid partnership with like the the UFC. So, essentially, I don't know how memeble we are, but the Rizzler and Hasbulla are both two very huge memes and I kind of call them this thing called a trend force where no matter what, like you see the Rizzler everywhere, you see Hasbulla everywhere, and they both really have their own engaged audiences for pretty much the same reasons. They just look and act like memeble characters and people love to troll them online. And we were noticing this like popping up a lot just being fans of the internet on the internet and didn't really like register much about it, but they existed, that was a thing. And something that we always hold true and I've done this at Duolingo too is like what is a brand truth? Like if you have one thing you need to get across, no matter what, what is that? And for us, it's DoorDash is the 24/7 life assistant. Um, and I say this because like even if you really don't want us, you kind of need us sometimes and like that is kind of the reality of where we exist. Um, which I think is interesting because some brands like are deep in identity. Like people love Spotify because they love their music taste. Um, or people love, right, Duolingo for example because they love to talk about what language they're learning. I don't know yet if people love bragging about how much they've ordered on DoorDash because it kind of admits to like a human truth of sometimes we're lazy and we'll pay a premium to get something delivered. So for us like being a 24/7 life assistant sometimes means just making like the crazy happen and like even your dream your dream collabs. So we saw both of these like two figures on the internet. We were like, we could just do like talent collab posts, could just use them as an influencer play. Um, but what was really interesting is we actually at DoorDash have a lot of partnerships with like different sporting teams. Right now in the thick of like a World Cup campaign, but we partner with um UFC wrestlers a lot and we got this um, I guess heads up that like, hey, Hasbulla is going to be at one of these games. Like, do you want to do anything with him? And we're like, well, we might as well. Like we we should see what we can do. And our paid media team was like, well, like it's going to be streaming on TV, we're going to have some like ad placements. Um, is there something we can do in that moment when like Hasbulla and his team walks out onto the ring where there's like DoorDash banners. And we're like, oh man, another banner ad. Like, what are we going to do? And someone had the idea of like, what if we just handed Hasbulla like this DoorDash hot bag. Not sure really of what was going to come of it because like talent is talent, you can't control so much. And not only did he have this hot bag, he like came on stage and like acted like he was taking delivery photos. Like he kind of leaned all the way in because once again, he's a memeble character and it blew up. Like everybody was taking photos of this still. If you even type in Hasbulla DoorDash, you'll see so many like clippings and memes of this and like all we did was put a hot bag on him and like again, even like design theory, right? Like the red was just so bright in this like sea of black. And it just really popped out in this unexpected way and that all came truly from like a brand media placement. And then once we saw that blowing up, we were still thinking about the Rizzler and like we were kind of thinking of them separately. It was never a holistic play. But we were like, hey, like what if we like coordinate a reunion? Like this brand media moment was awesome. Like let's build it up on organic social. Like let's get clip farmers, let's do something crazy. So we worked with Caleb Presley and if you don't know him, he's like an awesome like sports commentator essentially, but he does like really fun interviews. And we were like, what if we had him interview the Rizzler and Hasbulla and make really fun content out of it? And it blew up. So like it went from this thing to IRL all the way to online and like breaking different corners of the internet. And kind of the way we've measured success at DoorDash is through share of voice. And like the formula that makes up share of voice is like owned, influencer and UGC. So it's really hitting like every corner of the ecosystem, which like emphasizes, right? Like social first does not mean social only. It does not mean organic social only. It means that everyone can play in this ecosystem and if we do it correctly, it can truly break through.
The slide is updated with more details and images for each of the four points, showing examples of social media posts, news articles, and a billboard related to the DoorDash campaigns.]
Um, again, this is like another example. Um, as you guys all know, the Knicks won the finals. Even if you don't care about basketball or you don't live in New York City, you know that the Knicks won the finals. And that pretty much took over our entire algorithms. And it was an interesting thing because like every brand obviously wants to jump in and figure out like, okay, this is what everyone's talking about. How do we do the thing? And I think what was really exciting here and like what I've been experiencing and pushing for at DoorDash is like, how do we get social to almost impact the app? Like, can you place a meme in app? And one of the most fun and exciting things here, again with like the 24/7 life assistant is we were able to do a free broom promo, um, because the Knicks swept. Uh, which was just like kind of silly. I think it was actually very cost inefficient. Um, but the paid media team and the promo team worked with us because of the brand resonance that this would have. And like, again, this could not have happened without the help of the product team. This kind of helped with paid when they put out, um, all of these like billboards around New York within like 48 hours talking about obviously the Knicks win, but also like this promo. And it kind of again created this ecosystem of all of us attacking from different angles to really make the thing happen. And Complex reported on it, it blew up on social. People were tweeting about it and it also became a really good indication of like how do you work within culture. Um, and we also have a partnership with the Knicks, so we got that IP to use that. So it really hit like all these teams that might not historically contribute in a way that you think to like virality, kind of pitched in and did the thing. So I share these examples because I do think it's possible for like paid and social to work together and like it is a bit archaic to think that like, hey, like we are separate, we work separate.
A new slide appears. Text reads: "It's important to realize that paid can stretch beyond programmatic and can also be influencer & talent - two very ripe territories for organic social. And sometimes, that synergy can lead to the best reactive work."]
And I'm like, yes, there are moments where there's a headache and we try to figure it out, but like there are examples that make make it go viral in different ways than you would expect from just like a content creator clipping together videos. And like, I think when we think about paid, sometimes like even I fall into this. I just think about programmatic and I'm like, okay, yeah, like whatever, they're doing what they have to do. But like I actually think influencer and talent, right? Are two very ripe territories of paid for organic social, and like that synergy can really lead to the best reactive work. And there's some obviously paid best practices for influencer, but like in a way, influencer as a whole, even if you use it organically, is a paid channel. And I think being able to expand that definition is like really important and I know like many have already like the creator economy is not a secret, like everyone who's using creators, but like how do you find these moments where you blow it up even more or like what can you do to think about all the different media channels that are in place to make something a reality? It can be funny. It doesn't have to be an annoying obnoxious ad.
A new slide appears. On the left is a photo of T-Pain. In the middle is a headline: "T-Pain Left Confused After DoorDash Repeatedly Tags Him in World Cup Posts". On the right is a screenshot of a tweet from T-Pain saying "I literally don't play soccer" and a reply from DoorDash.]
Um, this is one of my most favorite examples, which is what I'm in the thick of recently. Um, and we are sponsors of the World Cup and I think one of the biggest challenges that I've learned when you're an official sponsor of something, it actually sometimes is harder because you have way more IP rules and like things you have to follow. Um, and something that we were competing against is like our spend compared to other sponsors is like nothing. Like obviously we've all I'm sure have seen the amazing Adidas spot. spend like $95 million on that. and I was like fantastic, great. Um, and naturally our leadership was like, okay, but I want you to beat that. Um, so it be kind of came from this fun idea of I don't know how many people are soccer fans here, but Tim Payne is a New Zealand fan favorite. Um, he's just kind of blew up during the tournament. Like people just really loved him online. and we're like, okay, that's like interesting. like how do we break through? And um, we actually came up with this idea that we worked in partnership with T Pain. Like what if we just pretended that we confused Tim and Tim and T Pain? And like we did like a slew of tweets, um, during the New Zealand game, we had T Pain respond. Um, and then it just like blew up through the media of like he was like that he was confused, he didn't know what was going on. Then eventually, like we actually were like this is a partnership and like we sent this awesome video that I realized got shared as a screenshot and not a video. Um, but what's interesting is that like it brought up a lot of conversation too because like I actually think a lot of marketers did not like this. Um, but our consumers loved it, right? So now you're in a space of like, okay, who are you trying to please? Who is the right audience to do the thing? Um, and it ended up being like very successful for our business metrics. It was awesome for like our social share voice and we actually ended up beating Adidas in like the play at least for now, they'll probably I'll beat us again. Um, but like that's how like creative ideas can really like build and like the paid media team like helped us amplify this even more through boosting and so on and so forth. So I think there's all these fun ways and fun moments to be had more so than we realize sometimes. Um, and I I'm still learning too. Like there's moments where I'm like, I don't know, like did we cross the line? Maybe. Um, and like seeing what what really pays off in those moments.
A new slide with a dark red background. Text reads: "KNOW YOUR place"]
> [VISUAL: A new slide appears. Title: "YOU WON'T ALWAYS HAVE SUPERFANS: and that's ok". A Venn diagram shows "IDENTITY", "UTILITY", and "EMOTION" feeding into a central heart labeled "FANDOM". On the right, text reads: "IDENTITY + EMOTION = CULT FOLLOWING", "IDENTITY + UTILITY = MOVEMENTS", "UTILITY + EMOTION = GUILTY PLEASURE".]
The next thing I really want to talk about is like knowing your place. Um, you won't always have super fans and I think I kind of hit on that a little bit earlier, but I really think about like what builds fandom a lot because there's a lot of things that go into that and like the ideal fandom has like identity, emotion and utility all together. But also I think when you intersect, you can still fit into different buckets. So like, for example, like I actually think DoorDash is like utility and emotion. Like I think we're more of a guilty pleasure. I don't think we're like starting movements or we have a cult following, but a lot of the times if you were told you got free DoorDash, you would probably jump on that because that means one less thing to do. And like my goal then as like a brand person is like, okay, if I have utility and emotion, how do I get to the identity? And like that for me is like a really interesting like north star goal of like this is what I need to focus on. Like what are the things that invoke identity with DoorDash. But perhaps you work at a brand, right? where like you have a cult following, like identity and emotion is everything. But like people really don't know the utility. Like that was for example, like that was something we dealt with at Duolingo. People were attached to the bird, people loved the fact that they were learning a language, but what was constantly in question is is this an effective way to learn a language, which made right? question utility. So I think those are the things that like these three facets allow you to really think strategically, frame up like your strategic like frameworks that you use internally to really build through fandom. Like I personally think fandom is the ultimate goal that we should all be working towards as brand marketers. Um, and like it just takes time to get there. And obviously there's so many like like I think K-pop is such an interesting space to look at, which is actually where this was built from of like why did K-pop become such a pervasive fandom and like what are the things they provided.
A new slide with a dark red background. Text reads: "THE RIGHT SOCIAL architecture"]
Um, so yeah, this is like one of my favorite North stars of like how do we strategically talk to each other in the right way. Um, and then lastly, really the right social architecture.
A new slide appears. Title: "THESE CAN change everything". It's split into two columns. Left column, "GREEN FLAGS", lists: "A clear definition of social-first.", "Social team being brought in during every stage & actioning on feedback", and "Social lead being the Creative Director with the same resources a creative team would have". Right column, "RED FLAGS", lists several quotes like "This will be huge on social" and "We need this idea to go viral".]
How do we build the right teams to do the things that are needed to like make the shit happen? Um, I feel like this is probably not new news to any of you if you all work in social. Um, but I think it's worth saying out loud. I think it's worth maybe screenshotting and sending to your boss one more time. Um, but like there are a lot of green flags and red flags. I think like for me a green flag of like any org, and these are like the things that are needed I think to make the thing happen. Um, before you even like jump into like fandom work and all that. A really clear definition of social first. And I think what happens is because it can be so vague and so subjective, all of a sudden people think that what they're doing is social first and actually maybe it's just a cool thing that you like to do and maybe is talking to the brand versus actually being social first. So like the way I've consolidated it for this talk is like good enough to share in a group chat if you didn't work at DoorDash, which I think is like the biggest underlying part. If you didn't work at the company you're trying to promote. I think we love as marketers to talk about our own work. But like what would actually break through? Like would you share this if you didn't work at the company you're working for? And I think that for me is like a really great filter. Um, social team being brought in every stage and acting on their feedback, right? So like you're putting them upstream in these conversations and you're actually acting on what they're saying. I think a lot of the times we're starting to see that like they're joining upstream conversations, but what they're saying is it actually or like people just aren't acting on it. And my fundamental belief and I think this is happening and I think the orgs that accept this and act on this, um, are going to be the next change makers and that's actually like social people are the new creative directors and I I know that might be a little bit contentious. But I think like when you look at creative teams across different marketing orgs and so on and so forth, they're quite often well-staffed, well-budgeted, well-taken care of, right? And like we've accepted that because that's kind of the way things have been. But what if there was a world where social teams had the same budget, the same production support, the same project management, executive creative say, what would that world look like? And like to be honest, I feel like I've lived that world at Duolingo and like the success we've had was because social was treated the same as creative. And I think even at DoorDash we're experiencing that to the World Cup we were able to do these things because I have been provided all these things to make it happen. Um, and so for me like these red flags on this other side are kind of like the antithesis to all of this stuff. Like you cannot expect to go viral or be number one if you're like having people say like this will be huge on social. Social is not like present any of the conversations. We need this idea to go viral. Somebody already pre-determined something, already decided how it's going to be and then just wants you to use social as a distribution channel, then it doesn't work and then they say why didn't this go viral? And it's probably because you gave me a cut down. And then it always goes to the end. Okay, next time for sure we'll do social first, but there's already like five ideas playing in the pipeline and we're just going to go to the same process again. And I think this cycle of red flags is like something we can all attest to. We've all been there. And if you were in leadership or if you were trying to advocate for more social, I really think these red flags need to be shifted to those green flags and like it is impossible to do all the other stuff until that architecture is there for your team.
A new slide appears. Title: "A big one to think about... goals." A Venn diagram shows two overlapping circles. The left is labeled "MY GOALS", the right is "THEIR GOALS", and the overlapping section is "Our goals".]
And really the last thing that I want to talk about with architecture is like goals. I think this Venn diagram is totally okay. There is my goals, their goals and our goals and it's up to you how you want to allocate your time across these spaces. And like the reality is is that it's not always going to be our goals, like just given the systems that we work in and like how big our organizations are. And like paid and organic are different. They're are going to be moments where they have different goals. But understanding a universal alignment and acceptance of like what percentage of your time will be spent to each is really important. Um, I live deep in the organic social world and a lot of the time where I find myself frustrated or things aren't working or I'm not building that fandom, it's because even though I should be in like the my goals or maybe our goals territory, I'm stuck in the their goals territory. And like this framework, even how stupidly simple it is, helps come back to like what are we prioritizing and how are we doing it? Um, because a lot of even like burnout for social people. Like a lot of it stems from this because you're doing work that doesn't excite you. You're doing work that makes you feel bogged down. And like this framework has allowed us even at DoorDash and with my team, like whenever my team is like, I'm frustrated. I'm like, okay, where are you on the diagram right now? And like it helps kind of recenter yourself of like, how do I frame this to the business to show what needs to be true to make it happen?
A new slide with a dark red background. Text reads: "CREATING A MAGNETIC BRAND is about iterating small, but dreaming big."]
Um, and I think like we all want to have magnetic brands. Like that is why we're talking about paid and organic. That's why we're talking about all these things together. And like at the end of the day, truly, truly, truly, it's about iterating small and dreaming big. Like I feel like one of the biggest things and one of the scariest things I've done in my career is like leave Duolingo and join DoorDash. I kind of had it in the bag at Duo. I knew what I was doing. I had the social virality, I had it all there. But like I fundamentally believe that a traditional brand can be social first and I want to be a person that can work to make that social first. And that is my big dream for a magnetic brand of what DoorDash can be and it's all about iterating small. It has started maybe sometimes from like a couple tweets. Maybe one of those tweets went viral. Maybe one of those tweets got me canceled. Now it's built into campaigns and then maybe it'll be a Super Bowl spot. And I think that is grace that I think we have to give ourselves. Like not everything is going to be a smash hit. Like I've been at DoorDash for 10 months and I share two examples. Like best believe there's so many things that flopped, but like sometimes you just got to flop to fly. And I think like this is important for us to keep in mind. Like sometimes it's just those small iterations that get you one step closer and one step further into your goal, whether that's figuring out the relationship with someone who's difficult on paid or difficult on the organic side or breaking the internet or like converting sales. Like all of us have different goals. It's just important to know what that dream big territory is for you and how you can iterate every day.
Zaria Parvez is now shown in a full-screen video view, smiling.]
Um, but yeah, I'm so excited and happy to be here with you guys and I think we have time for Q&A.
The screen splits into two video feeds. On the left is Zaria Parvez. On the right is Evan Lee, who is smiling.]
Um, so I'm going to open up the floor and we can start yapping together.
Evan Lee: Flop to fly and needs to be on a t-shirt. Everyone's quoting it in the chat. Everyone has to go blow up social, but flop to fly is so good. I love it.
Zaria Parvez: We got to make sweatshirts or something, merch for after this motion merch.
Evan Lee: Drop them. Everybody show love in the chat. That was incredible. That was incredible.
Zaria Parvez: Thank you.
Evan Lee: Okay, there are a bunch of questions that have popped in here and I'll I'll pull them up one by one, but everybody is a quick reminder. Look to your top right. You got the Q&A tab. Get your questions in and keep uploading so we can bring them on stage.
A question from Isabella Callegaro Santos appears on screen: "What is your routine to stay current with viral moments and strategies to blow up?"]
The first one I wanted to pull up is from Isabella. So Isabella asks, what is your routine to stay current with viral moments and strategies to blow up?
Zaria Parvez: Yeah. Um, I mean, I think just as any social manager, right? Like scrolling on the internet, being part of the zeitgeist, watching the things, doing the things. But also, I think it's really important to like kind of deep dive into a section of culture that you'd have no idea about. Like for me, something that was really interesting was like Korean beauty standards, which is crazy because I've seen so much like K-beauty blow up, right? in the US. And I'm like, why is this happening? Like I actually don't know why that's happening. And like, learned so much about that. To this day, have not executed or used that, but I'm like, I could see that one day becoming a campaign. Who knows. And I think like those are the things where it's like you have short-term moments, but also you need to invest in like your long-term architecture so you have that in your back pocket of like when the time comes, you know how to strike and like that's kind of also invoking curiosity. Like I think it's important to like not only just, yeah, I think it's just important to be curious about the world around you and just like ask the questions.
Evan Lee: Huge. I love the uh the curiosity that's being shown to be able to figure that one out. So it makes so much sense. The other piece that it makes me think of is like research in general. So one version is like know what's going on in the world. And then the other thing I'm thinking about is like as it relates to uh like the company and the brand. So it's like product as well as persona work. So you talked a lot about uh like frameworks throughout your presentation. I'm wondering if there's any like persona work in your process or like understanding the product and like frameworks you have around that. I'm curious how you tend to to approach that side of things.
Zaria Parvez: Yeah, I think what's interesting is like there's the ideal persona and then there's the reality persona. So like this is actually something I had to like kind of tackle at DoorDash where like like the reality is is like the higher you get up at a company, I think people think very highly of themselves at this company and they're like, everybody like loves DoorDash. And I'm like, actually we're kind of lame on social guys. And like this is the reality of how people actually see us. And like people just want promo codes from us. Like that is kind of the reality. And I think building into that, like that allowed us to like actually push things in work more forward. Like the sweeps Knicks promo was like all because people just want free shit from DoorDash. I was like, let's just give them free shit that's relevant. And now you've kind of made both camps happy. So I think like the hard part is like how do you frame kind of a negative perception that people might have about your brand in a positive way and use that. Um, I'm still learning. I mean, it's been 10 months of the role so far and there's like moments that have been awesome, moments that have flopped, but yeah, it's it's it's the reality I guess of the game.
Evan Lee: So one of the cool things you mentioned there is like talking to leadership and people within the org.
A question from Noor Ally appears on screen: "HOW did you get the Duolingo team to let you go AWOL with the social account? I want to be able to do that with my consult clients"]
And then Noor has a question. So, how did you get Duolingo team to let you go AWOL with the social account? I want to be able to do that with my consulting clients.
Zaria Parvez: Okay, my friend. I mean, the the reality of the situation is like, so Duo was a very small startup when I started. I started in 2020. I was like one of two marketing people on the team. So the reality was is like there was a zero budget but also like zero care at the time. So like with that, I feel like that's where the creative freedom was allowed to shine and like that's what I always tell teams because people love quoting Duolingo. Like they had a zero dollar budget. And I was like, there was also 100% creative freedom. You could not give a zero dollar budget and then dictate zero creative freedom. Um, so it was less of like me convincing and more of like them agreeing that hey, if we're not giving you the thing to do the thing, go ahead and do what you think is best with what you have. Um, so that mentality was already there and I think that's that was part of why I actually joined that company as well. So I will say like your interview process is also very important. Like if you can, try to prioritize places that give creative freedom even more so than budget because I think that's where you can actually shine. Um, but of course everyone has their specific situations. It's not always the case.
Evan Lee: And as as time has gone on, so that's super interesting, but as time has gone on, uh has it always been the same when there's been full buy in from leadership or was there like you had to to communicate through it and get the world get them to see the world as you do.
Zaria Parvez: It's a tug and pull. So like at Duo, I had full buy in, but then the expectations were so high, right? Like hit like I think at one point, one of our like OKRs was like to hit 1.5 billion organic impressions a quarter. Like that's insane, guys. And then, but like at DoorDash it's almost the opposite where like because they're still learning social first, there's a lot more explaining to do about like what it is and why it matters and how it converts the business. But like then there's like a little bit more budget to do the thing because they're used to like a higher budget, higher spend kind of situation. Um, so yeah, and then that was like a big part of my like analysis before I joined. I was like, how much freedom? Like what is what are we dealing with here? And if you're trading off freedom, are you giving me money? Um, and that's just like, yeah, it's just part of the process of figuring out the right team that you want to work for.
Evan Lee: I love the example you shared earlier too where you're like, okay, I know you all think everyone loves DoorDash, but like here's the reality of what people are saying. I'm wondering if you have any other tips for folks on like navigating that conversation to be able to to to get the buy in that you need.
Zaria Parvez: Yeah, I think like I honestly feel like the data and the numbers speak the most. Like what we would do is like we would literally just like download Tik Toks and show the engagement on people shitting on us, right? Like that's just the reality and I feel like people can't fight what community is saying. And then like the vision of okay, now this is the yes and and what we're going to do with it. I think it's like probably a shitty situation to be like, everybody hates you anyway. Um, so like this is everybody hates you and this is how we're going to transform it and this is the time it's probably going to take us to do the thing. We're probably going to strike out a couple times, but like we're also going to try to win and I think getting those small wins also kind of help build your case each time. Um, but yeah, I think there's been moments candidly where like I've taken risks that my bosses were not okay with and then eventually it paid off. So I think also having your own creative conviction. Like you were hired to do a thing. Sometimes you just got to swing and do it and like that is fearful and scary. I I've been there before, but I think creative conviction is really important as a social person.
Evan Lee: I freaking love that. How did you get to the point of having that conviction?
Zaria Parvez: I think, I mean, I've I've I think it's a personality thing. I I mean when I was in third grade, I got suspended for like making a YouTube video go viral by accident for like why kids shouldn't be attending my school. So like maybe it's just like a Zaria pattern thing. But I think also like when you're you also know kind of how far you can push it with like the people around you. And I've actually noticed that like if you speak with enough confidence, enough even enough bullshit, man, like gain the confidence of a white man and most people will actually like agree with you. And I think we forget that. Like when you speak confidently about your work, it's all marketing is gut at the end of the day and if you show you have guts, people are usually like, well damn, like if they feel that strongly, like maybe we should try it. And I've seen that work more often than not guys, I swear. Just speak with confidence.
Evan Lee: That makes me so happy. Uh, I want to keep pulling on this thread along the lines of uh, uh, like multiple people involved.
A question from Missy Galang appears on screen: "Because organic social is highly visible, it gets a ton of scrutiny from founders and execs, which usually means last-minute, calendar-disrupting requests. How do you protect your content strategy from shiny object syndrome up top without damaging those internal relationships?"]
So Missy has a question here. So Missy asks, because organic social is highly visible, it gets a ton of scrutiny from founders and execs, which is usually means last minute calendar disrupting requests. How do you protect your content strategy from the shiny object syndrome that pops up along the way?
Zaria Parvez: Okay, so what I've done at DoorDash is I've called it the 70-30 where I pretty much made this strategy where I was like 70% will be my beautiful content strategy and 30% will be your time to shine of what you guys wanted to be. And like that and I explain like why the 70% is important, why we've decided like this is like a specific like this is why the number we're focusing on because of brand awareness and so on and so forth. However, we understand that there are like business needs and desires and like we do not control everything, but that 30% will will reserve for you. And I think that's been like a good cadence, um, where like it kind of makes both parties happy and it doesn't really affect your strategy to the extreme, but it still gets you that collaborative spirit that's important sometimes in working in corporate.
Evan Lee: So Zaria, you've now been through this journey of like starting out at Duo on a really small team, no budget, creative freedom and now experience the hyper growth and being at DoorDash.
A question from Natasha Laguerre appears on screen: "WHAT ADVICE DO YOU HAVE FOR THOSE WHO ARE ONLY A ONE PERSSON TEAM?"]
Natasha has a question here. So going back with all of this experience you've now accumulated, let's imagine you're a one-person team again. Where are you starting? How are you starting?
Zaria Parvez: Yeah. Um, I mean, something that people don't know about me is I was at Duolingo for five years and for three years, I was a one-person team. So I have much love for this question. I think the biggest thing is like being able to scope out like what you're if you're a one-person team, like we all have our strengths and we all know like, hey, I'm actually more of a creative social person or I'm more of a strategic social person and figuring out that framework to let your specific strength shine and do what you can with what you have. I also think like realistic expectations. Like I always have tradeoffs. Like you want this much work, but you only have this much head count. Like realistically it's probably not going to happen. And I think just being honest about that, a lot of the times actually opens up people's like like people tend to be if you're working for a non-toxic place, usually they're understanding and like understand that tradeoff conversation and a lot of people just don't know. Like they think social people truly can do 20 jobs. But like if you articulate the why and this is what I'm focusing on, I've noticed that like usually that is okay. Like even at Duolingo before when before we got like contractors and more help, like I was like, I actually can't do filming until I figure out like what our community strategy is. So I'm just going to focus on commenting and this is why. And for a long time, like we would just comment and like do community management and like got more filming expertise probably like six months into it. So like it's kind of that slow build and being okay with that, but communicating that slow build versus just like silently dying inside.
Evan Lee: It makes so much sense. Uh, the place that I want to get into now is like more around the process of making something come to life.
A question from Noah Cervantes appears on screen: "How long does it take from ideation -> approval -> execution for something as finite/timely as The Finals?"]
So Noah has a question here. How long does it take to go from ideation to approval to execution for something as uh finite timely as the NBA finals?
Zaria Parvez: So, oh man, this is a fun one. Um, so it actually depends. Previously, I've heard like before my time at DoorDash, this was a longer process, but what we've done now is like we've actually built in like with leadership, like there are going to be like three or four times in the quarter that are going to be reactive and we want to get scope from like the paid media team, all the way to like whoever's running the promo team to be like this is a brand activation, we have to go. So like the next thing actually turned around, I think in 24 hours. Um, which is crazy because like distributors and all of that. And trust me, we still get like our wrist labs and people get annoyed. It's not like everyone's like, "Yay, 24 hours, let's do it." Um, but it is a conversation, right? Like that is like in our planning conversations that we need reactive to do the goals that you're asking us to do and we need help from these teams. Um, and I also say like find your supporters. Like there are people in the business that like want to make cool shit. Like I found someone like on our gift cards team that's like in product, but just loves the internet. and he's like, I'm always down to like ping me and let me know and like let's make it happen. So like finding those advocates, I also say like make friends in low places. Like one of my like account level ones is one of my besties because I'm like, I need you to prove these things fast so I can move with these creators, right? Like those actually tend to be the people who get the shit done. So like find your allies across the org, um, and that helps move things faster as well.
Evan Lee: That is so good. And then speaking of the process a little bit more here, so love that that one came together in 24 hours. I'm wondering, uh, if you have a set process where it's like these are the steps we go through. We ideate together, we then brief together, we then engage the creators and walking through that process.
Zaria Parvez: Yeah, sure. Um, so I would say like first step is usually somebody frantically sending a text message or a slack message being like, I have an amazing idea. And this is just like the honesty of it. I wish it was like, and then we present in this huge deck. Um, and then like, again, I think it comes back to that creative conviction. Like I have an amazing team. I can be on top of every single thing they're doing. However, if somebody's like, like trust me on this, like I know this is going to hit, I'm going to trust you. Like that's why I hired you. So like this like broom like sweep, like I am not a basketball person guys, like not at all. And so when they were like, please, like we have to give out these free brooms. I'm like, God damn it. Okay, let's figure out how to do this. Um, and then my job I feel like as a director is like, let me get the right people in the right room. So like we figured out like this was the idea, let me find the right promo person, the right retail person. Let's ask if this is even possible. And so that turned into a quick slack channel with like again the advocates, accountant, legal and strategy and operations. Those are like my three besties. Got them in there, shared the idea and again when that when people see that conviction, they're like, fuck, let's like make this happen, this is dope. And so then the brief was honestly just like, hey, this is my idea, what needs to be true to make this happen. Um, and then usually from there it goes into like, okay, these are sorry, I need to talk to this person and need to unlock there. So a lot of it is like chasing people down. Um, but I think because we've built in that need for reactive, people are more like it's less of a process and more of like, okay, this is one of our moments that we're all going to hate each other for 24 hours, but like let's get it done.
Evan Lee: You had mentioned in there it's like uh having the trust in your team that you've been able to build. I'm wondering if you have any frameworks of how you approach hiring uh and the types of people that you tend to hire.
Zaria Parvez: So, my biggest thing is like I always hire for ideas. I don't really care like what school you went to. I don't even care if you have a degree. Um, for me it's really important that like, again, I keep saying creative conviction, but you have ideas that you're excited about and want to execute. And I actually I'm totally okay if like your idea is a flop. Like it is okay. Like I just want to see that like you want to push something forward and that energy is there. And we often we see that like you see that in an interview. Like you can tell when somebody's excited. I do think like a take-home task is really helpful in that. I know that can be a little bit contentious. But like that helps me see like your ideation and like how you're thinking through things. Um, so yeah, I feel like that's where I focus more again than like your resume. Like I I do a logo and I hired um, one of my favorite hires who was now full-time was a college student who was a dancer and we were doing some like dancing Tik Tok and I was like struggling with filming. He was just part of the dance group. Like that was it. He was supposed to be a mascot. He was like, yo, let me help you out real quick. And like grabbed my phone, was like doing all these editing tricks and I'm like, so do you need a job? Like I think to me like those are the moments where you're like, yeah, like, you know, like show me what you got and to me that's the most important versus like what school you went to and so on and so forth.
Evan Lee: I love it. I love it. I'm um I'm now thinking of so I'm just looking through the questions here.
A question from Aleenah Ansari appears on screen: "How does your approach to personal branding with social vary from what you do for brands on social?"]
The other place this now takes me is like back to your vent diagram that you had. So it's like taking a step back and being like, wait a second, like where does it fall? And then uh Alina asks, how does your approach to personal branding with social vary from what you do for brands on social?
Zaria Parvez: That's such a good question. Um, number one, two and three thing that I feel like was the best thing I did for myself was accidentally build a personal brand in the midst of all this. Um, my dream job, even before like Duo was kind of like my first job out of college, I was just experimenting with where I wanted to go. I love like writing and I actually wanted to be a journalist, but journalism did not make enough money at the time. So I was like, okay, I guess I'm going to just do a lingo for now and see what happens. Um, so LinkedIn almost became, I don't know why I chose LinkedIn in the beginning actually. Like I should have chose Substack or something, but whatever, learning. Um, and I was like, I just want to write. Like I want to write about things that I'm experiencing as this new grad, things I'm experiencing like at Duolingo and this was even before like Duolingo was what it was. And I think that allowed me to like build my personal voice and brand and then I just kept going with it. Um, so I feel like my personal brand will always be like I'm a very genuine I hope it comes off, but I try to be very genuine. Like to me that is really important because I think there's a lot of bullshit in marketing and I think it's really important to like be honest about the reality of things. Like even with Duolingo, I often say like, yes, I worked my butt off. However, it was also right place, right time, right moment, right hit on the algorithms. Like there are a lot of things that work to make somebody successful. And so my hope is like to kind of put that curtain down for people to show like I also mess up. I am not like there's moments where I have no idea what I'm doing where I get nervous before a talk or I get nervous when I'm like talking to exx or I'm not pounding the table the way I should be and like these are the lessons I learn. So I just try to be genuine in that so everyone knows that like, hey, can I learn from you too because I'm also in it with you guys. Like it's it's a two-way street.
Evan Lee: Uh, something I'm curious about here is like was was writing your initial like love in terms of a format to communicate?
Zaria Parvez: Yeah. I love long form and no one appreciates long form these days. And like now I'm like and then I got stuck in five-second TikTok world, but yeah, my love is like, yeah, is long form journalism. Give me a morning newspaper and I will have a great weekend. Like that is that is what I genuinely love. And maybe one day I'll go to journalism, who knows.
Evan Lee: I think there's something in there though like of of being able to start because I was going to ask like how you've honed your communication over time, right? But it sounds like it's started from a really strong place and then it's more like stripping it away. So what matters more when you have to condense it like a five-second clip.
Zaria Parvez: Like reflecting on your work is actually really helpful. Like even for example, like making this deck right to present to you guys. Like I have to be like, oh wait, how did I actually think about this? Like what are the things that I was actually trying to pay attention to because as social people, we work so fast that we like sometimes actually forget like it becomes such a native knowledge to us that I I think this is important like in the corporate world to be able to articulate. And so sometimes just writing and like reflecting on like this campaign happened and these are all the things that I did to get there is helpful for like your own growth too, like within a company and within an org.
Evan Lee: So Zaria, you've now been through this journey of like starting out at Duo on a really small team, no budget, creative freedom and now experience the hyper growth and being at DoorDash.
A question from Natasha Laguerre appears on screen: "WHAT ADVICE DO YOU HAVE FOR THOSE WHO ARE ONLY A ONE PERSSON TEAM?"]
Natasha has a question here. So going back with all of this experience you've now accumulated, let's imagine you're a one-person team again. Where are you starting? How are you starting?
Zaria Parvez: Yeah. Um, I mean, something that people don't know about me is I was at Duolingo for five years and for three years, I was a one-person team. So I have much love for this question. I think the biggest thing is like being able to scope out like what you're if you're a one-person team, like we all have our strengths and we all know like, hey, I'm actually more of a creative social person or I'm more of a strategic social person and figuring out that framework to let your specific strength shine and do what you can with what you have. I also think like realistic expectations. Like I always have tradeoffs. Like you want this much work, but you only have this much head count. Like realistically it's probably not going to happen. And I think just being honest about that, a lot of the times actually opens up people's like like people tend to be if you're working for a non-toxic place, usually they're understanding and like understand that tradeoff conversation and a lot of people just don't know. Like they think social people truly can do 20 jobs. But like if you articulate the why and this is what I'm focusing on, I've noticed that like usually that is okay. Like even at Duolingo before when before we got like contractors and more help, like I was like, I actually can't do filming until I figure out like what our community strategy is. So I'm just going to focus on commenting and this is why. And for a long time, like we would just comment and like do community management and like got more filming expertise probably like six months into it. So like it's kind of that slow build and being okay with that, but communicating that slow build versus just like silently dying inside.
Evan Lee: It makes so much sense. Uh, the place that I want to get into now is like more around the process of making something come to life.
A question from Noah Cervantes appears on screen: "How long does it take from ideation -> approval -> execution for something as finite/timely as The Finals?"]
So Noah has a question here. How long does it take to go from ideation to approval to execution for something as uh finite timely as the NBA finals?
Zaria Parvez: So, oh man, this is a fun one. Um, so it actually depends. Previously, I've heard like before my time at DoorDash, this was a longer process, but what we've done now is like we've actually built in like with leadership, like there are going to be like three or four times in the quarter that are going to be reactive and we want to get scope from like the paid media team, all the way to like whoever's running the promo team to be like this is a brand activation, we have to go. So like the next thing actually turned around, I think in 24 hours. Um, which is crazy because like distributors and all of that. And trust me, we still get like our wrist labs and people get annoyed. It's not like everyone's like, "Yay, 24 hours, let's do it." Um, but it is a conversation, right? Like that is like in our planning conversations that we need reactive to do the goals that you're asking us to do and we need help from these teams. Um, and I also say like find your supporters. Like there are people in the business that like want to make cool shit. Like I found someone like on our gift cards team that's like in product, but just loves the internet. and he's like, I'm always down to like ping me and let me know and like let's make it happen. So like finding those advocates, I also say like make friends in low places. Like one of my like account level ones is one of my besties because I'm like, I need you to prove these things fast so I can move with these creators, right? Like those actually tend to be the people who get the shit done. So like find your allies across the org, um, and that helps move things faster as well.
Evan Lee: That is so good. And then speaking of the process a little bit more here, so love that that one came together in 24 hours. I'm wondering, uh, if you have a set process where it's like these are the steps we go through. We ideate together, we then brief together, we then engage the creators and walking through that process.
Zaria Parvez: Yeah, sure. Um, so I would say like first step is usually somebody frantically sending a text message or a slack message being like, I have an amazing idea. And this is just like the honesty of it. I wish it was like, and then we present in this huge deck. Um, and then like, again, I think it comes back to that creative conviction. Like I have an amazing team. I can be on top of every single thing they're doing. However, if somebody's like, like trust me on this, like I know this is going to hit, I'm going to trust you. Like that's why I hired you. So like this like broom like sweep, like I am not a basketball person guys, like not at all. And so when they were like, please, like we have to give out these free brooms. I'm like, God damn it. Okay, let's figure out how to do this. Um, and then my job I feel like as a director is like, let me get the right people in the right room. So like we figured out like this was the idea, let me find the right promo person, the right retail person. Let's ask if this is even possible. And so that turned into a quick slack channel with like again the advocates, accountant, legal and strategy and operations. Those are like my three besties. Got them in there, shared the idea and again when that when people see that conviction, they're like, fuck, let's like make this happen, this is dope. And so then the brief was honestly just like, hey, this is my idea, what needs to be true to make this happen. Um, and then usually from there it goes into like, okay, these are sorry, I need to talk to this person and need to unlock there. So a lot of it is like chasing people down. Um, but I think because we've built in that need for reactive, people are more like it's less of a process and more of like, okay, this is one of our moments that we're all going to hate each other for 24 hours, but like let's get it done.
Evan Lee: You had mentioned in there it's like uh having the trust in your team that you've been able to build. I'm wondering if you have any frameworks of how you approach hiring uh and the types of people that you tend to hire.
Zaria Parvez: So, my biggest thing is like I always hire for ideas. I don't really care like what school you went to. I don't even care if you have a degree. Um, for me it's really important that like, again, I keep saying creative conviction, but you have ideas that you're excited about and want to execute. And I actually I'm totally okay if like your idea is a flop. Like it is okay. Like I just want to see that like you want to push something forward and that energy is there. And we often we see that like you see that in an interview. Like you can tell when somebody's excited. I do think like a take-home task is really helpful in that. I know that can be a little bit contentious. But like that helps me see like your ideation and like how you're thinking through things. Um, so yeah, I feel like that's where I focus more again than like your resume. Like I I do a logo and I hired um, one of my favorite hires who was now full-time was a college student who was a dancer and we were doing some like dancing Tik Tok and I was like struggling with filming. He was just part of the dance group. Like that was it. He was supposed to be a mascot. He was like, yo, let me help you out real quick. And like grabbed my phone, was like doing all these editing tricks and I'm like, so do you need a job? Like I think to me like those are the moments where you're like, yeah, like, you know, like show me what you got and to me that's the most important versus like what school you went to and so on and so forth.
Evan Lee: I love it. I love it. I'm um I'm now thinking of so I'm just looking through the questions here.
A question from Aleenah Ansari appears on screen: "How does your approach to personal branding with social vary from what you do for brands on social?"]
The other place this now takes me is like back to your vent diagram that you had. So it's like taking a step back and being like, wait a second, like where does it fall? And then uh Alina asks, how does your approach to personal branding with social vary from what you do for brands on social?
Zaria Parvez: That's such a good question. Um, number one, two and three thing that I feel like was the best thing I did for myself was accidentally build a personal brand in the midst of all this. Um, my dream job, even before like Duo was kind of like my first job out of college, I was just experimenting with where I wanted to go. I love like writing and I actually wanted to be a journalist, but journalism did not make enough money at the time. So I was like, okay, I guess I'm going to just do a lingo for now and see what happens. Um, so LinkedIn almost became, I don't know why I chose LinkedIn in the beginning actually. Like I should have chose Substack or something, but whatever, learning. Um, and I was like, I just want to write. Like I want to write about things that I'm experiencing as this new grad, things I'm experiencing like at Duolingo and this was even before like Duolingo was what it was. And I think that allowed me to like build my personal voice and brand and then I just kept going with it. Um, so I feel like my personal brand will always be like I'm a very genuine I hope it comes off, but I try to be very genuine. Like to me that is really important because I think there's a lot of bullshit in marketing and I think it's really important to like be honest about the reality of things. Like even with Duolingo, I often say like, yes, I worked my butt off. However, it was also right place, right time, right moment, right hit on the algorithms. Like there are a lot of things that work to make somebody successful. And so my hope is like to kind of put that curtain down for people to show like I also mess up. I am not like there's moments where I have no idea what I'm doing where I get nervous before a talk or I get nervous when I'm like talking to exx or I'm not pounding the table the way I should be and like these are the lessons I learn. So I just try to be genuine in that so everyone knows that like, hey, can I learn from you too because I'm also in it with you guys. Like it's it's a two-way street.
Evan Lee: Uh, something I'm curious about here is like was was writing your initial like love in terms of a format to communicate?
Zaria Parvez: Yeah. long form and no one appreciates long form these days. And like now I'm like and then I got stuck in five-second TikTok world, but yeah, my love is like, yeah, is long form journalism. Give me a morning newspaper and I will have a great weekend. Like that is that is what I genuinely love. And maybe one day I'll go to journalism, who knows.
Evan Lee: I think there's something in there though like of of being able to start because I was going to ask like how you've honed your communication over time, right? But it sounds like it's started from a really strong place and then it's more like stripping it away. So what matters more when you have to condense it like a five-second clip.
Zaria Parvez: Like reflecting on your work is actually really helpful. Like even for example, like making this deck right to present to you guys. Like I have to be like, oh wait, how did I actually think about this? Like what are the things that I was actually trying to pay attention to because as social people, we work so fast that we like sometimes actually forget like it becomes such a native knowledge to us that I I think this is important like in the corporate world to be able to articulate. And so sometimes just writing and like reflecting on like this campaign happened and these are all the things that I did to get there is helpful for like your own growth too, like within a company and within an org.
Evan Lee: So Zaria, you've now been through this journey of like starting out at Duo on a really small team, no budget, creative freedom and now experience the hyper growth and being at DoorDash.
A question from Natasha Laguerre appears on screen: "WHAT ADVICE DO YOU HAVE FOR THOSE WHO ARE ONLY A ONE PERSSON TEAM?"]
Natasha has a question here. So going back with all of this experience you've now accumulated, let's imagine you're a one-person team again. Where are you starting? How are you starting?
Zaria Parvez: Yeah. Um, I mean, something that people don't know about me is I was at Duolingo for five years and for three years, I was a one-person team. So I have much love for this question. I think the biggest thing is like being able to scope out like what you're if you're a one-person team, like we all have our strengths and we all know like, hey, I'm actually more of a creative social person or I'm more of a strategic social person and figuring out that framework to let your specific strength shine and do what you can with what you have. I also think like realistic expectations. Like I always have tradeoffs. Like you want this much work, but you only have this much head count. Like realistically it's probably not going to happen. And I think just being honest about that, a lot of the times actually opens up people's like like people tend to be if you're working for a non-toxic place, usually they're understanding and like understand that tradeoff conversation and a lot of people just don't know. Like they think social people truly can do 20 jobs. But like if you articulate the why and this is what I'm focusing on, I've noticed that like usually that is okay. Like even at Duolingo before when before we got like contractors and more help, like I was like, I actually can't do filming until I figure out like what our community strategy is. So I'm just going to focus on commenting and this is why. And for a long time, like we would just comment and like do community management and like got more filming expertise probably like six months into it. So like it's kind of that slow build and being okay with that, but communicating that slow build versus just like silently dying inside.
Evan Lee: It makes so much sense. Uh, the place that I want to get into now is like more around the process of making something come to life.
A question from Noah Cervantes appears on screen: "How long does it take from ideation -> approval -> execution for something as finite/timely as The Finals?"]
So Noah has a question here. How long does it take to go from ideation to approval to execution for something as uh finite timely as the NBA finals?
Zaria Parvez: So, oh man, this is a fun one. Um, so it actually depends. Previously, I've heard like before my time at DoorDash, this was a longer process, but what we've done now is like we've actually built in like with leadership, like there are going to be like three or four times in the quarter that are going to be reactive and we want to get scope from like the paid media team, all the way to like whoever's running the promo team to be like this is a brand activation, we have to go. So like the next thing actually turned around, I think in 24 hours. Um, which is crazy because like distributors and all of that. And trust me, we still get like our wrist labs and people get annoyed. It's not like everyone's like, "Yay, 24 hours, let's do it." Um, but it is a conversation, right? Like that is like in our planning conversations that we need reactive to do the goals that you're asking us to do and we need help from these teams. Um, and I also say like find your supporters. Like there are people in the business that like want to make cool shit. Like I found someone like on our gift cards team that's like in product, but just loves the internet. and he's like, I'm always down to like ping me and let me know and like let's make it happen. So like finding those advocates, I also say like make friends in low places. Like one of my like account level ones is one of my besties because I'm like, I need you to prove these things fast so I can move with these creators, right? Like those actually tend to be the people who get the shit done. So like find your allies across the org, um, and that helps move things faster as well.
Evan Lee: That is so good. And then speaking of the process a little bit more here, so love that that one came together in 24 hours. I'm wondering, uh, if you have a set process where it's like these are the steps we go through. We ideate together, we then brief together, we then engage the creators and walking through that process.
Zaria Parvez: Yeah, sure. Um, so I would say like first step is usually somebody frantically sending a text message or a slack message being like, I have an amazing idea. And this is just like the honesty of it. I wish it was like, and then we present in this huge deck. Um, and then like, again, I think it comes back to that creative conviction. Like I have an amazing team. I can be on top of every single thing they're doing. However, if somebody's like, like trust me on this, like I know this is going to hit, I'm going to trust you. Like that's why I hired you. So like this like broom like sweep, like I am not a basketball person guys, like not at all. And so when they were like, please, like we have to give out these free brooms. I'm like, God damn it. Okay, let's figure out how to do this. Um, and then my job I feel like as a director is like, let me get the right people in the right room. So like we figured out like this was the idea, let me find the right promo person, the right retail person. Let's ask if this is even possible. And so that turned into a quick slack channel with like again the advocates, accountant, legal and strategy and operations. Those are like my three besties. Got them in there, shared the idea and again when that when people see that conviction, they're like, fuck, let's like make this happen, this is dope. And so then the brief was honestly just like, hey, this is my idea, what needs to be true to make this happen. Um, and then usually from there it goes into like, okay, these are sorry, I need to talk to this person and need to unlock there. So a lot of it is like chasing people down. Um, but I think because we've built in that need for reactive, people are more like it's less of a process and more of like, okay, this is one of our moments that we're all going to hate each other for 24 hours, but like let's get it done.
Evan Lee: You had mentioned in there it's like uh having the trust in your team that you've been able to build. I'm wondering if you have any frameworks of how you approach hiring uh and the types of people that you tend to hire.
Zaria Parvez: So, my biggest thing is like I always hire for ideas. I don't really care like what school you went to. I don't even care if you have a degree. Um, for me it's really important that like, again, I keep saying creative conviction, but you have ideas that you're excited about and want to execute. And I actually I'm totally okay if like your idea is a flop. Like it is okay. Like I just want to see that like you want to push something forward and that energy is there. And we often we see that like you see that in an interview. Like you can tell when somebody's excited. I do think like a take-home task is really helpful in that. I know that can be a little bit contentious. But like that helps me see like your ideation and like how you're thinking through things. Um, so yeah, I feel like that's where I focus more again than like your resume. Like I I do a logo and I hired um, one of my favorite hires who was now full-time was a college student who was a dancer and we were doing some like dancing Tik Tok and I was like struggling with filming. He was just part of the dance group. Like that was it. He was supposed to be a mascot. He was like, yo, let me help you out real quick. And like grabbed my phone, was like doing all these editing tricks and I'm like, so do you need a job? Like I think to me like those are the moments where you're like, yeah, like, you know, like show me what you got and to me that's the most important versus like what school you went to and so on and so forth.
Evan Lee: I love it. I love it. I'm um I'm now thinking of so I'm just looking through the questions here.
A question from Aleenah Ansari appears on screen: "How does your approach to personal branding with social vary from what you do for brands on social?"]
The other place this now takes me is like back to your vent diagram that you had. So it's like taking a step back and being like, wait a second, like where does it fall? And then uh Alina asks, how does your approach to personal branding with social vary from what you do for brands on social?
Zaria Parvez: That's such a good question. Um, number one, two and three thing that I feel like was the best thing I did for myself was accidentally build a personal brand in the midst of all this. Um, my dream job, even before like Duo was kind of like my first job out of college, I was just experimenting with where I wanted to go. I love like writing and I actually wanted to be a journalist, but journalism did not make enough money at the time. So I was like, okay, I guess I'm going to just do a lingo for now and see what happens. Um, so LinkedIn almost became, I don't know why I chose LinkedIn in the beginning actually. Like I should have chose Substack or something, but whatever, learning. Um, and I was like, I just want to write. Like I want to write about things that I'm experiencing as this new grad, things I'm experiencing like at Duolingo and this was even before like Duolingo was what it was. And I think that allowed me to like build my personal voice and brand and then I just kept going with it. Um, so I feel like my personal brand will always be like I'm a very genuine I hope it comes off, but I try to be very genuine. Like to me that is really important because I think there's a lot of bullshit in marketing and I think it's really important to like be honest about the reality of things. Like even with Duolingo, I often say like, yes, I worked my butt off. However, it was also right place, right time, right moment, right hit on the algorithms. Like there are a lot of things that work to make somebody successful. And so my hope is like to kind of put that curtain down for people to show like I also mess up. I am not like there's moments where I have no idea what I'm doing where I get nervous before a talk or I get nervous when I'm like talking to exx or I'm not pounding the table the way I should be and like these are the lessons I learn. So I just try to be genuine in that so everyone knows that like, hey, can I learn from you too because I'm also in it with you guys. Like it's it's a two-way street.
Evan Lee: Uh, something I'm curious about here is like was was writing your initial like love in terms of a format to communicate?
Zaria Parvez: Yeah. long form and no one appreciates long form these days. And like now I'm like and then I got stuck in five-second TikTok world, but yeah, my love is like, yeah, is long form journalism. Give me a morning newspaper and I will have a great weekend. Like that is that is what I genuinely love. And maybe one day I'll go to journalism, who knows.
Evan Lee: I think there's something in there though like of of being able to start because I was going to ask like how you've honed your communication over time, right? But it sounds like it's started from a really strong place and then it's more like stripping it away. So what matters more when you have to condense it like a five-second clip.
Zaria Parvez: Like reflecting on your work is actually really helpful. Like even for example, like making this deck right to present to you guys. Like I have to be like, oh wait, how did I actually think about this? Like what are the things that I was actually trying to pay attention to because as social people, we work so fast that we like sometimes actually forget like it becomes such a native knowledge to us that I I think this is important like in the corporate world to be able to articulate. And so sometimes just writing and like reflecting on like this campaign happened and these are all the things that I did to get there is helpful for like your own growth too, like within a company and within an org.
Evan Lee: So Zaria, you've now been through this journey of like starting out at Duo on a really small team, no budget, creative freedom and now experience the hyper growth and being at DoorDash.
A question from Natasha Laguerre appears on screen: "WHAT ADVICE DO YOU HAVE FOR THOSE WHO ARE ONLY A ONE PERSSON TEAM?"]
Natasha has a question here. So going back with all of this experience you've now accumulated, let's imagine you're a one-person team again. Where are you starting? How are you starting?
Zaria Parvez: Yeah. Um, I mean, something that people don't know about me is I was at Duolingo for five years and for three years, I was a one-person team. So I have much love for this question. I think the biggest thing is like being able to scope out like what you're if you're a one-person team, like we all have our strengths and we all know like, hey, I'm actually more of a creative social person or I'm more of a strategic social person and figuring out that framework to let your specific strength shine and do what you can with what you have. I also think like realistic expectations. Like I always have tradeoffs. Like you want this much work, but you only have this much head count. Like realistically it's probably not going to happen. And I think just being honest about that, a lot of the times actually opens up people's like like people tend to be if you're working for a non-toxic place, usually they're understanding and like understand that tradeoff conversation and a lot of people just don't know. Like they think social people truly can do 20 jobs. But like if you articulate the why and this is what I'm focusing on, I've noticed that like usually that is okay. Like even at Duolingo before when before we got like contractors and more help, like I was like, I actually can't do filming until I figure out like what our community strategy is. So I'm just going to focus on commenting and this is why. And for a long time, like we would just comment and like do community management and like got more filming expertise probably like six months into it. So like it's kind of that slow build and being okay with that, but communicating that slow build versus just like silently dying inside.
Evan Lee: It makes so much sense. Uh, the place that I want to get into now is like more around the process of making something come to life.
A question from Noah Cervantes appears on screen: "How long does it take from ideation -> approval -> execution for something as finite/timely as The Finals?"]
So Noah has a question here. How long does it take to go from ideation to approval to execution for something as uh finite timely as the NBA finals?
Zaria Parvez: So, oh man, this is a fun one. Um, so it actually depends. Previously, I've heard like before my time at DoorDash, this was a longer process, but what we've done now is like we've actually built in like with leadership, like there are going to be like three or four times in the quarter that are going to be reactive and we want to get scope from like the paid media team, all the way to like whoever's running the promo team to be like this is a brand activation, we have to go. So like the next thing actually turned around, I think in 24 hours. Um, which is crazy because like distributors and all of that. And trust me, we still get like our wrist labs and people get annoyed. It's not like everyone's like, "Yay, 24 hours, let's do it." Um, but it is a conversation, right? Like that is like in our planning conversations that we need reactive to do the goals that you're asking us to do and we need help from these teams. Um, and I also say like find your supporters. Like there are people in the business that like want to make cool shit. Like I found someone like on our gift cards team that's like in product, but just loves the internet. and he's like, I'm always down to like ping me and let me know and like let's make it happen. So like finding those advocates, I also say like make friends in low places. Like one of my like account level ones is one of my besties because I'm like, I need you to prove these things fast so I can move with these creators, right? Like those actually tend to be the people who get the shit done. So like find your allies across the org, um, and that helps move things faster as well.
Evan Lee: That is so good. And then speaking of the process a little bit more here, so love that that one came together in 24 hours. I'm wondering, uh, if you have a set process where it's like these are the steps we go through. We ideate together, we then brief together, we then engage the creators and walking through that process.
Zaria Parvez: Yeah, sure. Um, so I would say like first step is usually somebody frantically sending a text message or a slack message being like, I have an amazing idea. And this is just like the honesty of it. I wish it was like, and then we present in this huge deck. Um, and then like, again, I think it comes back to that creative conviction. Like I have an amazing team. I can be on top of every single thing they're doing. However, if somebody's like, like trust me on this, like I know this is going to hit, I'm going to trust you. Like that's why I hired you. So like this like broom like sweep, like I am not a basketball person guys, like not at all. And so when they were like, please, like we have to give out these free brooms. I'm like, God damn it. Okay, let's figure out how to do this. Um, and then my job I feel like as a director is like, let me get the right people in the right room. So like we figured out like this was the idea, let me find the right promo person, the right retail person. Let's ask if this is even possible. And so that turned into a quick slack channel with like again the advocates, accountant, legal and strategy and operations. Those are like my three besties. Got them in there, shared the idea and again when that when people see that conviction, they're like, fuck, let's like make this happen, this is dope. And so then the brief was honestly just like, hey, this is my idea, what needs to be true to make this happen. Um, and then usually from there it goes into like, okay, these are sorry, I need to talk to this person and need to unlock there. So a lot of it is like chasing people down. Um, but I think because we've built in that need for reactive, people are more like it's less of a process and more of like, okay, this is one of our moments that we're all going to hate each other for 24 hours, but like let's get it done.
Evan Lee: You had mentioned in there it's like uh having the trust in your team that you've been able to build. I'm wondering if you have any frameworks of how you approach hiring uh and the types of people that you tend to hire.
Zaria Parvez: So, my biggest thing is like I always hire for ideas. I don't really care like what school you went to. I don't even care if you have a degree. Um, for me it's really important that like, again, I keep saying creative conviction, but you have ideas that you're excited about and want to execute. And I actually I'm totally okay if like your idea is a flop. Like it is okay. Like I just want to see that like you want to push something forward and that energy is there. And we often we see that like you see that in an interview. Like you can tell when somebody's excited. I do think like a take-home task is really helpful in that. I know that can be a little bit contentious. But like that helps me see like your ideation and like how you're thinking through things. Um, so yeah, I feel like that's where I focus more again than like your resume. Like I I do a logo and I hired um, one of my favorite hires who was now full-time was a college student who was a dancer and we were doing some like dancing Tik Tok and I was like struggling with filming. He was just part of the dance group. Like that was it. He was supposed to be a mascot. He was like, yo, let me help you out real quick. And like grabbed my phone, was like doing all these editing tricks and I'm like, so do you need a job? Like I think to me like those are the moments where you're like, yeah, like, you know, like show me what you got and to me that's the most important versus like what school you went to and so on and so forth.
Evan Lee: I love it. I love it. I'm um I'm now thinking of so I'm just looking through the questions here.
A question from Aleenah Ansari appears on screen: "How does your approach to personal branding with social vary from what you do for brands on social?"]
The other place this now takes me is like back to your vent diagram that you had. So it's like taking a step back and being like, wait a second, like where does it fall? And then uh Alina asks, how does your approach to personal branding with social vary from what you do for brands on social?
Zaria Parvez: That's such a good question. Um, number one, two and three thing that I feel like was the best thing I did for myself was accidentally build a personal brand in the midst of all this. Um, my dream job, even before like Duo was kind of like my first job out of college, I was just experimenting with where I wanted to go. I love like writing and I actually wanted to be a journalist, but journalism did not make enough money at the time. So I was like, okay, I guess I'm going to just do a lingo for now and see what happens. Um, so LinkedIn almost became, I don't know why I chose LinkedIn in the beginning actually. Like I should have chose Substack or something, but whatever, learning. Um, and I was like, I just want to write. Like I want to write about things that I'm experiencing as this new grad, things I'm experiencing like at Duolingo and this was even before like Duolingo was what it was. And I think that allowed me to like build my personal voice and brand and then I just kept going with it. Um, so I feel like my personal brand will always be like I'm a very genuine I hope it comes off, but I try to be very genuine. Like to me that is really important because I think there's a lot of bullshit in marketing and I think it's really important to like be honest about the reality of things. Like even with Duolingo, I often say like, yes, I worked my butt off. However, it was also right place, right time, right moment, right hit on the algorithms. Like there are a lot of things that work to make somebody successful. And so my hope is like to kind of put that curtain down for people to show like I also mess up. I am not like there's moments where I have no idea what I'm doing where I get nervous before a talk or I get nervous when I'm like talking to exx or I'm not pounding the table the way I should be and like these are the lessons I learn. So I just try to be genuine in that so everyone knows that like, hey, can I learn from you too because I'm also in it with you guys. Like it's it's a two-way street.
Evan Lee: Uh, something I'm curious about here is like was was writing your initial like love in terms of a format to communicate?
Zaria Parvez: Yeah. long form and no one appreciates long form these days. And like now I'm like and then I got stuck in five-second TikTok world, but yeah, my love is like, yeah, is long form journalism. Give me a morning newspaper and I will have a great weekend. Like that is that is what I genuinely love. And maybe one day I'll go to journalism, who knows.
Evan Lee: I think there's something in there though like of of being able to start because I was going to ask like how you've honed your communication over time, right? But it sounds like it's started from a really strong place and then it's more like stripping it away. So what matters more when you have to condense it like a five-second clip.
Zaria Parvez: Like reflecting on your work is actually really helpful. Like even for example, like making this deck right to present to you guys. Like I have to be like, oh wait, how did I actually think about this? Like what are the things that I was actually trying to pay attention to because as social people, we work so fast that we like sometimes actually forget like it becomes such a native knowledge to us that I I think this is important like in the corporate world to be able to articulate. And so sometimes just writing and like reflecting on like this campaign happened and these are all the things that I did to get there is helpful for like your own growth too, like within a company and within an org.
Evan Lee: So Zaria, you've now been through this journey of like starting out at Duo on a really small team, no budget, creative freedom and now experience the hyper growth and being at DoorDash.
A question from Natasha Laguerre appears on screen: "WHAT ADVICE DO YOU HAVE FOR THOSE WHO ARE ONLY A ONE PERSSON TEAM?"]
Natasha has a question here. So going back with all of this experience you've now accumulated, let's imagine you're a one-person team again. Where are you starting? How are you starting?
Zaria Parvez: Yeah. Um, I mean, something that people don't know about me is I was at Duolingo for five years and for three years, I was a one-person team. So I have much love for this question. I think the biggest thing is like being able to scope out like what you're if you're a one-person team, like we all have our strengths and we all know like, hey, I'm actually more of a creative social person or I'm more of a strategic social person and figuring out that framework to let your specific strength shine and do what you can with what you have. I also think like realistic expectations. Like I always have tradeoffs. Like you want this much work, but you only have this much head count. Like realistically it's probably not going to happen. And I think just being honest about that, a lot of the times actually opens up people's like like people tend to be if you're working for a non-toxic place, usually they're understanding and like understand that tradeoff conversation and a lot of people just don't know. Like they think social people truly can do 20 jobs. But like if you articulate the why and this is what I'm focusing on, I've noticed that like usually that is okay. Like even at Duolingo before when before we got like contractors and more help, like I was like, I actually can't do filming until I figure out like what our community strategy is. So I'm just going to focus on commenting and this is why. And for a long time, like we would just comment and like do community management and like got more filming expertise probably like six months into it. So like it's kind of that slow build and being okay with that, but communicating that slow build versus just like silently dying inside.
Evan Lee: It makes so much sense. Uh, the place that I want to get into now is like more around the process of making something come to life.
A question from Noah Cervantes appears on screen: "How long does it take from ideation -> approval -> execution for something as finite/timely as The Finals?"]
So Noah has a question here. How long does it take to go from ideation to approval to execution for something as uh finite timely as the NBA finals?
Zaria Parvez: So, oh man, this is a fun one. Um, so it actually depends. Previously, I've heard like before my time at DoorDash, this was a longer process, but what we've done now is like we've actually built in like with leadership, like there are going to be like three or four times in the quarter that are going to be reactive and we want to get scope from like the paid media team, all the way to like whoever's running the promo team to be like this is a brand activation, we have to go. So like the next thing actually turned around, I think in 24 hours. Um, which is crazy because like distributors and all of that. And trust me, we still get like our wrist labs and people get annoyed. It's not like everyone's like, "Yay, 24 hours, let's do it." Um, but it is a conversation, right? Like that is like in our planning conversations that we need reactive to do the goals that you're asking us to do and we need help from these teams. Um, and I also say like find your supporters. Like there are people in the business that like want to make cool shit. Like I found someone like on our gift cards team that's like in product, but just loves the internet. and he's like, I'm always down to like ping me and let me know and like let's make it happen. So like finding those advocates, I also say like make friends in low places. Like one of my like account level ones is one of my besties because I'm like, I need you to prove these things fast so I can move with these creators, right? Like those actually tend to be the people who get the shit done. So like find your allies across the org, um, and that helps move things faster as well.
Evan Lee: That is so good. And then speaking of the process a little bit more here, so love that that one came together in 24 hours. I'm wondering, uh, if you have a set process where it's like these are the steps we go through. We ideate together, we then brief together, we then engage the creators and walking through that process.
Zaria Parvez: Yeah, sure. Um, so I would say like first step is usually somebody frantically sending a text message or a slack message being like, I have an amazing idea. And this is just like the honesty of it. I wish it was like, and then we present in this huge deck. Um, and then like, again, I think it comes back to that creative conviction. Like I have an amazing team. I can be on top of every single thing they're doing. However, if somebody's like, like trust me on this, like I know this is going to hit, I'm going to trust you. Like that's why I hired you. So like this like broom like sweep, like I am not a basketball person guys, like not at all. And so when they were like, please, like we have to give out these free brooms. I'm like, God damn it. Okay, let's figure out how to do this. Um, and then my job I feel like as a director is like, let me get the right people in the right room. So like we figured out like this was the idea, let me find the right promo person, the right retail person. Let's ask if this is even possible. And so that turned into a quick slack channel with like again the advocates, accountant, legal and strategy and operations. Those are like my three besties. Got them in there, shared the idea and again when that when people see that conviction, they're like, fuck, let's like make this happen, this is dope. And so then the brief was honestly just like, hey, this is my idea, what needs to be true to make this happen. Um, and then usually from there it goes into like, okay, these are sorry, I need to talk to this person and need to unlock there. So a lot of it is like chasing people down. Um, but I think because we've built in that need for reactive, people are more like it's less of a process and more of like, okay, this is one of our moments that we're all going to hate each other for 24 hours, but like let's get it done.
Evan Lee: You had mentioned in there it's like uh having the trust in your team that you've been able to build. I'm wondering if you have any frameworks of how you approach hiring uh and the types of people that you tend to hire.
Zaria Parvez: So, my biggest thing is like I always hire for ideas. I don't really care like what school you went to. I don't even care if you have a degree. Um, for me it's really important that like, again, I keep saying creative conviction, but you have ideas that you're excited about and want to execute. And I actually I'm totally okay if like your idea is a flop. Like it is okay. Like I just want to see that like you want to push something forward and that energy is there. And we often we see that like you see that in an interview. Like you can tell when somebody's excited. I do think like a take-home task is really helpful in that. I know that can be a little bit contentious. But like that helps me see like your ideation and like how you're thinking through things. Um, so yeah, I feel like that's where I focus more again than like your resume. Like I I do a logo and I hired um, one of my favorite hires who was now full-time was a college student who was a dancer and we were doing some like dancing Tik Tok and I was like struggling with filming. He was just part of the dance group. Like that was it. He was supposed to be a mascot. He was like, yo, let me help you out real quick. And like grabbed my phone, was like doing all these editing tricks and I'm like, so do you need a job? Like I think to me like those are the moments where you're like, yeah, like, you know, like show me what you got and to me that's the most important versus like what school you went to and so on and so forth.
Evan Lee: I love it. I love it. I'm um I'm now thinking of so I'm just looking through the questions here.
A question from Aleenah Ansari appears on screen: "How does your approach to personal branding with social vary from what you do for brands on social?"]
The other place this now takes me is like back to your vent diagram that you had. So it's like taking a step back and being like, wait a second, like where does it fall? And then uh Alina asks, how does your approach to personal branding with social vary from what you do for brands on social?
Zaria Parvez: That's such a good question. Um, number one, two and three thing that I feel like was the best thing I did for myself was accidentally build a personal brand in the midst of all this. Um, my dream job, even before like Duo was kind of like my first job out of college, I was just experimenting with where I wanted to go. I love like writing and I actually wanted to be a journalist, but journalism did not make enough money at the time. So I was like, okay, I guess I'm going to just do a lingo for now and see what happens. Um, so LinkedIn almost became, I don't know why I chose LinkedIn in the beginning actually. Like I should have chose Substack or something, but whatever, learning. Um, and I was like, I just want to write. Like I want to write about things that I'm experiencing as this new grad, things I'm experiencing like at Duolingo and this was even before like Duolingo was what it was. And I think that allowed me to like build my personal voice and brand and then I just kept going with it. Um, so I feel like my personal brand will always be like I'm a very genuine I hope it comes off, but I try to be very genuine. Like to me that is really important because I think there's a lot of bullshit in marketing and I think it's really important to like be honest about the reality of things. Like even with Duolingo, I often say like, yes, I worked my butt off. However, it was also right place, right time, right moment, right hit on the algorithms. Like there are a lot of things that work to make somebody successful. And so my hope is like to kind of put that curtain down for people to show like I also mess up. I am not like there's moments where I have no idea what I'm doing where I get nervous before a talk or I get nervous when I'm like talking to exx or I'm not pounding the table the way I should be and like these are the lessons I learn. So I just try to be genuine in that so everyone knows that like, hey, can I learn from you too because I'm also in it with you guys. Like it's it's a two-way street.
Evan Lee: Uh, something I'm curious about here is like was was writing your initial like love in terms of a format to communicate?
Zaria Parvez: Yeah. long form and no one appreciates long form these days. And like now I'm like and then I got stuck in five-second TikTok world, but yeah, my love is like, yeah, is long form journalism. Give me a morning newspaper and I will have a great weekend. Like that is that is what I genuinely love. And maybe one day I'll go to journalism, who knows.
Evan Lee: I think there's something in there though like of of being able to start because I was going to ask like how you've honed your communication over time, right? But it sounds like it's started from a really strong place and then it's more like stripping it away. So what matters more when you have to condense it like a five-second clip.
Zaria Parvez: Like reflecting on your work is actually really helpful. Like even for example, like making this deck right to present to you guys. Like I have to be like, oh wait, how did I actually think about this? Like what are the things that I was actually trying to pay attention to because as social people, we work so fast that we like sometimes actually forget like it becomes such a native knowledge to us that I I think this is important like in the corporate world to be able to articulate. And so sometimes just writing and like reflecting on like this campaign happened and these are all the things that I did to get there is helpful for like your own growth too, like within a company and within an org.
Evan Lee: So Zaria, you've now been through this journey of like starting out at Duo on a really small team, no budget, creative freedom and now experience the hyper growth and being at DoorDash.
A question from Natasha Laguerre appears on screen: "WHAT ADVICE DO YOU HAVE FOR THOSE WHO ARE ONLY A ONE PERSSON TEAM?"]
Natasha has a question here. So going back with all of this experience you've now accumulated, let's imagine you're a one-person team again. Where are you starting? How are you starting?
Zaria Parvez: Yeah. Um, I mean, something that people don't know about me is I was at Duolingo for five years and for three years, I was a one-person team. So I have much love for this question. I think the biggest thing is like being able to scope out like what you're if you're a one-person team, like we all have our strengths and we all know like, hey, I'm actually more of a creative social person or I'm more of a strategic social person and figuring out that framework to let your specific strength shine and do what you can with what you have. I also think like realistic expectations. Like I always have tradeoffs. Like you want this much work, but you only have this much head count. Like realistically it's probably not going to happen. And I think just being honest about that, a lot of the times actually opens up people's like like people tend to be if you're working for a non-toxic place, usually they're understanding and like understand that tradeoff conversation and a lot of people just don't know. Like they think social people truly can do 20 jobs. But like if you articulate the why and this is what I'm focusing on, I've noticed that like usually that is okay. Like even at Duolingo before when before we got like contractors and more help, like I was like, I actually can't do filming until I figure out like what our community strategy is. So I'm just going to focus on commenting and this is why. And for a long time, like we would just comment and like do community management and like got more filming expertise probably like six months into it. So like it's kind of that slow build and being okay with that, but communicating that slow build versus just like silently dying inside.
Evan Lee: It makes so much sense. Uh, the place that I want to get into now is like more around the process of making something come to life.
A question from Noah Cervantes appears on screen: "How long does it take from ideation -> approval -> execution for something as finite/timely as The Finals?"]
So Noah has a question here. How long does it take to go from ideation to approval to execution for something as uh finite timely as the NBA finals?
Zaria Parvez: So, oh man, this is a fun one. Um, so it actually depends. Previously, I've heard like before my time at DoorDash, this was a longer process, but what we've done now is like we've actually built in like with leadership, like there are going to be like three or four times in the quarter that are going to be reactive and we want to get scope from like the paid media team, all the way to like whoever's running the promo team to be like this is a brand activation, we have to go. So like the next thing actually turned around, I think in 24 hours. Um, which is crazy because like distributors and all of that. And trust me, we still get like our wrist labs and people get annoyed. It's not like everyone's like, "Yay, 24 hours, let's do it." Um, but it is a conversation, right? Like that is like in our planning conversations that we need reactive to do the goals that you're asking us to do and we need help from these teams. Um, and I also say like find your supporters. Like there are people in the business that like want to make cool shit. Like I found someone like on our gift cards team that's like in product, but just loves the internet. and he's like, I'm always down to like ping me and let me know and like let's make it happen. So like finding those advocates, I also say like make friends in low places. Like one of my like account level ones is one of my besties because I'm like, I need you to prove these things fast so I can move with these creators, right? Like those actually tend to be the people who get the shit done. So like find your allies across the org, um, and that helps move things faster as well.
Evan Lee: That is so good. And then speaking of the process a little bit more here, so love that that one came together in 24 hours. I'm wondering, uh, if you have a set process where it's like these are the steps we go through. We ideate together, we then brief together, we then engage the creators and walking through that process.
Zaria Parvez: Yeah, sure. Um, so I would say like first step is usually somebody frantically sending a text message or a slack message being like, I have an amazing idea. And this is just like the honesty of it. I wish it was like, and then we present in this huge deck. Um, and then like, again, I think it comes back to that creative conviction. Like I have an amazing team. I can be on top of every single thing they're doing. However, if somebody's like, like trust me on this, like I know this is going to hit, I'm going to trust you. Like that's why I hired you. So like this like broom like sweep, like I am not a basketball person guys, like not at all. And so when they were like, please, like we have to give out these free brooms. I'm like, God damn it. Okay, let's figure out how to do this. Um, and then my job I feel like as a director is like, let me get the right people in the right room. So like we figured out like this was the idea, let me find the right promo person, the right retail person. Let's ask if this is even possible. And so that turned into a quick slack channel with like again the advocates, accountant, legal and strategy and operations. Those are like my three besties. Got them in there, shared the idea and again when that when people see that conviction, they're like, fuck, let's like make this happen, this is dope. And so then the brief was honestly just like, hey, this is my idea, what needs to be true to make this happen. Um, and then usually from there it goes into like, okay, these are sorry, I need to talk to this person and need to unlock there. So a lot of it is like chasing people down. Um, but I think because we've built in that need for reactive, people are more like it's less of a process and more of like, okay, this is one of our moments that we're all going to hate each other for 24 hours, but like let's get it done.
Evan Lee: You had mentioned in there it's like uh having the trust in your team that you've been able to build. I'm wondering if you have any frameworks of how you approach hiring uh and the types of people that you tend to hire.
Zaria Parvez: So, my biggest thing is like I always hire for ideas. I don't really care like what school you went to. I don't even care if you have a degree. Um, for me it's really important that like, again, I keep saying creative conviction, but you have ideas that you're excited about and want to execute. And I actually I'm totally okay if like your idea is a flop. Like it is okay. Like I just want to see that like you want to push something forward and that energy is there. And we often we see that like you see that in an interview. Like you can tell when somebody's excited. I do think like a take-home task is really helpful in that. I know that can be a little bit contentious. But like that helps me see like your ideation and like how you're thinking through things. Um, so yeah, I feel like that's where I focus more again than like your resume. Like I I do a logo and I hired um, one of my favorite hires who was now full-time was a college student who was a dancer and we were doing some like dancing Tik Tok and I was like struggling with filming. He was just part of the dance group. Like that was it. He was supposed to be a mascot. He was like, yo, let me help you out real quick. And like grabbed my phone, was like doing all these editing tricks and I'm like, so do you need a job? Like I think to me like those are the moments where you're like, yeah, like, you know, like show me what you got and to me that's the most important versus like what school you went to and so on and so forth.
Evan Lee: I love it. I love it. I'm um I'm now thinking of so I'm just looking through the questions here.
A question from Aleenah Ansari appears on screen: "How does your approach to personal branding with social vary from what you do for brands on social?"]
The other place this now takes me is like back to your vent diagram that you had. So it's like taking a step back and being like, wait a second, like where does it fall? And then uh Alina asks, how does your approach to personal branding with social vary from what you do for brands on social?
Zaria Parvez: That's such a good question. Um, number one, two and three thing that I feel like was the best thing I did for myself was accidentally build a personal brand in the midst of all this. Um, my dream job, even before like Duo was kind of like my first job out of college, I was just experimenting with where I wanted to go. I love like writing and I actually wanted to be a journalist, but journalism did not make enough money at the time. So I was like, okay, I guess I'm going to just do a lingo for now and see what happens. Um, so LinkedIn almost became, I don't know why I chose LinkedIn in the beginning actually. Like I should have chose Substack or something, but whatever, learning. Um, and I was like, I just want to write. Like I want to write about things that I'm experiencing as this new grad, things I'm experiencing like at Duolingo and this was even before like Duolingo was what it was. And I think that allowed me to like build my personal voice and brand and then I just kept going with it. Um, so I feel like my personal brand will always be like I'm a very genuine I hope it comes off, but I try to be very genuine. Like to me that is really important because I think there's a lot of bullshit in marketing and I think it's really important to like be honest about the reality of things. Like even with Duolingo, I often say like, yes, I worked my butt off. However, it was also right place, right time, right moment, right hit on the algorithms. Like there are a lot of things that work to make somebody successful. And so my hope is like to kind of put that curtain down for people to show like I also mess up. I am not like there's moments where I have no idea what I'm doing where I get nervous before a talk or I get nervous when I'm like talking to exx or I'm not pounding the table the way I should be and like these are the lessons I learn. So I just try to be genuine in that so everyone knows that like, hey, can I learn from you too because I'm also in it with you guys. Like it's it's a two-way street.
Evan Lee: Uh, something I'm curious about here is like was was writing your initial like love in terms of a format to communicate?
Zaria Parvez: Yeah. long form and no one appreciates long form these days. And like now I'm like and then I got stuck in five-second TikTok world, but yeah, my love is like, yeah, is long form journalism. Give me a morning newspaper and I will have a great weekend. Like that is that is what I genuinely love. And maybe one day I'll go to journalism, who knows.
Evan Lee: I think there's something in there though like of of being able to start because I was going to ask like how you've honed your communication over time, right? But it sounds like it's started from a really strong place and then it's more like stripping it away. So what matters more when you have to condense it like a five-second clip.
Zaria Parvez: Like reflecting on your work is actually really helpful. Like even for example, like making this deck right to present to you guys. Like I have to be like, oh wait, how did I actually think about this? Like what are the things that I was actually trying to pay attention to because as social people, we work so fast that we like sometimes actually forget like it becomes such a native knowledge to us that I I think this is important like in the corporate world to be able to articulate. And so sometimes just writing and like reflecting on like this campaign happened and these are all the things that I did to get there is helpful for like your own growth too, like within a company and within an org.
Evan Lee: So Zaria, you've now been through this journey of like starting out at Duo on a really small team, no budget, creative freedom and now experience the hyper growth and being at DoorDash.
A question from Natasha Laguerre appears on screen: "WHAT ADVICE DO YOU HAVE FOR THOSE WHO ARE ONLY A ONE PERSSON TEAM?"]
Natasha has a question here. So going back with all of this experience you've now accumulated, let's imagine you're a one-person team again. Where are you starting? How are you starting?
Zaria Parvez: Yeah. Um, I mean, something that people don't know about me is I was at Duolingo for five years and for three years, I was a one-person team. So I have much love for this question. I think the biggest thing is like being able to scope out like what you're if you're a one-person team, like we all have our strengths and we all know like, hey, I'm actually more of a creative social person or I'm more of a strategic social person and figuring out that framework to let your specific strength shine and do what you can with what you have. I also think like realistic expectations. Like I always have tradeoffs. Like you want this much work, but you only have this much head count. Like realistically it's probably not going to happen. And I think just being honest about that, a lot of the times actually opens up people's like like people tend to be if you're working for a non-toxic place, usually they're understanding and like understand that tradeoff conversation and a lot of people just don't know. Like they think social people truly can do 20 jobs. But like if you articulate the why and this is what I'm focusing on, I've noticed that like usually that is okay. Like even at Duolingo before when before we got like contractors and more help, like I was like, I actually can't do filming until I figure out like what our community strategy is. So I'm just going to focus on commenting and this is why. And for a long time, like we would just comment and like do community management and like got more filming expertise probably like six months into it. So like it's kind of that slow build and being okay with that, but communicating that slow build versus just like silently dying inside.
Evan Lee: It makes so much sense. Uh, the place that I want to get into now is like more around the process of making something come to life.
A question from Noah Cervantes appears on screen: "How long does it take from ideation -> approval -> execution for something as finite/timely as The Finals?"]
So Noah has a question here. How long does it take to go from ideation to approval to execution for something as uh finite timely as the NBA finals?
Zaria Parvez: So, oh man, this is a fun one. Um, so it actually depends. Previously, I've heard like before my time at DoorDash, this was a longer process, but what we've done now is like we've actually built in like with leadership, like there are going to be like three or four times in the quarter that are going to be reactive and we want to get scope from like the paid media team, all the way to like whoever's running the promo team to be like this is a brand activation, we have to go. So like the next thing actually turned around, I think in 24 hours. Um, which is crazy because like distributors and all of that. And trust me, we still get like our wrist labs and people get annoyed. It's not like everyone's like, "Yay, 24 hours, let's do it." Um, but it is a conversation, right? Like that is like in our planning conversations that we need reactive to do the goals that you're asking us to do and we need help from these teams. Um, and I also say like find your supporters. Like there are people in the business that like want to make cool shit. Like I found someone like on our gift cards team that's like in product, but just loves the internet. and he's like, I'm always down to like ping me and let me know and like let's make it happen. So like finding those advocates, I also say like make friends in low places. Like one of my like account level ones is one of my besties because I'm like, I need you to prove these things fast so I can move with these creators, right? Like those actually tend to be the people who get the shit done. So like find your allies across the org, um, and that helps move things faster as well.
Evan Lee: That is so good. And then speaking of the process a little bit more here, so love that that one came together in 24 hours. I'm wondering, uh, if you have a set process where it's like these are the steps we go through. We ideate together, we then brief together, we then engage the creators and walking through that process.
Zaria Parvez: Yeah, sure. Um, so I would say like first step is usually somebody frantically sending a text message or a slack message being like, I have an amazing idea. And this is just like the honesty of it. I wish it was like, and then we present in this huge deck. Um, and then like, again, I think it comes back to that creative conviction. Like I have an amazing team. I can be on top of every single thing they're doing. However, if somebody's like, like trust me on this, like I know this is going to hit, I'm going to trust you. Like that's why I hired you. So like this like broom like sweep, like I am not a basketball person guys, like not at all. And so when they were like, please, like we have to give out these free brooms. I'm like, God damn it. Okay, let's figure out how to do this. Um, and then my job I feel like as a director is like, let me get the right people in the right room. So like we figured out like this was the idea, let me find the right promo person, the right retail person. Let's ask if this is even possible. And so that turned into a quick slack channel with like again the advocates, accountant, legal and strategy and operations. Those are like my three besties. Got them in there, shared the idea and again when that when people see that conviction, they're like, fuck, let's like make this happen, this is dope. And so then the brief was honestly just like, hey, this is my idea, what needs to be true to make this happen. Um, and then usually from there it goes into like, okay, these are sorry, I need to talk to this person and need to unlock there. So a lot of it is like chasing people down. Um, but I think because we've built in that need for reactive, people are more like it's less of a process and more of like, okay, this is one of our moments that we're all going to hate each other for 24 hours, but like let's get it done.
Evan Lee: You had mentioned in there it's like uh having the trust in your team that you've been able to build. I'm wondering if you have any frameworks of how you approach hiring uh and the types of people that you tend to hire.
Zaria Parvez: So, my biggest thing is like I always hire for ideas. I don't really care like what school you went to. I don't even care if you have a degree. Um, for me it's really important that like, again, I keep saying creative conviction, but you have ideas that you're excited about and want to execute. And I actually I'm totally okay if like your idea is a flop. Like it is okay. Like I just want to see that like you want to push something forward and that energy is there. And we often we see that like you see that in an interview. Like you can tell when somebody's excited. I do think like a take-home task is really helpful in that. I know that can be a little bit contentious. But like that helps me see like your ideation and like how you're thinking through things. Um, so yeah, I feel like that's where I focus more again than like your resume. Like I I do a logo and I hired um, one of my favorite hires who was now full-time was a college student who was a dancer and we were doing some like dancing Tik Tok and I was like struggling with filming. He was just part of the dance group. Like that was it. He was supposed to be a mascot. He was like, yo, let me help you out real quick. And like grabbed my phone, was like doing all these editing tricks and I'm like, so do you need a job? Like I think to me like those are the moments where you're like, yeah, like, you know, like show me what you got and to me that's the most important versus like what school you went to and so on and so forth.
Evan Lee: I love it. I love it. I'm um I'm now thinking of so I'm just looking through the questions here.
A question from Aleenah Ansari appears on screen: "How does your approach to personal branding with social vary from what you do for brands on social?"]
The other place this now takes me is like back to your vent diagram that you had. So it's like taking a step back and being like, wait a second, like where does it fall? And then uh Alina asks, how does your approach to personal branding with social vary from what you do for brands on social?
Zaria Parvez: That's such a good question. Um, number one, two and three thing that I feel like was the best thing I did for myself was accidentally build a personal brand in the midst of all this. Um, my dream job, even before like Duo was kind of like my first job out of college, I was just experimenting with where I wanted to go. I love like writing and I actually wanted to be a journalist, but journalism did not make enough money at the time. So I was like, okay, I guess I'm going to just do a lingo for now and see what happens. Um, so LinkedIn almost became, I don't know why I chose LinkedIn in the beginning actually. Like I should have chose Substack or something, but whatever, learning. Um, and I was like, I just want to write. Like I want to write about things that I'm experiencing as this new grad, things I'm experiencing like at Duolingo and this was even before like Duolingo was what it was. And I think that allowed me to like build my personal voice and brand and then I just kept going with it. Um, so I feel like my personal brand will always be like I'm a very genuine I hope it comes off, but I try to be very genuine. Like to me that is really important because I think there's a lot of bullshit in marketing and I think it's really important to like be honest about the reality of things. Like even with Duolingo, I often say like, yes, I worked my butt off. However, it was also right place, right time, right moment, right hit on the algorithms. Like there are a lot of things that work to make somebody successful. And so my hope is like to kind of put that curtain down for people to show like I also mess up. I am not like there's moments where I have no idea what I'm doing where I get nervous before a talk or I get nervous when I'm like talking to exx or I'm not pounding the table the way I should be and like these are the lessons I learn. So I just try to be genuine in that so everyone knows that like, hey, can I learn from you too because I'm also in it with you guys. Like it's it's a two-way street.
Evan Lee: Uh, something I'm curious about here is like was was writing your initial like love in terms of a format to communicate?
Zaria Parvez: Yeah. long form and no one appreciates long form these days. And like now I'm like and then I got stuck in five-second TikTok world, but yeah, my love is like, yeah, is long form journalism. Give me a morning newspaper and I will have a great weekend. Like that is that is what I genuinely love. And maybe one day I'll go to journalism, who knows.
Evan Lee: I think there's something in there though like of of being able to start because I was going to ask like how you've honed your communication over time, right? But it sounds like it's started from a really strong place and then it's more like stripping it away. So what matters more when you have to condense it like a five-second clip.
Zaria Parvez: Like reflecting on your work is actually really helpful. Like even for example, like making this deck right to present to you guys. Like I have to be like, oh wait, how did I actually think about this? Like what are the things that I was actually trying to pay attention to because as social people, we work so fast that we like sometimes actually forget like it becomes such a native knowledge to us that I I think this is important like in the corporate world to be able to articulate. And so sometimes just writing and like reflecting on like this campaign happened and these are all the things that I did to get there is helpful for like your own growth too, like within a company and within an org.
Evan Lee: So Zaria, you've now been through this journey of like starting out at Duo on a really small team, no budget, creative freedom and now experience the hyper growth and being at DoorDash.
A question from Natasha Laguerre appears on screen: "WHAT ADVICE DO YOU HAVE FOR THOSE WHO ARE ONLY A ONE PERSSON TEAM?"]
Natasha has a question here. So going back with all of this experience you've now accumulated, let's imagine you're a one-person team again. Where are you starting? How are you starting?
Zaria Parvez: Yeah. Um, I mean, something that people don't know about me is I was at Duolingo for five years and for three years, I was a one-person team. So I have much love for this question. I think the biggest thing is like being able to scope out like what you're if you're a one-person team, like we all have our strengths and we all know like, hey, I'm actually more of a creative social person or I'm more of a strategic social person and figuring out that framework to let your specific strength shine and do what you can with what you have. I also think like realistic expectations. Like I always have tradeoffs. Like you want this much work, but you only have this much head count. Like realistically it's probably not going to happen. And I think just being honest about that, a lot of the times actually opens up people's like like people tend to be if you're working for a non-toxic place, usually they're understanding and like understand that tradeoff conversation and a lot of people just don't know. Like they think social people truly can do 20 jobs. But like if you articulate the why and this is what I'm focusing on, I've noticed that like usually that is okay. Like even at Duolingo before when before we got like contractors and more help, like I was like, I actually can't do filming until I figure out like what our community strategy is. So I'm just going to focus on commenting and this is why. And for a long time, like we would just comment and like do community management and like got more filming expertise probably like six months into it. So like it's kind of that slow build and being okay with that, but communicating that slow build versus just like silently dying inside.
Evan Lee: It makes so much sense. Uh, the place that I want to get into now is like more around the process of making something come to life.
A question from Noah Cervantes appears on screen: "How long does it take from ideation -> approval -> execution for something as finite/timely as The Finals?"]
So Noah has a question here. How long does it take to go from ideation to approval to execution for something as uh finite timely as the NBA finals?
Zaria Parvez: So, oh man, this is a fun one. Um, so it actually depends. Previously, I've heard like before my time at DoorDash, this was a longer process, but what we've done now is like we've actually built in like with leadership, like there are going to be like three or four times in the quarter that are going to be reactive and we want to get scope from like the paid media team, all the way to like whoever's running the promo team to be like this is a brand activation, we have to go. So like the next thing actually turned around, I think in 24 hours. Um, which is crazy because like distributors and all of that. And trust me, we still get like our wrist labs and people get annoyed. It's not like everyone's like, "Yay, 24 hours, let's do it." Um, but it is a conversation, right? Like that is like in our planning conversations that we need reactive to do the goals that you're asking us to do and we need help from these teams. Um, and I also say like find your supporters. Like there are people in the business that like want to make cool shit. Like I found someone like on our gift cards team that's like in product, but just loves the internet. and he's like, I'm always down to like ping me and let me know and like let's make it happen. So like finding those advocates, I also say like make friends in low places. Like one of my like account level ones is one of my besties because I'm like, I need you to prove these things fast so I can move with these creators, right? Like those actually tend to be the people who get the shit done. So like find your allies across the org, um, and that helps move things faster as well.
Evan Lee: That is so good. And then speaking of the process a little bit more here, so love that that one came together in 24 hours. I'm wondering, uh, if you have a set process where it's like these are the steps we go through. We ideate together, we then brief together, we then engage the creators and walking through that process.
Zaria Parvez: Yeah, sure. Um, so I would say like first step is usually somebody frantically sending a text message or a slack message being like, I have an amazing idea. And this is just like the honesty of it. I wish it was like, and then we present in this huge deck. Um, and then like, again, I think it comes back to that creative conviction. Like I have an amazing team. I can be on top of every single thing they're doing. However, if somebody's like, like trust me on this, like I know this is going to hit, I'm going to trust you. Like that's why I hired you. So like this like broom like sweep, like I am not a basketball person guys, like not at all. And so when they were like, please, like we have to give out these free brooms. I'm like, God damn it. Okay, let's figure out how to do this. Um, and then my job I feel like as a director is like, let me get the right people in the right room. So like we figured out like this was the idea, let me find the right promo person, the right retail person. Let's ask if this is even possible. And so that turned into a quick slack channel with like again the advocates, accountant, legal and strategy and operations. Those are like my three besties. Got them in there, shared the idea and again when that when people see that conviction, they're like, fuck, let's like make this happen, this is dope. And so then the brief was honestly just like, hey, this is my idea, what needs to be true to make this happen. Um, and then usually from there it goes into like, okay, these are sorry, I need to talk to this person and need to unlock there. So a lot of it is like chasing people down. Um, but I think because we've built in that need for reactive, people are more like it's less of a process and more of like, okay, this is one of our moments that we're all going to hate each other for 24 hours, but like let's get it done.
Evan Lee: You had mentioned in there it's like uh having the trust in your team that you've been able to build. I'm wondering if you have any frameworks of how you approach hiring uh and the types of people that you tend to hire.
Zaria Parvez: So, my biggest thing is like I always hire for ideas. I don't really care like what school you went to. I don't even care if you have a degree. Um, for me it's really important that like, again, I keep saying creative conviction, but you have ideas that you're excited about and want to execute. And I actually I'm totally okay if like your idea is a flop. Like it is okay. Like I just want to see that like you want to push something forward and that energy is there. And we often we see that like you see that in an interview. Like you can tell when somebody's excited. I do think like a take-home task is really helpful in that. I know that can be a little bit contentious. But like that helps me see like your ideation and like how you're thinking through things. Um, so yeah, I feel like that's where I focus more again than like your resume. Like I I do a logo and I hired um, one of my favorite hires who was now full-time was a college student who was a dancer and we were doing some like dancing Tik Tok and I was like struggling with filming. He was just part of the dance group. Like that was it. He was supposed to be a mascot. He was like, yo, let me help you out real quick. And like grabbed my phone, was like doing all these editing tricks and I'm like, so do you need a job? Like I think to me like those are the moments where you're like, yeah, like, you know, like show me what you got and to me that's the most important versus like what school you went to and so on and so forth.
Evan Lee: I love it. I love it. I'm um I'm now thinking of so I'm just looking through the questions here.
A question from Aleenah Ansari appears on screen: "How does your approach to personal branding with social vary from what you do for brands on social?"]
The other place this now takes me is like back to your vent diagram that you had. So it's like taking a step back and being like, wait a second, like where does it fall? And then uh Alina asks, how does your approach to personal branding with social vary from what you do for brands on social?
Zaria Parvez: That's such a good question. Um, number one, two and three thing that I feel like was the best thing I did for myself was accidentally build a personal brand in the midst of all this. Um, my dream job, even before like Duo was kind of like my first job out of college, I was just experimenting with where I wanted to go. I love like writing and I actually wanted to be a journalist, but journalism did not make enough money at the time. So I was like, okay, I guess I'm going to just do a lingo for now and see what happens. Um, so LinkedIn almost became, I don't know why I chose LinkedIn in the beginning actually. Like I should have chose Substack or something, but whatever, learning. Um, and I was like, I just want to write. Like I want to write about things that I'm experiencing as this new grad, things I'm experiencing like at Duolingo and this was even before like Duolingo was what it was. And I think that allowed me to like build my personal voice and brand and then I just kept going with it. Um, so I feel like my personal brand will always be like I'm a very genuine I hope it comes off, but I try to be very genuine. Like to me that is really important because I think there's a lot of bullshit in marketing and I think it's really important to like be honest about the reality of things. Like even with Duolingo, I often say like, yes, I worked my butt off. However, it was also right place, right time, right moment, right hit on the algorithms. Like there are a lot of things that work to make somebody successful. And so my hope is like to kind of put that curtain down for people to show like I also mess up. I am not like there's moments where I have no idea what I'm doing where I get nervous before a talk or I get nervous when I'm like talking to exx or I'm not pounding the table the way I should be and like these are the lessons I learn. So I just try to be genuine in that so everyone knows that like, hey, can I learn from you too because I'm also in it with you guys. Like it's it's a two-way street.
Evan Lee: Uh, something I'm curious about here is like was was writing your initial like love in terms of a format to communicate?
Zaria Parvez: Yeah. long form and no one appreciates long form these days. And like now I'm like and then I got stuck in five-second TikTok world, but yeah, my love is like, yeah, is long form journalism. Give me a morning newspaper and I will have a great weekend. Like that is that is what I genuinely love. And maybe one day I'll go to journalism, who knows.
Evan Lee: I think there's something in there though like of of being able to start because I was going to ask like how you've honed your communication over time, right? But it sounds like it's started from a really strong place and then it's more like stripping it away. So what matters more when you have to condense it like a five-second clip.
Zaria Parvez: Like reflecting on your work is actually really helpful. Like even for example, like making this deck right to present to you guys. Like I have to be like, oh wait, how did I actually think about this? Like what are the things that I was actually trying to pay attention to because as social people, we work so fast that we like sometimes actually forget like it becomes such a native knowledge to us that I I think this is important like in the corporate world to be able to articulate. And so sometimes just writing and like reflecting on like this campaign happened and these are all the things that I did to get there is helpful for like your own growth too, like within a company and within an org.
Evan Lee: So Zaria, you've now been through this journey of like starting out at Duo on a really small team, no budget, creative freedom and now experience the hyper growth and being at DoorDash.
A question from Natasha Laguerre appears on screen: "WHAT ADVICE DO YOU HAVE FOR THOSE WHO ARE ONLY A ONE PERSSON TEAM?"]
Natasha has a question here. So going back with all of this experience you've now accumulated, let's imagine you're a one-person team again. Where are you starting? How are you starting?
Zaria Parvez: Yeah. Um, I mean, something that people don't know about me is I was at Duolingo for five years and for three years, I was a one-person team. So I have much love for this question. I think the biggest thing is like being able to scope out like what you're if you're a one-person team, like we all have our strengths and we all know like, hey, I'm actually more of a creative social person or I'm more of a strategic social person and figuring out that framework to let your specific strength shine and do what you can with what you have. I also think like realistic expectations. Like I always have tradeoffs. Like you want this much work, but you only have this much head count. Like realistically it's probably not going to happen. And I think just being honest about that, a lot of the times actually opens up people's like like people tend to be if you're working for a non-toxic place, usually they're understanding and like understand that tradeoff conversation and a lot of people just don't know. Like they think social people truly can do 20 jobs. But like if you articulate the why and this is what I'm focusing on, I've noticed that like usually that is okay. Like even at Duolingo before when before we got like contractors and more help, like I was like, I actually can't do filming until I figure out like what our community strategy is. So I'm just going to focus on commenting and this is why. And for a long time, like we would just comment and like do community management and like got more filming expertise probably like six months into it. So like it's kind of that slow build and being okay with that, but communicating that slow build versus just like silently dying inside.
Evan Lee: It makes so much sense. Uh, the place that I want to get into now is like more around the process of making something come to life.
A question from Noah Cervantes appears on screen: "How long does it take from ideation -> approval -> execution for something as finite/timely as The Finals?"]
So Noah has a question here. How long does it take to go from ideation to approval to execution for something as uh finite timely as the NBA finals?
Zaria Parvez: So, oh man, this is a fun one. Um, so it actually depends. Previously, I've heard like before my time at DoorDash, this was a longer process, but what we've done now is like we've actually built in like with leadership, like there are going to be like three or four times in the quarter that are going to be reactive and we want to get scope from like the paid media team, all the way to like whoever's running the promo team to be like this is a brand activation, we have to go. So like the next thing actually turned around, I think in 24 hours. Um, which is crazy because like distributors and all of that. And trust me, we still get like our wrist labs and people get annoyed. It's not like everyone's like, "Yay, 24 hours, let's do it." Um, but it is a conversation, right? Like that is like in our planning conversations that we need reactive to do the goals that you're asking us to do and we need help from these teams. Um, and I also say like find your supporters. Like there are people in the business that like want to make cool shit. Like I found someone like on our gift cards team that's like in product, but just loves the internet. and he's like, I'm always down to like ping me and let me know and like let's make it happen. So like finding those advocates, I also say like make friends in low places. Like one of my like account level ones is one of my besties because I'm like, I need you to prove these things fast so I can move with these creators, right? Like those actually tend to be the people who get the shit done. So like find your allies across the org, um, and that helps move things faster as well.
Evan Lee: That is so good. And then speaking of the process a little bit more here, so love that that one came together in 24 hours. I'm wondering, uh, if you have a set process where it's like these are the steps we go through. We ideate together, we then brief together, we then engage the creators and walking through that process.
Zaria Parvez: Yeah, sure. Um, so I would say like first step is usually somebody frantically sending a text message or a slack message being like, I have an amazing idea. And this is just like the honesty of it. I wish it was like, and then we present in this huge deck. Um, and then like, again, I think it comes back to that creative conviction. Like I have an amazing team. I can be on top of every single thing they're doing. However, if somebody's like, like trust me on this, like I know this is going to hit, I'm going to trust you. Like that's why I hired you. So like this like broom like sweep, like I am not a basketball person guys, like not at all. And so when they were like, please, like we have to give out these free brooms. I'm like, God damn it. Okay, let's figure out how to do this. Um, and then my job I feel like as a director is like, let me get the right people in the right room. So like we figured out like this was the idea, let me find the right promo person, the right retail person. Let's ask if this is even possible. And so that turned into a quick slack channel with like again the advocates, accountant, legal and strategy and operations. Those are like my three besties. Got them in there, shared the idea and again when that when people see that conviction, they're like, fuck, let's like make this happen, this is dope. And so then the brief was honestly just like, hey, this is my idea, what needs to be true to make this happen. Um, and then usually from there it goes into like, okay, these are sorry, I need to talk to this person and need to unlock there. So a lot of it is like chasing people down. Um, but I think because we've built in that need for reactive, people are more like it's less of a process and more of like, okay, this is one of our moments that we're all going to hate each other for 24 hours, but like let's get it done.
Evan Lee: You had mentioned in there it's like uh having the trust in your team that you've been able to build. I'm wondering if you have any frameworks of how you approach hiring uh and the types of people that you tend to hire.
Zaria Parvez: So, my biggest thing is like I always hire for ideas. I don't really care like what school you went to. I don't even care if you have a degree. Um, for me it's really important that like, again, I keep saying creative conviction, but you have ideas that you're excited about and want to execute. And I actually I'm totally okay if like your idea is a flop. Like it is okay. Like I just want to see that like you want to push something forward and that energy is there. And we often we see that like you see that in an interview. Like you can tell when somebody's excited. I do think like a take-home task is really helpful in that. I know that can be a little bit contentious. But like that helps me see like your ideation and like how you're thinking through things. Um, so yeah, I feel like that's where I focus more again than like your resume. Like I I do a logo and I hired um, one of my favorite hires who was now full-time was a college student who was a dancer and we were doing some like dancing Tik Tok and I was like struggling with filming. He was just part of the dance group. Like that was it. He was supposed to be a mascot. He was like, yo, let me help you out real quick. And like grabbed my phone, was like doing all these editing tricks and I'm like, so do you need a job? Like I think to me like those are the moments where you're like, yeah, like, you know, like show me what you got and to me that's the most important versus like what school you went to and so on and so forth.
Evan Lee: I love it. I love it. I'm um I'm now thinking of so I'm just looking through the questions here.
A question from Aleenah Ansari appears on screen: "How does your approach to personal branding with social vary from what you do for brands on social?"]
The other place this now takes me is like back to your vent diagram that you had. So it's like taking a step back and being like, wait a second, like where does it fall? And then uh Alina asks, how does your approach to personal branding with social vary from what you do for brands on social?
Zaria Parvez: That's such a good question. Um, number one, two and three thing that I feel like was the best thing I did for myself was accidentally build a personal brand in the midst of all this. Um, my dream job, even before like Duo was kind of like my first job out of college, I was just experimenting with where I wanted to go. I love like writing and I actually wanted to be a journalist, but journalism did not make enough money at the time. So I was like, okay, I guess I'm going to just do a lingo for now and see what happens. Um, so LinkedIn almost became, I don't know why I chose LinkedIn in the beginning actually. Like I should have chose Substack or something, but whatever, learning. Um, and I was like, I just want to write. Like I want to write about things that I'm experiencing as this new grad, things I'm experiencing like at Duolingo and this was even before like Duolingo was what it was. And I think that allowed me to like build my personal voice and brand and then I just kept going with it. Um, so I feel like my personal brand will always be like I'm a very genuine I hope it comes off, but I try to be very genuine. Like to me that is really important because I think there's a lot of bullshit in marketing and I think it's really important to like be honest about the reality of things. Like even with Duolingo, I often say like, yes, I worked my butt off. However, it was also right place, right time, right moment, right hit on the algorithms. Like there are a lot of things that work to make somebody successful. And so my hope is like to kind of put that curtain down for people to show like I also mess up. I am not like there's moments where I have no idea what I'm doing where I get nervous before a talk or I get nervous when I'm like talking to exx or I'm not pounding the table the way I should be and like these are the lessons I learn. So I just try to be genuine in that so everyone knows that like, hey, can I learn from you too because I'm also in it with you guys. Like it's it's a two-way street.
Evan Lee: Uh, something I'm curious about here is like was was writing your initial like love in terms of a format to communicate?
Zaria Parvez: Yeah. long form and no one appreciates long form these days. And like now I'm like and then I got stuck in five-second TikTok world, but yeah, my love is like, yeah, is long form journalism. Give me a morning newspaper and I will have a great weekend. Like that is that is what I genuinely love. And maybe one day I'll go to journalism, who knows.
Evan Lee: I think there's something in there though like of of being able to start because I was going to ask like how you've honed your communication over time, right? But it sounds like it's started from a really strong place and then it's more like stripping it away. So what matters more when you have to condense it like a five-second clip.
Zaria Parvez: Like reflecting on your work is actually really helpful. Like even for example, like making this deck right to present to you guys. Like I have to be like, oh wait, how did I actually think about this? Like what are the things that I was actually trying to pay attention to because as social people, we work so fast that we like sometimes actually forget like it becomes such a native knowledge to us that I I think this is important like in the corporate world to be able to articulate. And so sometimes just writing and like reflecting on like this campaign happened and these are all the things that I did to get there is helpful for like your own growth too, like within a company and within an org.
Evan Lee: So Zaria, you've now been through this journey of like starting out at Duo on a really small team, no budget, creative freedom and now experience the hyper growth and being at DoorDash.
A question from Natasha Laguerre appears on screen: "WHAT ADVICE DO YOU HAVE FOR THOSE WHO ARE ONLY A ONE PERSSON TEAM?"]
Natasha has a question here. So going back with all of this experience you've now accumulated, let's imagine you're a one-person team again. Where are you starting? How are you starting?
Zaria Parvez: Yeah. Um, I mean, something that people don't know about me is I was at Duolingo for five years and for three years, I was a one-person team. So I have much love for this question. I think the biggest thing is like being able to scope out like what you're if you're a one-person team, like we all have our strengths and we all know like, hey, I'm actually more of a creative social person or I'm more of a strategic social person and figuring out that framework to let your specific strength shine and do what you can with what you have. I also think like realistic expectations. Like I always have tradeoffs. Like you want this much work, but you only have this much head count. Like realistically it's probably not going to happen. And I think just being honest about that, a lot of the times actually opens up people's like like people tend to be if you're working for a non-toxic place, usually they're understanding and like understand that tradeoff conversation and a lot of people just don't know. Like they think social people truly can do 20 jobs. But like if you articulate the why and this is what I'm focusing on, I've noticed that like usually that is okay. Like even at Duolingo before when before we got like contractors and more help, like I was like, I actually can't do filming until I figure out like what our community strategy is. So I'm just going to focus on commenting and this is why. And for a long time, like we would just comment and like do community management and like got more filming expertise probably like six months into it. So like it's kind of that slow build and being okay with that, but communicating that slow build versus just like silently dying inside.
Evan Lee: It makes so much sense. Uh, the place that I want to get into now is like more around the process of making something come to life.
A question from Noah Cervantes appears on screen: "How long does it take from ideation -> approval -> execution for something as finite/timely as The Finals?"]
So Noah has a question here. How long does it take to go from ideation to approval to execution for something as uh finite timely as the NBA finals?
Zaria Parvez: So, oh man, this is a fun one. Um, so it actually depends. Previously, I've heard like before my time at DoorDash, this was a longer process, but what we've done now is like we've actually built in like with leadership, like there are going to be like three or four times in the quarter that are going to be reactive and we want to get scope from like the paid media team, all the way to like whoever's running the promo team to be like this is a brand activation, we have to go. So like the next thing actually turned around, I think in 24 hours. Um, which is crazy because like distributors and all of that. And trust me, we still get like our wrist labs and people get annoyed. It's not like everyone's like, "Yay, 24 hours, let's do it." Um, but it is a conversation, right? Like that is like in our planning conversations that we need reactive to do the goals that you're asking us to do and we need help from these teams. Um, and I also say like find your supporters. Like there are people in the business that like want to make cool shit. Like I found someone like on our gift cards team that's like in product, but just loves the internet. and he's like, I'm always down to like ping me and let me know and like let's make it happen. So like finding those advocates, I also say like make friends in low places. Like one of my like account level ones is one of my besties because I'm like, I need you to prove these things fast so I can move with these creators, right? Like those actually tend to be the people who get the shit done. So like find your allies across the org, um, and that helps move things faster as well.
Evan Lee: That is so good. And then speaking of the process a little bit more here, so love that that one came together in 24 hours. I'm wondering, uh, if you have a set process where it's like these are the steps we go through. We ideate together, we then brief together, we then engage the creators and walking through that process.
Zaria Parvez: Yeah, sure. Um, so I would say like first step is usually somebody frantically sending a text message or a slack message being like, I have an amazing idea. And this is just like the honesty of it. I wish it was like, and then we present in this huge deck. Um, and then like, again, I think it comes back to that creative conviction. Like I have an amazing team. I can be on top of every single thing they're doing. However, if somebody's like, like trust me on this, like I know this is going to hit, I'm going to trust you. Like that's why I hired you. So like this like broom like sweep, like I am not a basketball person guys, like not at all. And so when they were like, please, like we have to give out these free brooms. I'm like, God damn it. Okay, let's figure out how to do this. Um, and then my job I feel like as a director is like, let me get the right people in the right room. So like we figured out like this was the idea, let me find the right promo person, the right retail person. Let's ask if this is even possible. And so that turned into a quick slack channel with like again the advocates, accountant, legal and strategy and operations. Those are like my three besties. Got them in there, shared the idea and again when that when people see that conviction, they're like, fuck, let's like make this happen, this is dope. And so then the brief was honestly just like, hey, this is my idea, what needs to be true to make this happen. Um, and then usually from there it goes into like, okay, these are sorry, I need to talk to this person and need to unlock there. So a lot of it is like chasing people down. Um, but I think because we've built in that need for reactive, people are more like it's less of a process and more of like, okay, this is one of our moments that we're all going to hate each other for 24 hours, but like let's get it done.
Evan Lee: You had mentioned in there it's like uh having the trust in your team that you've been able to build. I'm wondering if you have any frameworks of how you approach hiring uh and the types of people that you tend to hire.
Zaria Parvez: So, my biggest thing is like I always hire for ideas. I don't really care like what school you went to. I don't even care if you have a degree. Um, for me it's really important that like, again, I keep saying creative conviction, but you have ideas that you're excited about and want to execute. And I actually I'm totally okay if like your idea is a flop. Like it is okay. Like I just want to see that like you want to push something forward and that energy is there. And we often we see that like you see that in an interview. Like you can tell when somebody's excited. I do think like a take-home task is really helpful in that. I know that can be a little bit contentious. But like that helps me see like your ideation and like how you're thinking through things. Um, so yeah, I feel like that's where I focus more again than like your resume. Like I I do a logo and I hired um, one of my favorite hires who was now full-time was a college student who was a dancer and we were doing some like dancing Tik Tok and I was like struggling with filming. He was just part of the dance group. Like that was it. He was supposed to be a mascot. He was like, yo, let me help you out real quick. And like grabbed my phone, was like doing all these editing tricks and I'm like, so do you need a job? Like I think to me like those are the moments where you're like, yeah, like, you know, like show me what you got and to me that's the most important versus like what school you went to and so on and so forth.
Evan Lee: I love it. I love it. I'm um I'm now thinking of so I'm just looking through the questions here.
A question from Aleenah Ansari appears on screen: "How does your approach to personal branding with social vary from what you do for brands on social?"]
The other place this now takes me is like back to your vent diagram that you had. So it's like taking a step back and being like, wait a second, like where does it fall? And then uh Alina asks, how does your approach to personal branding with social vary from what you do for brands on social?
Zaria Parvez: That's such a good question. Um, number one, two and three thing that I feel like was the best thing I did for myself was accidentally build a personal brand in the midst of all this. Um, my dream job, even before like Duo was kind of like my first job out of college, I was just experimenting with where I wanted to go. I love like writing and I actually wanted to be a journalist, but journalism did not make enough money at the time. So I was like, okay, I guess I'm going to just do a lingo for now and see what happens. Um, so LinkedIn almost became, I don't know why I chose LinkedIn in the beginning actually. Like I should have chose Substack or something, but whatever, learning. Um, and I was like, I just want to write. Like I want to write about things that I'm experiencing as this new grad, things I'm experiencing like at Duolingo and this was even before like Duolingo was what it was. And I think that allowed me to like build my personal voice and brand and then I just kept going with it. Um, so I feel like my personal brand will always be like I'm a very genuine I hope it comes off, but I try to be very genuine. Like to me that is really important because I think there's a lot of bullshit in marketing and I think it's really important to like be honest about the reality of things. Like even with Duolingo, I often say like, yes, I worked my butt off. However, it was also right place, right time, right moment, right hit on the algorithms. Like there are a lot of things that work to make somebody successful. And so my hope is like to kind of put that curtain down for people to show like I also mess up. I am not like there's moments where I have no idea what I'm doing where I get nervous before a talk or I get nervous when I'm like talking to exx or I'm not pounding the table the way I should be and like these are the lessons I learn. So I just try to be genuine in that so everyone knows that like, hey, can I learn from you too because I'm also in it with you guys. Like it's it's a two-way street.
Evan Lee: Uh, something I'm curious about here is like was was writing your initial like love in terms of a format to communicate?
Zaria Parvez: Yeah. long form and no one appreciates long form these days. And like now I'm like and then I got stuck in five-second TikTok world, but yeah, my love is like, yeah, is long form journalism. Give me a morning newspaper and I will have a great weekend. Like that is that is what I genuinely love. And maybe one day I'll go to journalism, who knows.
Evan Lee: I think there's something in there though like of of being able to start because I was going to ask like how you've honed your communication over time, right? But it sounds like it's started from a really strong place and then it's more like stripping it away. So what matters more when you have to condense it like a five-second clip.
Zaria Parvez: Like reflecting on your work is actually really helpful. Like even for example, like making this deck right to present to you guys. Like I have to be like, oh wait, how did I actually think about this? Like what are the things that I was actually trying to pay attention to because as social people, we work so fast that we like sometimes actually forget like it becomes such a native knowledge to us that I I think this is important like in the corporate world to be able to articulate. And so sometimes just writing and like reflecting on like this campaign happened and these are all the things that I did to get there is helpful for like your own growth too, like within a company and within an org.
Evan Lee: So Zaria, you've now been through this journey of like starting out at Duo on a really small team, no budget, creative freedom and now experience the hyper growth and being at DoorDash.
A question from Natasha Laguerre appears on screen: "WHAT ADVICE DO YOU HAVE FOR THOSE WHO ARE ONLY A ONE PERSSON TEAM?"]
Natasha has a question here. So going back with all of this experience you've now accumulated, let's imagine you're a one-person team again. Where are you starting? How are you starting?
Zaria Parvez: Yeah. Um, I mean, something that people don't know about me is I was at Duolingo for five years and for three years, I was a one-person team. So I have much love for this question. I think the biggest thing is like being able to scope out like what you're if you're a one-person team, like we all have our strengths and we all know like, hey, I'm actually more of a creative social person or I'm more of a strategic social person and figuring out that framework to let your specific strength shine and do what you can with what you have. I also think like realistic expectations. Like I always have tradeoffs. Like you want this much work, but you only have this much head count. Like realistically it's probably not going to happen. And I think just being honest about that, a lot of the times actually opens up people's like like people tend to be if you're working for a non-toxic place, usually they're understanding and like understand that tradeoff conversation and a lot of people just don't know. Like they think social people truly can do 20 jobs. But like if you articulate the why and this is what I'm focusing on, I've noticed that like usually that is okay. Like even at Duolingo before when before we got like contractors and more help, like I was like, I actually can't do filming until I figure out like what our community strategy is. So I'm just going to focus on commenting and this is why. And for a long time, like we would just comment and like do community management and like got more filming expertise probably like six months into it. So like it's kind of that slow build and being okay with that, but communicating that slow build versus just like silently dying inside.
Evan Lee: It makes so much sense. Uh, the place that I want to get into now is like more around the process of making something come to life.
A question from Noah Cervantes appears on screen: "How long does it take from ideation -> approval -> execution for something as finite/timely as The Finals?"]
So Noah has a question here. How long does it take to go from ideation to approval to execution for something as uh finite timely as the NBA finals?
Zaria Parvez: So, oh man, this is a fun one. Um, so it actually depends. Previously, I've heard like before my time at DoorDash, this was a longer process, but what we've done now is like we've actually built in like with leadership, like there are going to be like three or four times in the quarter that are going to be reactive and we want to get scope from like the paid media team, all the way to like whoever's running the promo team to be like this is a brand activation, we have to go. So like the next thing actually turned around, I think in 24 hours. Um, which is crazy because like distributors and all of that. And trust me, we still get like our wrist labs and people get annoyed. It's not like everyone's like, "Yay, 24 hours, let's do it." Um, but it is a conversation, right? Like that is like in our planning conversations that we need reactive to do the goals that you're asking us to do and we need help from these teams. Um, and I also say like find your supporters. Like there are people in the business that like want to make cool shit. Like I found someone like on our gift cards team that's like in product, but just loves the internet. and he's like, I'm always down to like ping me and let me know and like let's make it happen. So like finding those advocates, I also say like make friends in low places. Like one of my like account level ones is one of my besties because I'm like, I need you to prove these things fast so I can move with these creators, right? Like those actually tend to be the people who get the shit done. So like find your allies across the org, um, and that helps move things faster as well.
Evan Lee: That is so good. And then speaking of the process a little bit more here, so love that that one came together in 24 hours. I'm wondering, uh, if you have a set process where it's like these are the steps we go through. We ideate together, we then brief together, we then engage the creators and walking through that process.
Zaria Parvez: Yeah, sure. Um, so I would say like first step is usually somebody frantically sending a text message or a slack message being like, I have an amazing idea. And this is just like the honesty of it. I wish it was like, and then we present in this huge deck. Um, and then like, again, I think it comes back to that creative conviction. Like I have an amazing team. I can be on top of every single thing they're doing. However, if somebody's like, like trust me on this, like I know this is going to hit, I'm going to trust you. Like that's why I hired you. So like this like broom like sweep, like I am not a basketball person guys, like not at all. And so when they were like, please, like we have to give out these free brooms. I'm like, God damn it. Okay, let's figure out how to do this. Um, and then my job I feel like as a director is like, let me get the right people in the right room. So like we figured out like this was the idea, let me find the right promo person, the right retail person. Let's ask if this is even possible. And so that turned into a quick slack channel with like again the advocates, accountant, legal and strategy and operations. Those are like my three besties. Got them in there, shared the idea and again when that when people see that conviction, they're like, fuck, let's like make this happen, this is dope. And so then the brief was honestly just like, hey, this is my idea, what needs to be true to make this happen. Um, and then usually from there it goes into like, okay, these are sorry, I need to talk to this person and need to unlock there. So a lot of it is like chasing people down. Um, but I think because we've built in that need for reactive, people are more like it's less of a process and more of like, okay, this is one of our moments that we're all going to hate each other for 24 hours, but like let's get it done.
Evan Lee: You had mentioned in there it's like uh having the trust in your team that you've been able to build. I'm wondering if you have any frameworks of how you approach hiring uh and the types of people that you tend to hire.
Zaria Parvez: So, my biggest thing is like I always hire for ideas. I don't really care like what school you went to. I don't even care if you have a degree. Um, for me it's really important that like, again, I keep saying creative conviction, but you have ideas that you're excited about and want to execute. And I actually I'm totally okay if like your idea is a flop. Like it is okay. Like I just want to see that like you want to push something forward and that energy is there. And we often we see that like you see that in an interview. Like you can tell when somebody's excited. I do think like a take-home task is really helpful in that. I know that can be a little bit contentious. But like that helps me see like your ideation and like how you're thinking through things. Um, so yeah, I feel like that's where I focus more again than like your resume. Like I I do a logo and I hired um, one of my favorite hires who was now full-time was a college student who was a dancer and we were doing some like dancing Tik Tok and I was like struggling with filming. He was just part of the dance group. Like that was it. He was supposed to be a mascot. He was like, yo, let me help you out real quick. And like grabbed my phone, was like doing all these editing tricks and I'm like, so do you need a job? Like I think to me like those are the moments where you're like, yeah, like, you know, like show me what you got and to me that's the most important versus like what school you went to and so on and so forth.
Evan Lee: I love it. I love it. I'm um I'm now thinking of so I'm just looking through the questions here.
A question from Aleenah Ansari appears on screen: "How does your approach to personal branding with social vary from what you do for brands on social?"]
The other place this now takes me is like back to your vent diagram that you had. So it's like taking a step back and being like, wait a second, like where does it fall? And then uh Alina asks, how does your approach to personal branding with social vary from what you do for brands on social?
Zaria Parvez: That's such a good question. Um, number one, two and three thing that I feel like was the best thing I did for myself was accidentally build a personal brand in the midst of all this. Um, my dream job, even before like Duo was kind of like my first job out of college, I was just experimenting with where I wanted to go. I love like writing and I actually wanted to be a journalist, but journalism did not make enough money at the time. So I was like, okay, I guess I'm going to just do a lingo for now and see what happens. Um, so LinkedIn almost became, I don't know why I chose LinkedIn in the beginning actually. Like I should have chose Substack or something, but whatever, learning. Um, and I was like, I just want to write. Like I want to write about things that I'm experiencing as this new grad, things I'm experiencing like at Duolingo and this was even before like Duolingo was what it was. And I think that allowed me to like build my personal voice and brand and then I just kept going with it. Um, so I feel like my personal brand will always be like I'm a very genuine I hope it comes off, but I try to be very genuine. Like to me that is really important because I think there's a lot of bullshit in marketing and I think it's really important to like be honest about the reality of things. Like even with Duolingo, I often say like, yes, I worked my butt off. However, it was also right place, right time, right moment, right hit on the algorithms. Like there are a lot of things that work to make somebody successful. And so my hope is like to kind of put that curtain down for people to show like I also mess up. I am not like there's moments where I have no idea what I'm doing where I get nervous before a talk or I get nervous when I'm like talking to exx or I'm not pounding the table the way I should be and like these are the lessons I learn. So I just try to be genuine in that so everyone knows that like, hey, can I learn from you too because I'm also in it with you guys. Like it's it's a two-way street.
Evan Lee: Uh, something I'm curious about here is like was was writing your initial like love in terms of a format to communicate?
Zaria Parvez: Yeah. long form and no one appreciates long form these days. And like now I'm like and then I got stuck in five-second TikTok world, but yeah, my love is like, yeah, is long form journalism. Give me a morning newspaper and I will have a great weekend. Like that is that is what I genuinely love. And maybe one day I'll go to journalism, who knows.
Evan Lee: I think there's something in there though like of of being able to start because I was going to ask like how you've honed your communication over time, right? But it sounds like it's started from a really strong place and then it's more like stripping it away. So what matters more when you have to condense it like a five-second clip.
Zaria Parvez: Like reflecting on your work is actually really helpful. Like even for example, like making this deck right to present to you guys. Like I have to be like, oh wait, how did I actually think about this? Like what are the things that I was actually trying to pay attention to because as social people, we work so fast that we like sometimes actually forget like it becomes such a native knowledge to us that I I think this is important like in the corporate world to be able to articulate. And so sometimes just writing and like reflecting on like this campaign happened and these are all the things that I did to get there is helpful for like your own growth too, like within a company and within an org.
Evan Lee: So Zaria, you've now been through this journey of like starting out at Duo on a really small team, no budget, creative freedom and now experience the hyper growth and being at DoorDash.
A question from Natasha Laguerre appears on screen: "WHAT ADVICE DO YOU HAVE FOR THOSE WHO ARE ONLY A ONE PERSSON TEAM?"]
Natasha has a question here. So going back with all of this experience you've now accumulated, let's imagine you're a one-person team again. Where are you starting? How are you starting?
Zaria Parvez: Yeah. Um, I mean, something that people don't know about me is I was at Duolingo for five years and for three years, I was a one-person team. So I have much love for this question. I think the biggest thing is like being able to scope out like what you're if you're a one-person team, like we all have our strengths and we all know like, hey, I'm actually more of a creative social person or I'm more of a strategic social person and figuring out that framework to let your specific strength shine and do what you can with what you have. I also think like realistic expectations. Like I always have tradeoffs. Like you want this much work, but you only have this much head count. Like realistically it's probably not going to happen. And I think just being honest about that, a lot of the times actually opens up people's like like people tend to be if you're working for a non-toxic place, usually they're understanding and like understand that tradeoff conversation and a lot of people just don't know. Like they think social people truly can do 20 jobs. But like if you articulate the why and this is what I'm focusing on, I've noticed that like usually that is okay. Like even at Duolingo before when before we got like contractors and more help, like I was like, I actually can't do filming until I figure out like what our community strategy is. So I'm just going to focus on commenting and this is why. And for a long time, like we would just comment and like do community management and like got more filming expertise probably like six months into it. So like it's kind of that slow build and being okay with that, but communicating that slow build versus just like silently dying inside.
Evan Lee: It makes so much sense. Uh, the place that I want to get into now is like more around the process of making something come to life.
A question from Noah Cervantes appears on screen: "How long does it take from ideation -> approval -> execution for something as finite/timely as The Finals?"]
So Noah has a question here. How long does it take to go from ideation to approval to execution for something as uh finite timely as the NBA finals?
Zaria Parvez: So, oh man, this is a fun one. Um, so it actually depends. Previously, I've heard like before my time at DoorDash, this was a longer process, but what we've done now is like we've actually built in like with leadership, like there are going to be like three or four times in the quarter that are going to be reactive and we want to get scope from like the paid media team, all the way to like whoever's running the promo team to be like this is a brand activation, we have to go. So like the next thing actually turned around, I think in 24 hours. Um, which is crazy because like distributors and all of that. And trust me, we still get like our wrist labs and people get annoyed. It's not like everyone's like, "Yay, 24 hours, let's do it." Um, but it is a conversation, right? Like that is like in our planning conversations that we need reactive to do the goals that you're asking us to do and we need help from these teams. Um, and I also say like find your supporters. Like there are people in the business that like want to make cool shit. Like I found someone like on our gift cards team that's like in product, but just loves the internet. and he's like, I'm always down to like ping me and let me know and like let's make it happen. So like finding those advocates, I also say like make friends in low places. Like one of my like account level ones is one of my besties because I'm like, I need you to prove these things fast so I can move with these creators, right? Like those actually tend to be the people who get the shit done. So like find your allies across the org, um, and that helps move things faster as well.
Evan Lee: That is so good. And then speaking of the process a little bit more here, so love that that one came together in 24 hours. I'm wondering, uh, if you have a set process where it's like these are the steps we go through. We ideate together, we then brief together, we then engage the creators and walking through that process.
Zaria Parvez: Yeah, sure. Um, so I would say like first step is usually somebody frantically sending a text message or a slack message being like, I have an amazing idea. And this is just like the honesty of it. I wish it was like, and then we present in this huge deck. Um, and then like, again, I think it comes back to that creative conviction. Like I have an amazing team. I can be on top of every single thing they're doing. However, if somebody's like, like trust me on this, like I know this is going to hit, I'm going to trust you. Like that's why I hired you. So like this like broom like sweep, like I am not a basketball person guys, like not at all. And so when they were like, please, like we have to give out these free brooms. I'm like, God damn it. Okay, let's figure out how to do this. Um, and then my job I feel like as a director is like, let me get the right people in the right room. So like we figured out like this was the idea, let me find the right promo person, the right retail person. Let's ask if this is even possible. And so that turned into a quick slack channel with like again the advocates, accountant, legal and strategy and operations. Those are like my three besties. Got them in there, shared the idea and again when that when people see that conviction, they're like, fuck, let's like make this happen, this is dope. And so then the brief was honestly just like, hey, this is my idea, what needs to be true to make this happen. Um, and then usually from there it goes into like, okay, these are sorry, I need to talk to this person and need to unlock there. So a lot of it is like chasing people down. Um, but I think because we've built in that need for reactive, people are more like it's less of a process and more of like, okay, this is one of our moments that we're all going to hate each other for 24 hours, but like let's get it done.
Evan Lee: You had mentioned in there it's like uh having the trust in your team that you've been able to build. I'm wondering if you have any frameworks of how you approach hiring uh and the types of people that you tend to hire.
Zaria Parvez: So, my biggest thing is like I always hire for ideas. I don't really care like what school you went to. I don't even care if you have a degree. Um, for me it's really important that like, again, I keep saying creative conviction, but you have ideas that you're excited about and want to execute. And I actually I'm totally okay if like your idea is a flop. Like it is okay. Like I just want to see that like you want to push something forward and that energy is there. And we often we see that like you see that in an interview. Like you can tell when somebody's excited. I do think like a take-home task is really helpful in that. I know that can be a little bit contentious. But like that helps me see like your ideation and like how you're thinking through things. Um, so yeah, I feel like that's where I focus more again than like your resume. Like I I do a logo and I hired um, one of my favorite hires who was now full-time was a college student who was a dancer and we were doing some like dancing Tik Tok and I was like struggling with filming. He was just part of the dance group. Like that was it. He was supposed to be a mascot. He was like, yo, let me help you out real quick. And like grabbed my phone, was like doing all these editing tricks and I'm like, so do you need a job? Like I think to me like those are the moments where you're like, yeah, like, you know, like show me what you got and to me that's the most important versus like what school you went to and so on and so forth.
Evan Lee: I love it. I love it. I'm um I'm now thinking of so I'm just looking through the questions here.
A question from Aleenah Ansari appears on screen: "How does your approach to personal branding with social vary from what you do for brands on social?"]
The other place this now takes me is like back to your vent diagram that you had. So it's like taking a step back and being like, wait a second, like where does it fall? And then uh Alina asks, how does your approach to personal branding with social vary from what you do for brands on social?
Zaria Parvez: That's such a good question. Um, number one, two and three thing that I feel like was the best thing I did for myself was accidentally build a personal brand in the midst of all this. Um, my dream job, even before like Duo was kind of like my first job out of college, I was just experimenting with where I wanted to go. I love like writing and I actually wanted to be a journalist, but journalism did not make enough money at the time. So I was like, okay, I guess I'm going to just do a lingo for now and see what happens. Um, so LinkedIn almost became, I don't know why I chose LinkedIn in the beginning actually. Like I should have chose Substack or something, but whatever, learning. Um, and I was like, I just want to write. Like I want to write about things that I'm experiencing as this new grad, things I'm experiencing like at Duolingo and this was even before like Duolingo was what it was. And I think that allowed me to like build my personal voice and brand and then I just kept going with it. Um, so I feel like my personal brand will always be like I'm a very genuine I hope it comes off, but I try to be very genuine. Like to me that is really important because I think there's a lot of bullshit in marketing and I think it's really important to like be honest about the reality of things. Like even with Duolingo, I often say like, yes, I worked my butt off. However, it was also right place, right time, right moment, right hit on the algorithms. Like there are a lot of things that work to make somebody successful. And so my hope is like to kind of put that curtain down for people to show like I also mess up. I am not like there's moments where I have no idea what I'm doing where I get nervous before a talk or I get nervous when I'm like talking to exx or I'm not pounding the table the way I should be and like these are the lessons I learn. So I just try to be genuine in that so everyone knows that like, hey, can I learn from you too because I'm also in it with you guys. Like it's it's a two-way street.
Evan Lee: Uh, something I'm curious about here is like was was writing your initial like love in terms of a format to communicate?
Zaria Parvez: Yeah. long form and no one appreciates long form these days. And like now I'm like and then I got stuck in five-second TikTok world, but yeah, my love is like, yeah, is long form journalism. Give me a morning newspaper and I will have a great weekend. Like that is that is what I genuinely love. And maybe one day I'll go to journalism, who knows.
Evan Lee: I think there's something in there though like of of being able to start because I was going to ask like how you've honed your communication over time, right? But it sounds like it's started from a really strong place and then it's more like stripping it away. So what matters more when you have to condense it like a five-second clip.
Zaria Parvez: Like reflecting on your work is actually really helpful. Like even for example, like making this deck right to present to you guys. Like I have to be like, oh wait, how did I actually think about this? Like what are the things that I was actually trying to pay attention to because as social people, we work so fast that we like sometimes actually forget like it becomes such a native knowledge to us that I I think this is important like in the corporate world to be able to articulate. And so sometimes just writing and like reflecting on like this campaign happened and these are all the things that I did to get there is helpful for like your own growth too, like within a company and within an org.
Evan Lee: So Zaria, you've now been through this journey of like starting out at Duo on a really small team, no budget, creative freedom and now experience the hyper growth and being at DoorDash.
A question from Natasha Laguerre appears on screen: "WHAT ADVICE DO YOU HAVE FOR THOSE WHO ARE ONLY A ONE PERSSON TEAM?"]
Natasha has a question here. So going back with all of this experience you've now accumulated, let's imagine you're a one-person team again. Where are you starting? How are you starting?
Zaria Parvez: Yeah. Um, I mean, something that people don't know about me is I was at Duolingo for five years and for three years, I was a one-person team. So I have much love for this question. I think the biggest thing is like being able to scope out like what you're if you're a one-person team, like we all have our strengths and we all know like, hey, I'm actually more of a creative social person or I'm more of a strategic social person and figuring out that framework to let your specific strength shine and do what you can with what you have. I also think like realistic expectations. Like I always have tradeoffs. Like you want this much work, but you only have this much head count. Like realistically it's probably not going to happen. And I think just being honest about that, a lot of the times actually opens up people's like like people tend to be if you're working for a non-toxic place, usually they're understanding and like understand that tradeoff conversation and a lot of people just don't know. Like they think social people truly can do 20 jobs. But like if you articulate the why and this is what I'm focusing on, I've noticed that like usually that is okay. Like even at Duolingo before when before we got like contractors and more help, like I was like, I actually can't do filming until I figure out like what our community strategy is. So I'm just going to focus on commenting and this is why. And for a long time, like we would just comment and like do community management and like got more filming expertise probably like six months into it. So like it's kind of that slow build and being okay with that, but communicating that slow build versus just like silently dying inside.
Evan Lee: It makes so much sense. Uh, the place that I want to get into now is like more around the process of making something come to life.
A question from Noah Cervantes appears on screen: "How long does it take from ideation -> approval -> execution for something as finite/timely as The Finals?"]
So Noah has a question here. How long does it take to go from ideation to approval to execution for something as uh finite timely as the NBA finals?
Zaria Parvez: So, oh man, this is a fun one. Um, so it actually depends. Previously, I've heard like before my time at DoorDash, this was a longer process, but what we've done now is like we've actually built in like with leadership, like there are going to be like three or four times in the quarter that are going to be reactive and we want to get scope from like the paid media team, all the way to like whoever's running the promo team to be like this is a brand activation, we have to go. So like the next thing actually turned around, I think in 24 hours. Um, which is crazy because like distributors and all of that. And trust me, we still get like our wrist labs and people get annoyed. It's not like everyone's like, "Yay, 24 hours, let's do it." Um, but it is a conversation, right? Like that is like in our planning conversations that we need reactive to do the goals that you're asking us to do and we need help from these teams. Um, and I also say like find your supporters. Like there are people in the business that like want to make cool shit. Like I found someone like on our gift cards team that's like in product, but just loves the internet. and he's like, I'm always down to like ping me and let me know and like let's make it happen. So like finding those advocates, I also say like make friends in low places. Like one of my like account level ones is one of my besties because I'm like, I need you to prove these things fast so I can move with these creators, right? Like those actually tend to be the people who get the shit done. So like find your allies across the org, um, and that helps move things faster as well.
Evan Lee: That is so good. And then speaking of the process a little bit more here, so love that that one came together in 24 hours. I'm wondering, uh, if you have a set process where it's like these are the steps we go through. We ideate together, we then brief together, we then engage the creators and walking through that process.
Zaria Parvez: Yeah, sure. Um, so I would say like first step is usually somebody frantically sending a text message or a slack message being like, I have an amazing idea. And this is just like the honesty of it. I wish it was like, and then we present in this huge deck. Um, and then like, again, I think it comes back to that creative conviction. Like I have an amazing team. I can be on top of every single thing they're doing. However, if somebody's like, like trust me on this, like I know this is going to hit, I'm going to trust you. Like that's why I hired you. So like this like broom like sweep, like I am not a basketball person guys, like not at all. And so when they were like, please, like we have to give out these free brooms. I'm like, God damn it. Okay, let's figure out how to do this. Um, and then my job I feel like as a director is like, let me get the right people in the right room. So like we figured out like this was the idea, let me find the right promo person, the right retail person. Let's ask if this is even possible. And so that turned into a quick slack channel with like again the advocates, accountant, legal and strategy and operations. Those are like my three besties. Got them in there, shared the idea and again when that when people see that conviction, they're like, fuck, let's like make this happen, this is dope. And so then the brief was honestly just like, hey, this is my idea, what needs to be true to make this happen. Um, and then usually from there it goes into like, okay, these are sorry, I need to talk to this person and need to unlock there. So a lot of it is like chasing people down. Um, but I think because we've built in that need for reactive, people are more like it's less of a process and more of like, okay, this is one of our moments that we're all going to hate each other for 24 hours, but like let's get it done.
Evan Lee: You had mentioned in there it's like uh having the trust in your team that you've been able to build. I'm wondering if you have any frameworks of how you approach hiring uh and the types of people that you tend to hire.
Zaria Parvez: So, my biggest thing is like I always hire for ideas. I don't really care like what school you went to. I don't even care if you have a degree. Um, for me it's really important that like, again, I keep saying creative conviction, but you have ideas that you're excited about and want to execute. And I actually I'm totally okay if like your idea is a flop. Like it is okay. Like I just want to see that like you want to push something forward and that energy is there. And we often we see that like you see that in an interview. Like you can tell when somebody's excited. I do think like a take-home task is really helpful in that. I know that can be a little bit contentious. But like that helps me see like your ideation and like how you're thinking through things. Um, so yeah, I feel like that's where I focus more again than like your resume. Like I I do a logo and I hired um, one of my favorite hires who was now full-time was a college student who was a dancer and we were doing some like dancing Tik Tok and I was like struggling with filming. He was just part of the dance group. Like that was it. He was supposed to be a mascot. He was like, yo, let me help you out real quick. And like grabbed my phone, was like doing all these editing tricks and I'm like, so do you need a job? Like I think to me like those are the moments where you're like, yeah, like, you know, like show me what you got and to me that's the most important versus like what school you went to and so on and so forth.
Evan Lee: I love it. I love it. I'm um I'm now thinking of so I'm just looking through the questions here.
A question from Aleenah Ansari appears on screen: "How does your approach to personal branding with social vary from what you do for brands on social?"]
The other place this now takes me is like back to your vent diagram that you had. So it's like taking a step back and being like, wait a second, like where does it fall? And then uh Alina asks, how does your approach to personal branding with social vary from what you do for brands on social?
Zaria Parvez: That's such a good question. Um, number one, two and three thing that I feel like was the best thing I did for myself was accidentally build a personal brand in the midst of all this. Um, my dream job, even before like Duo was kind of like my first job out of college, I was just experimenting with where I wanted to go. I love like writing and I actually wanted to be a journalist, but journalism did not make enough money at the time. So I was like, okay, I guess I'm going to just do a lingo for now and see what happens. Um, so LinkedIn almost became, I don't know why I chose LinkedIn in the beginning actually. Like I should have chose Substack or something, but whatever, learning. Um, and I was like, I just want to write. Like I want to write about things that I'm experiencing as this new grad, things I'm experiencing like at Duolingo and this was even before like Duolingo was what it was. And I think that allowed me to like build my personal voice and brand and then I just kept going with it. Um, so I feel like my personal brand will always be like I'm a very genuine I hope it comes off, but I try to be very genuine. Like to me that is really important because I think there's a lot of bullshit in marketing and I think it's really important to like be honest about the reality of things. Like even with Duolingo, I often say like, yes, I worked my butt off. However, it was also right place, right time, right moment, right hit on the algorithms. Like there are a lot of things that work to make somebody successful. And so my hope is like to kind of put that curtain down for people to show like I also mess up. I am not like there's moments where I have no idea what I'm doing where I get nervous before a talk or I get nervous when I'm like talking to exx or I'm not pounding the table the way I should be and like these are the lessons I learn. So I just try to be genuine in that so everyone knows that like, hey, can I learn from you too because I'm also in it with you guys. Like it's it's a two-way street.
Evan Lee: Uh, something I'm curious about here is like was was writing your initial like love in terms of a format to communicate?
Zaria Parvez: Yeah. long form and no one appreciates long form these days. And like now I'm like and then I got stuck in five-second TikTok world, but yeah, my love is like, yeah, is long form journalism. Give me a morning newspaper and I will have a great weekend. Like that is that is what I genuinely love. And maybe one day I'll go to journalism, who knows.
Evan Lee: I think there's something in there though like of of being able to start because I was going to ask like how you've honed your communication over time, right? But it sounds like it's started from a really strong place and then it's more like stripping it away. So what matters more when you have to condense it like a five-second clip.
Zaria Parvez: Like reflecting on your work is actually really helpful. Like even for example, like making this deck right to present to you guys. Like I have to be like, oh wait, how did I actually think about this? Like what are the things that I was actually trying to pay attention to because as social people, we work so fast that we like sometimes actually forget like it becomes such a native knowledge to us that I I think this is important like in the corporate world to be able to articulate. And so sometimes just writing and like reflecting on like this campaign happened and these are all the things that I did to get there is helpful for like your own growth too, like within a company and within an org.
Evan Lee: So Zaria, you've now been through this journey of like starting out at Duo on a really small team, no budget, creative freedom and now experience the hyper growth and being at DoorDash.
A question from Natasha Laguerre appears on screen: "WHAT ADVICE DO YOU HAVE FOR THOSE WHO ARE ONLY A ONE PERSSON TEAM?"]
Natasha has a question here. So going back with all of this experience you've now accumulated, let's imagine you're a one-person team again. Where are you starting? How are you starting?
Zaria Parvez: Yeah. Um, I mean, something that people don't know about me is I was at Duolingo for five years and for three years, I was a one-person team. So I have much love for this question. I think the biggest thing is like being able to scope out like what you're if you're a one-person team, like we all have our strengths and we all know like, hey, I'm actually more of a creative social person or I'm more of a strategic social person and figuring out that framework to let your specific strength shine and do what you can with what you have. I also think like realistic expectations. Like I always have tradeoffs. Like you want this much work, but you only have this much head count. Like realistically it's probably not going to happen. And I think just being honest about that, a lot of the times actually opens up people's like like people tend to be if you're working for a non-toxic place, usually they're understanding and like understand that tradeoff conversation and a lot of people just don't know. Like they think social people truly can do 20 jobs. But like if you articulate the why and this is what I'm focusing on, I've noticed that like usually that is okay. Like even at Duolingo before when before we got like contractors and more help, like I was like, I actually can't do filming until I figure out like what our community strategy is. So I'm just going to focus on commenting and this is why. And for a long time, like we would just comment and like do community management and like got more filming expertise probably like six months into it. So like it's kind of that slow build and being okay with that, but communicating that slow build versus just like silently dying inside.
Evan Lee: It makes so much sense. Uh, the place that I want to get into now is like more around the process of making something come to life.
A question from Noah Cervantes appears on screen: "How long does it take from ideation -> approval -> execution for something as finite/timely as The Finals?"]
So Noah has a question here. How long does it take to go from ideation to approval to execution for something as uh finite timely as the NBA finals?
Zaria Parvez: So, oh man, this is a fun one. Um, so it actually depends. Previously, I've heard like before my time at DoorDash, this was a longer process, but what we've done now is like we've actually built in like with leadership, like there are going to be like three or four times in the quarter that are going to be reactive and we want to get scope from like the paid media team, all the way to like whoever's running the promo team to be like this is a brand activation, we have to go. So like the next thing actually turned around, I think in 24 hours. Um, which is crazy because like distributors and all of that. And trust me, we still get like our wrist labs and people get annoyed. It's not like everyone's like, "Yay, 24 hours, let's do it." Um, but it is a conversation, right? Like that is like in our planning conversations that we need reactive to do the goals that you're asking us to do and we need help from these teams. Um, and I also say like find your supporters. Like there are people in the business that like want to make cool shit. Like I found someone like on our gift cards team that's like in product, but just loves the internet. and he's like, I'm always down to like ping me and let me know and like let's make it happen. So like finding those advocates, I also say like make friends in low places. Like one of my like account level ones is one of my besties because I'm like, I need you to prove these things fast so I can move with these creators, right? Like those actually tend to be the people who get the shit done. So like find your allies across the org, um, and that helps move things faster as well.
Evan Lee: That is so good. And then speaking of the process a little bit more here, so love that that one came together in 24 hours. I'm wondering, uh, if you have a set process where it's like these are the steps we go through. We ideate together, we then brief together, we then engage the creators and walking through that process.
Zaria Parvez: Yeah, sure. Um, so I would say like first step is usually somebody frantically sending a text message or a slack message being like, I have an amazing idea. And this is just like the honesty of it. I wish it was like, and then we present in this huge deck. Um, and then like, again, I think it comes back to that creative conviction. Like I have an amazing team. I can be on top of every single thing they're doing. However, if somebody's like, like trust me on this, like I know this is going to hit, I'm going to trust you. Like that's why I hired you. So like this like broom like sweep, like I am not a basketball person guys, like not at all. And so when they were like, please, like we have to give out these free brooms. I'm like, God damn it. Okay, let's figure out how to do this. Um, and then my job I feel like as a director is like, let me get the right people in the right room. So like we figured out like this was the idea, let me find the right promo person, the right retail person. Let's ask if this is even possible. And so that turned into a quick slack channel with like again the advocates, accountant, legal and strategy and operations. Those are like my three besties. Got them in there, shared the idea and again when that when people see that conviction, they're like, fuck, let's like make this happen, this is dope. And so then the brief was honestly just like, hey, this is my idea, what needs to be true to make this happen. Um, and then usually from there it goes into like, okay, these are sorry, I need to talk to this person and need to unlock there. So a lot of it is like chasing people down. Um, but I think because we've built in that need for reactive, people are more like it's less of a process and more of like, okay, this is one of our moments that we're all going to hate each other for 24 hours, but like let's get it done.
Evan Lee: You had mentioned in there it's like uh having the trust in your team that you've been able to build. I'm wondering if you have any frameworks of how you approach hiring uh and the types of people that you tend to hire.
Zaria Parvez: So, my biggest thing is like I always hire for ideas. I don't really care like what school you went to. I don't even care if you have a degree. Um, for me it's really important that like, again, I keep saying creative conviction, but you have ideas that you're excited about and want to execute. And I actually I'm totally okay if like your idea is a flop. Like it is okay. Like I just want to see that like you want to push something forward and that energy is there. And we often we see that like you see that in an interview. Like you can tell when somebody's excited. I do think like a take-home task is really helpful in that. I know that can be a little bit contentious. But like that helps me see like your ideation and like how you're thinking through things. Um, so yeah, I feel like that's where I focus more again than like your resume. Like I I do a logo and I hired um, one of my favorite hires who was now full-time was a college student who was a dancer and we were doing some like dancing Tik Tok and I was like struggling with filming. He was just part of the dance group. Like that was it. He was supposed to be a mascot. He was like, yo, let me help you out real quick. And like grabbed my phone, was like doing all these editing tricks and I'm like, so do you need a job? Like I think to me like those are the moments where you're like, yeah, like, you know, like show me what you got and to me that's the most important versus like what school you went to and so on and so forth.
Evan Lee: I love it. I love it. I'm um I'm now thinking of so I'm just looking through the questions here.
A question from Aleenah Ansari appears on screen: "How does your approach to personal branding with social vary from what you do for brands on social?"]
The other place this now takes me is like back to your vent diagram that you had. So it's like taking a step back and being like, wait a second, like where does it fall? And then uh Alina asks, how does your approach to personal branding with social vary from what you do for brands on social?
Zaria Parvez: That's such a good question. Um, number one, two and three thing that I feel like was the best thing I did for myself was accidentally build a personal brand in the midst of all this. Um, my dream job, even before like Duo was kind of like my first job out of college, I was just experimenting with where I wanted to go. I love like writing and I actually wanted to be a journalist, but journalism did not make enough money at the time. So I was like, okay, I guess I'm going to just do a lingo for now and see what happens. Um, so LinkedIn almost became, I don't know why I chose LinkedIn in the beginning actually. Like I should have chose Substack or something, but whatever, learning. Um, and I was like, I just want to write. Like I want to write about things that I'm experiencing as this new grad, things I'm experiencing like at Duolingo and this was even before like Duolingo was what it was. And I think that allowed me to like build my personal voice and brand and then I just kept going with it. Um, so I feel like my personal brand will always be like I'm a very genuine I hope it comes off, but I try to be very genuine. Like to me that is really important because I think there's a lot of bullshit in marketing and I think it's really important to like be honest about the reality of things. Like even with Duolingo, I often say like, yes, I worked my butt off. However, it was also right place, right time, right moment, right hit on the algorithms. Like there are a lot of things that work to make somebody successful. And so my hope is like to kind of put that curtain down for people to show like I also mess up. I am not like there's moments where I have no idea what I'm doing where I get nervous before a talk or I get nervous when I'm like talking to exx or I'm not pounding the table the way I should be and like these are the lessons I learn. So I just try to be genuine in that so everyone knows that like, hey, can I learn from you too because I'm also in it with you guys. Like it's it's a two-way street.
Evan Lee: Uh, something I'm curious about here is like was was writing your initial like love in terms of a format to communicate?
Zaria Parvez: Yeah. long form and no one appreciates long form these days. And like now I'm like and then I got stuck in five-second TikTok world, but yeah, my love is like, yeah, is long form journalism. Give me a morning newspaper and I will have a great weekend. Like that is that is what I genuinely love. And maybe one day I'll go to journalism, who knows.
Evan Lee: I think there's something in there though like of of being able to start because I was going to ask like how you've honed your communication over time, right? But it sounds like it's started from a really strong place and then it's more like stripping it away. So what matters more when you have to condense it like a five-second clip.
Zaria Parvez: Like reflecting on your work is actually really helpful. Like even for example, like making this deck right to present to you guys. Like I have to be like, oh wait, how did I actually think about this? Like what are the things that I was actually trying to pay attention to because as social people, we work so fast that we like sometimes actually forget like it becomes such a native knowledge to us that I I think this is important like in the corporate world to be able to articulate. And so sometimes just writing and like reflecting on like this campaign happened and these are all the things that I did to get there is helpful for like your own growth too, like within a company and within an org.
Evan Lee: So Zaria, you've now been through this journey of like starting out at Duo on a really small team, no budget, creative freedom and now experience the hyper growth and being at DoorDash.
A question from Natasha Laguerre appears on screen: "WHAT ADVICE DO YOU HAVE FOR THOSE WHO ARE ONLY A ONE PERSSON TEAM?"]
Natasha has a question here. So going back with all of this experience you've now accumulated, let's imagine you're a one-person team again. Where are you starting? How are you starting?
Zaria Parvez: Yeah. Um, I mean, something that people don't know about me is I was at Duolingo for five years and for three years, I was a one-person team. So I have much love for this question. I think the biggest thing is like being able to scope out like what you're if you're a one-person team, like we all have our strengths and we all know like, hey, I'm actually more of a creative social person or I'm more of a strategic social person and figuring out that framework to let your specific strength shine and do what you can with what you have. I also think like realistic expectations. Like I always have tradeoffs. Like you want this much work, but you only have this much head count. Like realistically it's probably not going to happen. And I think just being honest about that, a lot of the times actually opens up people's like like people tend to be if you're working for a non-toxic place, usually they're understanding and like understand that tradeoff conversation and a lot of people just don't know. Like they think social people truly can do 20 jobs. But like if you articulate the why and this is what I'm focusing on, I've noticed that like usually that is okay. Like even at Duolingo before when before we got like contractors and more help, like I was like, I actually can't do filming until I figure out like what our community strategy is. So I'm just going to focus on commenting and this is why. And for a long time, like we would just comment and like do community management and like got more filming expertise probably like six months into it. So like it's kind of that slow build and being okay with that, but communicating that slow build versus just like silently dying inside.
Evan Lee: It makes so much sense. Uh, the place that I want to get into now is like more around the process of making something come to life.
A question from Noah Cervantes appears on screen: "How long does it take from ideation -> approval -> execution for something as finite/timely as The Finals?"]
So Noah has a question here. How long does it take to go from ideation to approval to execution for something as uh finite timely as the NBA finals?
Zaria Parvez: So, oh man, this is a fun one. Um, so it actually depends. Previously, I've heard like before my time at DoorDash, this was a longer process, but what we've done now is like we've actually built in like with leadership, like there are going to be like three or four times in the quarter that are going to be reactive and we want to get scope from like the paid media team, all the way to like whoever's running the promo team to be like this is a brand activation, we have to go. So like the next thing actually turned around, I think in 24 hours. Um, which is crazy because like distributors and all of that. And trust me, we still get like our wrist labs and people get annoyed. It's not like everyone's like, "Yay, 24 hours, let's do it." Um, but it is a conversation, right? Like that is like in our planning conversations that we need reactive to do the goals that you're asking us to do and we need help from these teams. Um, and I also say like find your supporters. Like there are people in the business that like want to make cool shit. Like I found someone like on our gift cards team that's like in product, but just loves the internet. and he's like, I'm always down to like ping me and let me know and like let's make it happen. So like finding those advocates, I also say like make friends in low places. Like one of my like account level ones is one of my besties because I'm like, I need you to prove these things fast so I can move with these creators, right? Like those actually tend to be the people who get the shit done. So like find your allies across the org, um, and that helps move things faster as well.
Evan Lee: That is so good. And then speaking of the process a little bit more here, so love that that one came together in 24 hours. I'm wondering, uh, if you have a set process where it's like these are the steps we go through. We ideate together, we then brief together, we then engage the creators and walking through that process.
Zaria Parvez: Yeah, sure. Um, so I would say like first step is usually somebody frantically sending a text message or a slack message being like, I have an amazing idea. And this is just like the honesty of it. I wish it was like, and then we present in this huge deck. Um, and then like, again, I think it comes back to that creative conviction. Like I have an amazing team. I can be on top of every single thing they're doing. However, if somebody's like, like trust me on this, like I know this is going to hit, I'm going to trust you. Like that's why I hired you. So like this like broom like sweep, like I am not a basketball person guys, like not at all. And so when they were like, please, like we have to give out these free brooms. I'm like, God damn it. Okay, let's figure out how to do this. Um, and then my job I feel like as a director is like, let me get the right people in the right room. So like we figured out like this was the idea, let me find the right promo person, the right retail person. Let's ask if this is even possible. And so that turned into a quick slack channel with like again the advocates, accountant, legal and strategy and operations. Those are like my three besties. Got them in there, shared the idea and again when that when people see that conviction, they're like, fuck, let's like make this happen, this is dope. And so then the brief was honestly just like, hey, this is my idea, what needs to be true to make this happen. Um, and then usually from there it goes into like, okay, these are sorry, I need to talk to this person and need to unlock there. So a lot of it is like chasing people down. Um, but I think because we've built in that need for reactive, people are more like it's less of a process and more of like, okay, this is one of our moments that we're all going to hate each other for 24 hours, but like let's get it done.
Evan Lee: You had mentioned in there it's like uh having the trust in your team that you've been able to build. I'm wondering if you have any frameworks of how you approach hiring uh and the types of people that you tend to hire.
Zaria Parvez: So, my biggest thing is like I always hire for ideas. I don't really care like what school you went to. I don't even care if you have a degree. Um, for me it's really important that like, again, I keep saying creative conviction, but you have ideas that you're excited about and want to execute. And I actually I'm totally okay if like your idea is a flop. Like it is okay. Like I just want to see that like you want to push something forward and that energy is there. And we often we see that like you see that in an interview. Like you can tell when somebody's excited. I do think like a take-home task is really helpful in that. I know that can be a little bit contentious. But like that helps me see like your ideation and like how you're thinking through things. Um, so yeah, I feel like that's where I focus more again than like your resume. Like I I do a logo and I hired um, one of my favorite hires who was now full-time was a college student who was a dancer and we were doing some like dancing Tik Tok and I was like struggling with filming. He was just part of the dance group. Like that was it. He was supposed to be a mascot. He was like, yo, let me help you out real quick. And like grabbed my phone, was like doing all these editing tricks and I'm like, so do you need a job? Like I think to me like those are the moments where you're like, yeah, like, you know, like show me what you got and to me that's the most important versus like what school you went to and so on and so forth.
Evan Lee: I love it. I love it. I'm um I'm now thinking of so I'm just looking through the questions here.
A question from Aleenah Ansari appears on screen: "How does your approach to personal branding with social vary from what you do for brands on social?"]
The other place this now takes me is like back to your vent diagram that you had. So it's like taking a step back and being like, wait a second, like where does it fall? And then uh Alina asks, how does your approach to personal branding with social vary from what you do for brands on social?
Zaria Parvez: That's such a good question. Um, number one, two and three thing that I feel like was the best thing I did for myself was accidentally build a personal brand in the midst of all this. Um, my dream job, even before like Duo was kind of like my first job out of college, I was just experimenting with where I wanted to go. I love like writing and I actually wanted to be a journalist, but journalism did not make enough money at the time. So I was like, okay, I guess I'm going to just do a lingo for now and see what happens. Um, so LinkedIn almost became, I don't know why I chose LinkedIn in the beginning actually. Like I should have chose Substack or something, but whatever, learning. Um, and I was like, I just want to write. Like I want to write about things that I'm experiencing as this new grad, things I'm experiencing like at Duolingo and this was even before like Duolingo was what it was. And I think that allowed me to like build my personal voice and brand and then I just kept going with it. Um, so I feel like my personal brand will always be like I'm a very genuine I hope it comes off, but I try to be very genuine. Like to me that is really important because I think there's a lot of bullshit in marketing and I think it's really important to like be honest about the reality of things. Like even with Duolingo, I often say like, yes, I worked my butt off. However, it was also right place, right time, right moment, right hit on the algorithms. Like there are a lot of things that work to make somebody successful. And so my hope is like to kind of put that curtain down for people to show like I also mess up. I am not like there's moments where I have no idea what I'm doing where I get nervous before a talk or I get nervous when I'm like talking to exx or I'm not pounding the table the way I should be and like these are the lessons I learn. So I just try to be genuine in that so everyone knows that like, hey, can I learn from you too because I'm also in it with you guys. Like it's it's a two-way street.
Evan Lee: Uh, something I'm curious about here is like was was writing your initial like love in terms of a format to communicate?
Zaria Parvez: Yeah. long form and no one appreciates long form these days. And like now I'm like and then I got stuck in five-second TikTok world, but yeah, my love is like, yeah, is long form journalism. Give me a morning newspaper and I will have a great weekend. Like that is that is what I genuinely love. And maybe one day I'll go to journalism, who knows.
Evan Lee: I think there's something in there though like of of being able to start because I was going to ask like how you've honed your communication over time, right? But it sounds like it's started from a really strong place and then it's more like stripping it away. So what matters more when you have to condense it like a five-second clip.
Zaria Parvez: Like reflecting on your work is actually really helpful. Like even for example, like making this deck right to present to you guys. Like I have to be like, oh wait, how did I actually think about this? Like what are the things that I was actually trying to pay attention to because as social people, we work so fast that we like sometimes actually forget like it becomes such a native knowledge to us that I I think this is important like in the corporate world to be able to articulate. And so sometimes just writing and like reflecting on like this campaign happened and these are all the things that I did to get there is helpful for like your own growth too, like within a company and within an org.
Evan Lee: So Zaria, you've now been through this journey of like starting out at Duo on a really small team, no budget, creative freedom and now experience the hyper growth and being at DoorDash.
A question from Natasha Laguerre appears on screen: "WHAT ADVICE DO YOU HAVE FOR THOSE WHO ARE ONLY A ONE PERSSON TEAM?"]
Natasha has a question here. So going back with all of this experience you've now accumulated, let's imagine you're a one-person team again. Where are you starting? How are you starting?
Zaria Parvez: Yeah. Um, I mean, something that people don't know about me is I was at Duolingo for five years and for three years, I was a one-person team. So I have much love for this question. I think the biggest thing is like being able to scope out like what you're if you're a one-person team, like we all have our strengths and we all know like, hey, I'm actually more of a creative social person or I'm more of a strategic social person and figuring out that framework to let your specific strength shine and do what you can with what you have. I also think like realistic expectations. Like I always have tradeoffs. Like you want this much work, but you only have this much head count. Like realistically it's probably not going to happen. And I think just being honest about that, a lot of the times actually opens up people's like like people tend to be if you're working for a non-toxic place, usually they're understanding and like understand that tradeoff conversation and a lot of people just don't know. Like they think social people truly can do 20 jobs. But like if you articulate the why and this is what I'm focusing on, I've noticed that like usually that is okay. Like even at Duolingo before when before we got like contractors and more help, like I was like, I actually can't do filming until I figure out like what our community strategy is. So I'm just going to focus on commenting and this is why. And for a long time, like we would just comment and like do community management and like got more filming expertise probably like six months into it. So like it's kind of that slow build and being okay with that, but communicating that slow build versus just like silently dying inside.
Evan Lee: It makes so much sense. Uh, the place that I want to get into now is like more around the process of making something come to life.
A question from Noah Cervantes appears on screen: "How long does it take from ideation -> approval -> execution for something as finite/timely as The Finals?"]
So Noah has a question here. How long does it take to go from ideation to approval to execution for something as uh finite timely as the NBA finals?
Zaria Parvez: So, oh man, this is a fun one. Um, so it actually depends. Previously, I've heard like before my time at DoorDash, this was a longer process, but what we've done now is like we've actually built in like with leadership, like there are going to be like three or four times in the quarter that are going to be reactive and we want to get scope from like the paid media team, all the way to like whoever's running the promo team to be like this is a brand activation, we have to go. So like the next thing actually turned around, I think in 24 hours. Um, which is crazy because like distributors and all of that. And trust me, we still get like our wrist labs and people get annoyed. It's not like everyone's like, "Yay, 24 hours, let's do it." Um, but it is a conversation, right? Like that is like in our planning conversations that we need reactive to do the goals that you're asking us to do and we need help from these teams. Um, and I also say like find your supporters. Like there are people in the business that like want to make cool shit. Like I found someone like on our gift cards team that's like in product, but just loves the internet. and he's like, I'm always down to like ping me and let me know and like let's make it happen. So like finding those advocates, I also say like make friends in low places. Like one of my like account level ones is one of my besties because I'm like, I need you to prove these things fast so I can move with these creators, right? Like those actually tend to be the people who get the shit done. So like find your allies across the org, um, and that helps move things faster as well.
Evan Lee: That is so good. And then speaking of the process a little bit more here, so love that that one came together in 24 hours. I'm wondering, uh, if you have a set process where it's like these are the steps we go through. We ideate together, we then brief together, we then engage the creators and walking through that process.
Zaria Parvez: Yeah, sure. Um, so I would say like first step is usually somebody frantically sending a text message or a slack message being like, I have an amazing idea. And this is just like the honesty of it. I wish it was like, and then we present in this huge deck. Um, and then like, again, I think it comes back to that creative conviction. Like I have an amazing team. I can be on top of every single thing they're doing. However, if somebody's like, like trust me on this, like I know this is going to hit, I'm going to trust you. Like that's why I hired you. So like this like broom like sweep, like I am not a basketball person guys, like not at all. And so when they were like, please, like we have to give out these free brooms. I'm like, God damn it. Okay, let's figure out how to do this. Um, and then my job I feel like as a director is like, let me get the right people in the right room. So like we figured out like this was the idea, let me find the right promo person, the right retail person. Let's ask if this is even possible. And so that turned into a quick slack channel with like again the advocates, accountant, legal and strategy and operations. Those are like my three besties. Got them in there, shared the idea and again when that when people see that conviction, they're like, fuck, let's like make this happen, this is dope. And so then the brief was honestly just like, hey, this is my idea, what needs to be true to make this happen. Um, and then usually from there it goes into like, okay, these are sorry, I need to talk to this person and need to unlock there. So a lot of it is like chasing people down. Um, but I think because we've built in that need for reactive, people are more like it's less of a process and more of like, okay, this is one of our moments that we're all going to hate each other for 24 hours, but like let's get it done.
Evan Lee: You had mentioned in there it's like uh having the trust in your team that you've been able to build. I'm wondering if you have any frameworks of how you approach hiring uh and the types of people that you tend to hire.
Zaria Parvez: So, my biggest thing is like I always hire for ideas. I don't really care like what school you went to. I don't even care if you have a degree. Um, for me it's really important that like, again, I keep saying creative conviction, but you have ideas that you're excited about and want to execute. And I actually I'm totally okay if like your idea is a flop. Like it is okay. Like I just want to see that like you want to push something forward and that energy is there. And we often we see that like you see that in an interview. Like you can tell when somebody's excited. I do think like a take-home task is really helpful in that. I know that can be a little bit contentious. But like that helps me see like your ideation and like how you're thinking through things. Um, so yeah, I feel like that's where I focus more again than like your resume. Like I I do a logo and I hired um, one of my favorite hires who was now full-time was a college student who was a dancer and we were doing some like dancing Tik Tok and I was like struggling with filming. He was just part of the dance group. Like that was it. He was supposed to be a mascot. He was like, yo, let me help you out real quick. And like grabbed my phone, was like doing all these editing tricks and I'm like, so do you need a job? Like I think to me like those are the moments where you're like, yeah, like, you know, like show me what you got and to me that's the most important versus like what school you went to and so on and so forth.
Evan Lee: I love it. I love it. I'm um I'm now thinking of so I'm just looking through the questions here.
A question from Aleenah Ansari appears on screen: "How does your approach to personal branding with social vary from what you do for brands on social?"]
The other place this now takes me is like back to your vent diagram that you had. So it's like taking a step back and being like, wait a second, like where does it fall? And then uh Alina asks, how does your approach to personal branding with social vary from what you do for brands on social?
Zaria Parvez: That's such a good question. Um, number one, two and three thing that I feel like was the best thing I did for myself was accidentally build a personal brand in the midst of all this. Um, my dream job, even before like Duo was kind of like my first job out of college, I was just experimenting with where I wanted to go. I love like writing and I actually wanted to be a journalist, but journalism did not make enough money at the time. So I was like, okay, I guess I'm going to just do a lingo for now and see what happens. Um, so LinkedIn almost became, I don't know why I chose LinkedIn in the beginning actually. Like I should have chose Substack or something, but whatever, learning. Um, and I was like, I just want to write. Like I want to write about things that I'm experiencing as this new grad, things I'm experiencing like at Duolingo and this was even before like Duolingo was what it was. And I think that allowed me to like build my personal voice and brand and then I just kept going with it. Um, so I feel like my personal brand will always be like I'm a very genuine I hope it comes off, but I try to be very genuine. Like to me that is really important because I think there's a lot of bullshit in marketing and I think it's really important to like be honest about the reality of things. Like even with Duolingo, I often say like, yes, I worked my butt off. However, it was also right place, right time, right moment, right hit on the algorithms. Like there are a lot of things that work to make somebody successful. And so my hope is like to kind of put that curtain down for people to show like I also mess up. I am not like there's moments where I have no idea what I'm doing where I get nervous before a talk or I get nervous when I'm like talking to exx or I'm not pounding the table the way I should be and like these are the lessons I learn. So I just try to be genuine in that so everyone knows that like, hey, can I learn from you too because I'm also in it with you guys. Like it's it's a two-way street.
Evan Lee: Uh, something I'm curious about here is like was was writing your initial like love in terms of a format to communicate?
Zaria Parvez: Yeah. long form and no one appreciates long form these days. And like now I'm like and then I got stuck in five-second TikTok world, but yeah, my love is like, yeah, is long form journalism. Give me a morning newspaper and I will have a great weekend. Like that is that is what I genuinely love. And maybe one day I'll go to journalism, who knows.
Evan Lee: I think there's something in there though like of of being able to start because I was going to ask like how you've honed your communication over time, right? But it sounds like it's started from a really strong place and then it's more like stripping it away. So what matters more when you have to condense it like a five-second clip.
Zaria Parvez: Like reflecting on your work is actually really helpful. Like even for example, like making this deck right to present to you guys. Like I have to be like, oh wait, how did I actually think about this? Like what are the things that I was actually trying to pay attention to because as social people, we work so fast that we like sometimes actually forget like it becomes such a native knowledge to us that I I think this is important like in the corporate world to be able to articulate. And so sometimes just writing and like reflecting on like this campaign happened and these are all the things that I did to get there is helpful for like your own growth too, like within a company and within an org.
Evan Lee: So Zaria, you've now been through this journey of like starting out at Duo on a really small team, no budget, creative freedom and now experience the hyper growth and being at DoorDash.
A question from Natasha Laguerre appears on screen: "WHAT ADVICE DO YOU HAVE FOR THOSE WHO ARE ONLY A ONE PERSSON TEAM?"]
Natasha has a question here. So going back with all of this experience you've now accumulated, let's imagine you're a one-person team again. Where are you starting? How are you starting?
Zaria Parvez: Yeah. Um, I mean, something that people don't know about me is I was at Duolingo for five years and for three years, I was a one-person team. So I have much love for this question. I think the biggest thing is like being able to scope out like what you're if you're a one-person team, like we all have our strengths and we all know like, hey, I'm actually more of a creative social person or I'm more of a strategic social person and figuring out that framework to let your specific strength shine and do what you can with what you have. I also think like realistic expectations. Like I always have tradeoffs. Like you want this much work, but you only have this much head count. Like realistically it's probably not going to happen. And I think just being honest about that, a lot of the times actually opens up people's like like people tend to be if you're working for a non-toxic place, usually they're understanding and like understand that tradeoff conversation and a lot of people just don't know. Like they think social people truly can do 20 jobs. But like if you articulate the why and this is what I'm focusing on, I've noticed that like usually that is okay. Like even at Duolingo before when before we got like contractors and more help, like I was like, I actually can't do filming until I figure out like what our community strategy is. So I'm just going to focus on commenting and this is why. And for a long time, like we would just comment and like do community management and like got more filming expertise probably like six months into it. So like it's kind of that slow build and being okay with that, but communicating that slow build versus just like silently dying inside.
Evan Lee: It makes so much sense. Uh, the place that I want to get into now is like more around the process of making something come to life.
A question from Noah Cervantes appears on screen: "How long does it take from ideation -> approval -> execution for something as finite/timely as The Finals?"]
So Noah has a question here. How long does it take to go from ideation to approval to execution for something as uh finite timely as the NBA finals?
Zaria Parvez: So, oh man, this is a fun one. Um, so it actually depends. Previously, I've heard like before my time at DoorDash, this was a longer process, but what we've done now is like we've actually built in like with leadership, like there are going to be like three or four times in the quarter that are going to be reactive and we want to get scope from like the paid media team, all the way to like whoever's running the promo team to be like this is a brand activation, we have to go. So like the next thing actually turned around, I think in 24 hours. Um, which is crazy because like distributors and all of that. And trust me, we still get like our wrist labs and people get annoyed. It's not like everyone's like, "Yay, 24 hours, let's do it." Um, but it is a conversation, right? Like that is like in our planning conversations that we need reactive to do the goals that you're asking us to do and we need help from these teams. Um, and I also say like find your supporters. Like there are people in the business that like want to make cool shit. Like I found someone like on our gift cards team that's like in product, but just loves the internet. and he's like, I'm always down to like ping me and let me know and like let's make it happen. So like finding those advocates, I also say like make friends in low places. Like one of my like account level ones is one of my besties because I'm like, I need you to prove these things fast so I can move with these creators, right? Like those actually tend to be the people who get the shit done. So like find your allies across the org, um, and that helps move things faster as well.
Evan Lee: That is so good. And then speaking of the process a little bit more here, so love that that one came together in 24 hours. I'm wondering, uh, if you have a set process where it's like these are the steps we go through. We ideate together, we then brief together, we then engage the creators and walking through that process.
Zaria Parvez: Yeah, sure. Um, so I would say like first step is usually somebody frantically sending a text message or a slack message being like, I have an amazing idea. And this is just like the honesty of it. I wish it was like, and then we present in this huge deck. Um, and then like, again, I think it comes back to that creative conviction. Like I have an amazing team. I can be on top of every single thing they're doing. However, if somebody's like, like trust me on this, like I know this is going to hit, I'm going to trust you. Like that's why I hired you. So like this like broom like sweep, like I am not a basketball person guys, like not at all. And so when they were like, please, like we have to give out these free brooms. I'm like, God damn it. Okay, let's figure out how to do this. Um, and then my job I feel like as a director is like, let me get the right people in the right room. So like we figured out like this was the idea, let me find the right promo person, the right retail person. Let's ask if this is even possible. And so that turned into a quick slack channel with like again the advocates, accountant, legal and strategy and operations. Those are like my three besties. Got them in there, shared the idea and again when that when people see that conviction, they're like, fuck, let's like make this happen, this is dope. And so then the brief was honestly just like, hey, this is my idea, what needs to be true to make this happen. Um, and then usually from there it goes into like, okay, these are sorry, I need to talk to this person and need to unlock there. So a lot of it is like chasing people down. Um, but I think because we've built in that need for reactive, people are more like it's less of a process and more of like, okay, this is one of our moments that we're all going to hate each other for 24 hours, but like let's get it done.
Evan Lee: You had mentioned in there it's like uh having the trust in your team that you've been able to build. I'm wondering if you have any frameworks of how you approach hiring uh and the types of people that you tend to hire.
Zaria Parvez: So, my biggest thing is like I always hire for ideas. I don't really care like what school you went to. I don't even care if you have a degree. Um, for me it's really important that like, again, I keep saying creative conviction, but you have ideas that you're excited about and want to execute. And I actually I'm totally okay if like your idea is a flop. Like it is okay. Like I just want to see that like you want to push something forward and that energy is there. And we often we see that like you see that in an interview. Like you can tell when somebody's excited. I do think like a take-home task is really helpful in that. I know that can be a little bit contentious. But like that helps me see like your ideation and like how you're thinking through things. Um, so yeah, I feel like that's where I focus more again than like your resume. Like I I do a logo and I hired um, one of my favorite hires who was now full-time was a college student who was a dancer and we were doing some like dancing Tik Tok and I was like struggling with filming. He was just part of the dance group. Like that was it. He was supposed to be a mascot. He was like, yo, let me help you out real quick. And like grabbed my phone, was like doing all these editing tricks and I'm like, so do you need a job? Like I think to me like those are the moments where you're like, yeah, like, you know, like show me what you got and to me that's the most important versus like what school you went to and so on and so forth.
Evan Lee: I love it. I love it. I'm um I'm now thinking of so I'm just looking through the questions here.
A question from Aleenah Ansari appears on screen: "How does your approach to personal branding with social vary from what you do for brands on social?"]
The other place this now takes me is like back to your vent diagram that you had. So it's like taking a step back and being like, wait a second, like where does it fall? And then uh Alina asks, how does your approach to personal branding with social vary from what you do for brands on social?
Zaria Parvez: That's such a good question. Um, number one, two and three thing that I feel like was the best thing I did for myself was accidentally build a personal brand in the midst of all this. Um, my dream job, even before like Duo was kind of like my first job out of college, I was just experimenting with where I wanted to go. I love like writing and I actually wanted to be a journalist, but journalism did not make enough money at the time. So I was like, okay, I guess I'm going to just do a lingo for now and see what happens. Um, so LinkedIn almost became, I don't know why I chose LinkedIn in the beginning actually. Like I should have chose Substack or something, but whatever, learning. Um, and I was like, I just want to write. Like I want to write about things that I'm experiencing as this new grad, things I'm experiencing like at Duolingo and this was even before like Duolingo was what it was. And I think that allowed me to like build my personal voice and brand and then I just kept going with it. Um, so I feel like my personal brand will always be like I'm a very genuine I hope it comes off, but I try to be very genuine. Like to me that is really important because I think there's a lot of bullshit in marketing and I think it's really important to like be honest about the reality of things. Like even with Duolingo, I often say like, yes, I worked my butt off. However, it was also right place, right time, right moment, right hit on the algorithms. Like there are a lot of things that work to make somebody successful. And so my hope is like to kind of put that curtain down for people to show like I also mess up. I am not like there's moments where I have no idea what I'm doing where I get nervous before a talk or I get nervous when I'm like talking to exx or I'm not pounding the table the way I should be and like these are the lessons I learn. So I just try to be genuine in that so everyone knows that like, hey, can I learn from you too because I'm also in it with you guys. Like it's it's a two-way street.
Evan Lee: Uh, something I'm curious about here is like was was writing your initial like love in terms of a format to communicate?
Zaria Parvez: Yeah. long form and no one appreciates long form these days. And like now I'm like and then I got stuck in five-second TikTok world, but yeah, my love is like, yeah, is long form journalism. Give me a morning newspaper and I will have a great weekend. Like that is that is what I genuinely love. And maybe one day I'll go to journalism, who knows.
Evan Lee: I think there's something in there though like of of being able to start because I was going to ask like how you've honed your communication over time, right? But it sounds like it's started from a really strong place and then it's more like stripping it away. So what matters more when you have to condense it like a five-second clip.
Zaria Parvez: Like reflecting on your work is actually really helpful. Like even for example, like making this deck right to present to you guys. Like I have to be like, oh wait, how did I actually think about this? Like what are the things that I was actually trying to pay attention to because as social people, we work so fast that we like sometimes actually forget like it becomes such a native knowledge to us that I I think this is important like in the corporate world to be able to articulate. And so sometimes just writing and like reflecting on like this campaign happened and these are all the things that I did to get there is helpful for like your own growth too, like within a company and within an org.
Evan Lee: So Zaria, you've now been through this journey of like starting out at Duo on a really small team, no budget, creative freedom and now experience the hyper growth and being at DoorDash.
A question from Natasha Laguerre appears on screen: "WHAT ADVICE DO YOU HAVE FOR THOSE WHO ARE ONLY A ONE PERSSON TEAM?"]
Natasha has a question here. So going back with all of this experience you've now accumulated, let's imagine you're a one-person team again. Where are you starting? How are you starting?
Zaria Parvez: Yeah. Um, I mean, something that people don't know about me is I was at Duolingo for five years and for three years, I was a one-person team. So I have much love for this question. I think the biggest thing is like being able to scope out like what you're if you're a one-person team, like we all have our strengths and we all know like, hey, I'm actually more of a creative social person or I'm more of a strategic social person and figuring out that framework to let your specific strength shine and do what you can with what you have. I also think like realistic expectations. Like I always have tradeoffs. Like you want this much work, but you only have this much head count. Like realistically it's probably not going to happen. And I think just being honest about that, a lot of the times actually opens up people's like like people tend to be if you're working for a non-toxic place, usually they're understanding and like understand that tradeoff conversation and a lot of people just don't know. Like they think social people truly can do 20 jobs. But like if you articulate the why and this is what I'm focusing on, I've noticed that like usually that is okay. Like even at Duolingo before when before we got like contractors and more help, like I was like, I actually can't do filming until I figure out like what our community strategy is. So I'm just going to focus on commenting and this is why. And for a long time, like we would just comment and like do community management and like got more filming expertise probably like six months into it. So like it's kind of that slow build and being okay with that, but communicating that slow build versus just like silently dying inside.
Evan Lee: It makes so much sense. Uh, the place that I want to get into now is like more around the process of making something come to life.
A question from Noah Cervantes appears on screen: "How long does it take from ideation -> approval -> execution for something as finite/timely as The Finals?"]
So Noah has a question here. How long does it take to go from ideation to approval to execution for something as uh finite timely as the NBA finals?
Zaria Parvez: So, oh man, this is a fun one. Um, so it actually depends. Previously, I've heard like before my time at DoorDash, this was a longer process, but what we've done now is like we've actually built in like with leadership, like there are going to be like three or four times in the quarter that are going to be reactive and we want to get scope from like the paid media team, all the way to like whoever's running the promo team to be like this is a brand activation, we have to go. So like the next thing actually turned around, I think in 24 hours. Um, which is crazy because like distributors and all of that. And trust me, we still get like our wrist labs and people get annoyed. It's not like everyone's like, "Yay, 24 hours, let's do it." Um, but it is a conversation, right? Like that is like in our planning conversations that we need reactive to do the goals that you're asking us to do and we need help from these teams. Um, and I also say like find your supporters. Like there are people in the business that like want to make cool shit. Like I found someone like on our gift cards team that's like in product, but just loves the internet. and he's like, I'm always down to like ping me and let me know and like let's make it happen. So like finding those advocates, I also say like make friends in low places. Like one of my like account level ones is one of my besties because I'm like, I need you to prove these things fast so I can move with these creators, right? Like those actually tend to be the people who get the shit done. So like find your allies across the org, um, and that helps move things faster as well.
Evan Lee: That is so good. And then speaking of the process a little bit more here, so love that that one came together in 24 hours. I'm wondering, uh, if you have a set process where it's like these are the steps we go through. We ideate together, we then brief together, we then engage the creators and walking through that process.
Zaria Parvez: Yeah, sure. Um, so I would say like first step is usually somebody frantically sending a text message or a slack message being like, I have an amazing idea. And this is just like the honesty of it. I wish it was like, and then we present in this huge deck. Um, and then like, again, I think it comes back to that creative conviction. Like I have an amazing team. I can be on top of every single thing they're doing. However, if somebody's like, like trust me on this, like I know this is going to hit, I'm going to trust you. Like that's why I hired you. So like this like broom like sweep, like I am not a basketball person guys, like not at all. And so when they were like, please, like we have to give out these free brooms. I'm like, God damn it. Okay, let's figure out how to do this. Um, and then my job I feel like as a director is like, let me get the right people in the right room. So like we figured out like this was the idea, let me find the right promo person, the right retail person. Let's ask if this is even possible. And so that turned into a quick slack channel with like again the advocates, accountant, legal and strategy and operations. Those are like my three besties. Got them in there, shared the idea and again when that when people see that conviction, they're like, fuck, let's like make this happen, this is dope. And so then the brief was honestly just like, hey, this is my idea, what needs to be true to make this happen. Um, and then usually from there it goes into like, okay, these are sorry, I need to talk to this person and need to unlock there. So a lot of it is like chasing people down. Um, but I think because we've built in that need for reactive, people are more like it's less of a process and more of like, okay, this is one of our moments that we're all going to hate each other for 24 hours, but like let's get it done.
Evan Lee: You had mentioned in there it's like uh having the trust in your team that you've been able to build. I'm wondering if you have any frameworks of how you approach hiring uh and the types of people that you tend to hire.
Zaria Parvez: So, my biggest thing is like I always hire for ideas. I don't really care like what school you went to. I don't even care if you have a degree. Um, for me it's really important that like, again, I keep saying creative conviction, but you have ideas that you're excited about and want to execute. And I actually I'm totally okay if like your idea is a flop. Like it is okay. Like I just want to see that like you want to push something forward and that energy is there. And we often we see that like you see that in an interview. Like you can tell when somebody's excited. I do think like a take-home task is really helpful in that. I know that can be a little bit contentious. But like that helps me see like your ideation and like how you're thinking through things. Um, so yeah, I feel like that's where I focus more again than like your resume. Like I I do a logo and I hired um, one of my favorite hires who was now full-time was a college student who was a dancer and we were doing some like dancing Tik Tok and I was like struggling with filming. He was just part of the dance group. Like that was it. He was supposed to be a mascot. He was like, yo, let me help you out real quick. And like grabbed my phone, was like doing all these editing tricks and I'm like, so do you need a job? Like I think to me like those are the moments where you're like, yeah, like, you know, like show me what you got and to me that's the most important versus like what school you went to and so on and so forth.
Evan Lee: I love it. I love it. I'm um I'm now thinking of so I'm just looking through the questions here.
A question from Aleenah Ansari appears on screen: "How does your approach to personal branding with social vary from what you do for brands on social?"]
The other place this now takes me is like back to your vent diagram that you had. So it's like taking a step back and being like, wait a second, like where does it fall? And then uh Alina asks, how does your approach to personal branding with social vary from what you do for brands on social?
Zaria Parvez: That's such a good question. Um, number one, two and three thing that I feel like was the best thing I did for myself was accidentally build a personal brand in the midst of all this. Um, my dream job, even before like Duo was kind of like my first job out of college, I was just experimenting with where I wanted to go. I love like writing and I actually wanted to be a journalist, but journalism did not make enough money at the time. So I was like, okay, I guess I'm going to just do a lingo for now and see what happens. Um, so LinkedIn almost became, I don't know why I chose LinkedIn in the beginning actually. Like I should have chose Substack or something, but whatever, learning. Um, and I was like, I just want to write. Like I want to write about things that I'm experiencing as this new grad, things I'm experiencing like at Duolingo and this was even before like Duolingo was what it was. And I think that allowed me to like build my personal voice and brand and then I just kept going with it. Um, so I feel like my personal brand will always be like I'm a very genuine I hope it comes off, but I try to be very genuine. Like to me that is really important because I think there's a lot of bullshit in marketing and I think it's really important to like be honest about the reality of things. Like even with Duolingo, I often say like, yes, I worked my butt off. However, it was also right place, right time, right moment, right hit on the algorithms. Like there are a lot of things that work to make somebody successful. And so my hope is like to kind of put that curtain down for people to show like I also mess up. I am not like there's moments where I have no idea what I'm doing where I get nervous before a talk or I get nervous when I'm like talking to exx or I'm not pounding the table the way I should be and like these are the lessons I learn. So I just try to be genuine in that so everyone knows that like, hey, can I learn from you too because I'm also in it with you guys. Like it's it's a two-way street.
Evan Lee: Uh, something I'm curious about here is like was was writing your initial like love in terms of a format to communicate?
Zaria Parvez: Yeah. long form and no one appreciates long form these days. And like now I'm like and then I got stuck in five-second TikTok world, but yeah, my love is like, yeah, is long form journalism. Give me a morning newspaper and I will have a great weekend. Like that is that is what I genuinely love. And maybe one day I'll go to journalism, who knows.
Evan Lee: I think there's something in there though like of of being able to start because I was going to ask like how you've honed your communication over time, right? But it sounds like it's started from a really strong place and then it's more like stripping it away. So what matters more when you have to condense it like a five-second clip.
Zaria Parvez: Like reflecting on your work is actually really helpful. Like even for example, like making this deck right to present to you guys. Like I have to be like, oh wait, how did I actually think about this? Like what are the things that I was actually trying to pay attention to because as social people, we work so fast that we like sometimes actually forget like it becomes such a native knowledge to us that I I think this is important like in the corporate world to be able to articulate. And so sometimes just writing and like reflecting on like this campaign happened and these are all the things that I did to get there is helpful for like your own growth too, like within a company and within an org.
Evan Lee: So Zaria, you've now been through this journey of like starting out at Duo on a really small team, no budget, creative freedom and now experience the hyper growth and being at DoorDash.
A question from Natasha Laguerre appears on screen: "WHAT ADVICE DO YOU HAVE FOR THOSE WHO ARE ONLY A ONE PERSSON TEAM?"]
Natasha has a question here. So going back with all of this experience you've now accumulated, let's imagine you're a one-person team again. Where are you starting? How are you starting?
Zaria Parvez: Yeah. Um, I mean, something that people don't know about me is I was at Duolingo for five years and for three years, I was a one-person team. So I have much love for this question. I think the biggest thing is like being able to scope out like