Panel tiktok ads ·55 min ·Recorded Apr 2023

Sprints With Evan: How To Make TikTok Creatives That Convert

Evan Lee from Motion hosts Oliver Hudson and Loukas Hambi from For You Advertising to discuss their end-to-end process for creating high-converting TikTok ad creatives. They detail their creative strategy flywheel, covering research, ideation, briefing, creator sourcing, launching, and analysis. Key takeaways include the importance of a data-driven creative process, the symbiotic relationship between media buyers and creative strategists, and specific frameworks and metrics for optimizing performance on TikTok.

What's discussed, in order

5 named frameworks

01 Creative Strategy Flywheel
A cyclical process for developing, launching, and analyzing ad creative.
presenter's own (Motion) · ~01:02Play
02 Research Process (3 Steps)
A structured process for gathering insights before creative ideation.
presenter's own (For You Advertising) · ~10:06Play
03 Customer Personas (x5)
Template for building out 5 distinct customer personas to inform creative angles.
presenter's own (For You Advertising) · ~12:10Play
04 UGC Framework Cards
A database of proven, repeatable creative concepts for UGC.
presenter's own (For You Advertising) · ~18:10Play
05 Strategic Planning Template (post-campaign)
Template for turning campaign data into direction for the next brief.
presenter's own (For You Advertising) · ~05:30Play

What's actually believed — in their own words

Creative has become the most important element of all of your paid advertising efforts.

Evan Lee · 2023 · observation 00:28 #

There is a natural gap between analytical performance teams and creative teams.

Evan Lee · 2023 · observation 00:46 #

Platform trend since iOS 14.5 has been toward broader targeting and more hands-off automation, giving more control to platforms.

Oliver Hudson · 2023 · observation 03:00 #

Creative is more and more driving your targeting and reaching the right customers.

Oliver Hudson · 2023 · observation 03:15 #

The lines have become very blurred between media buying and creative strategy.

Loukas Hambi · 2023 · observation 02:35 #

To be a good media buyer, you have to be a creative strategist.

Loukas Hambi · 2023 · opinion 02:40 #

Creative is the most important variable in any ad campaign.

Loukas Hambi · 2023 · opinion 02:45 #

Benchmarks differ by vertical, product, and total addressable market; a niche product's metrics will look different from something with a massive TAM.

Oliver Hudson · 2023 · observation 07:00 #

Reusing exact winning concepts with different creators is often-missed leverage; you don't need to reinvent the wheel.

Loukas Hambi · 2023 · opinion 06:20 #

Ideation is best run collaboratively because team members have different viewpoints, consume different content, and have different feeds.

Oliver Hudson · 2023 · opinion 07:45 #

The do's and don'ts pulled from the session

Do this
  • Evan Lee: Use a creative strategy flywheel to structure work across research, ideation, briefing, creation, evaluation, launch, and analysis. 01:02 #
  • Loukas Hambi: Build SOPs defining KPIs and benchmarks (e.g., what is a good thumb-stop ratio) so creative strategists share a common analytical vocabulary. 04:30 #
  • Loukas Hambi: Run bi-weekly reports through Motion where media buyers convert data into tangible creative insights shared with creative strategists. 04:45 #
  • Loukas Hambi: Use a post-campaign template capturing top performers, promising concepts, underperformers, successful angles/hooks, and winning creative types to feed the next brief. 05:30 #
  • Loukas Hambi: Apply the 80/20 rule — mostly iterate on what the data shows works, but maintain a bank of new concepts for testing. 06:00 #
  • Loukas Hambi: Reuse winning concepts with different creators before reinventing new concepts. 06:15 #
  • Oliver Hudson: Track your own account's benchmarks over time rather than relying only on cross-sectional industry benchmarks. 07:00 #
  • Loukas Hambi: Start ideation with "anything goes" free-flow brainstorming before imposing frameworks or scientific structure. 07:30 #
  • Oliver Hudson: Move ideation outputs into a project management workflow with clear task ownership for execution. 08:00 #
Don't do this
  • Oliver Hudson: Don't throw creative at the wall hoping for results; that increases costs and slows improvement. 03:30 #
  • Loukas Hambi: Don't rely on vague onboarding questionnaires as your sole input; most brand intake docs are fairly thin. 09:00 #

Everything referenced on-screen and by name

People mentioned (excluding speakers)

Brands / companies referenced

  • For You Advertising — Oliver Hudson and Loukas Hambi's agency.
  • Hambi Media — Loukas Hambi's personal agency.
  • Motion — Host platform (creative analytics/strategy hub).

Tools / products referenced

  • TikTok — Primary platform discussed.
  • Meta — Referenced for comparison of creative testing.

External frameworks / concepts cited

  • iOS 14.5 — Cited as a driver of creative's increased importance.
  • 80/20 rule — Referenced for balancing data-driven iteration vs. new concept testing.
  • TAM (Total Addressable Market) — Referenced in benchmarking context.

9 ads referenced

Show all 9 ads with extraction details
Ad #1 — Bamboo Toothbrush
Unknown brand ·image ·01:11
Duration shown in this video
7 seconds
Hook (first 3 sec)
A young girl is shown brushing her teeth with a bamboo toothbrush, smiling at another person off-screen.
Product / pitch
A bamboo toothbrush, likely for children.
Key on-screen text
• BambooToothbrush_IMG_LP • Spend: $1.9K • ROAS: 5.4 • Conversion: 6% • Add comment: The lifestyle shot worked best! Let's double down on these. • Send • Cancel
Key spoken lines
None used
Visual style
Polished, lifestyle
CTA / offer (if shown)
None used
Narrative arc
None observable
Why shown in this video
To illustrate how the Motion platform allows teams to share insights and point each other in the right creative direction.
Speaker's take
"And then share those insights off to everybody and anybody who's involved in that process."
Ad #2 — Pain Hook > Solution
Unknown brand ·UGC, TikTok ·28:11
Duration shown in this video
17 seconds
Hook (first 3 sec)
A woman is lying in bed, looking distressed and holding her stomach, presumably in pain.
Product / pitch
A product that provides a solution to a pain point.
Key on-screen text
None used
Key spoken lines
None used
Visual style
UGC, lo-fi
CTA / offer (if shown)
None used
Narrative arc
The framework is described as: Attention/Hook (2s) -> Product Reveal/Solution (2s) -> Backing/USPs (13s) -> Action/CTA (2s).
Why shown in this video
To show an example of a successful creative framework used for ideation and briefing.
Speaker's take
"So then that's a very broad framework, but then what we've found, you know, as we've become more data-driven in our approach and almost more scientific in our approach is we've taken our best-performing creatives across different markets, different niches, and then we've broken them into clear frameworks for our creative strategists to utilize and be able to use the ideas to bring into those frameworks. So as an example, this is one framework, Pain Hook > Solution."
Ad #3 — Unboxing Montage
Unknown brand ·UGC, TikTok, unboxing ·28:11
Duration shown in this video
10 seconds
Hook (first 3 sec)
A woman is shown smiling and holding up a product box she is unboxing.
Product / pitch
A product suitable for an unboxing-style video.
Key on-screen text
None used
Key spoken lines
None used
Visual style
UGC, lo-fi
CTA / offer (if shown)
None used
Narrative arc
None observable
Why shown in this video
To show an example of a successful creative framework (Unboxing Montage).
Speaker's take
None used
Ad #4 — Native/Trend Concept
Unknown brand ·UGC, TikTok, talking head ·28:11
Duration shown in this video
10 seconds
Hook (first 3 sec)
A woman is talking directly to the camera, explaining something.
Product / pitch
A product that can be explained or demonstrated in a native, trend-based format.
Key on-screen text
"Telling my friends the ONLY apple cider vinegar gummies I'll ever take because they actually taste good and they're easy to swallow"
Key spoken lines
None used
Visual style
UGC, lo-fi
CTA / offer (if shown)
None used
Narrative arc
None observable
Why shown in this video
To show an example of a successful creative framework (Native/Trend Concept).
Speaker's take
None used
Ad #5 — Satirical Skit: Day in the life
Unknown brand ·UGC, TikTok, skit ·28:11
Duration shown in this video
15 seconds
Hook (first 3 sec)
A man is shown shaving with an electric razor.
Product / pitch
A men's grooming product, likely a razor.
Key on-screen text
None used
Key spoken lines
None used
Visual style
UGC, lo-fi
CTA / offer (if shown)
None used
Narrative arc
The framework is described as: Attention/Hook (4s) -> Product Reveal/Solution (4s) -> After State (6s) -> Backing/USPs (12s) -> Action/CTA (2s).
Why shown in this video
To show an example of a successful creative framework (Satirical Skit).
Speaker's take
None used
Ad #6 — Comparison: Old out > New in
Unknown brand ·UGC, TikTok, comparison ·28:25
Duration shown in this video
10 seconds
Hook (first 3 sec)
A hand is shown holding a heating pad against a stomach.
Product / pitch
A product that is an improvement over an older solution (e.g., a new type of heating pad).
Key on-screen text
"My boyfriend knew my old heating pad had to go"
Key spoken lines
None used
Visual style
UGC, lo-fi
CTA / offer (if shown)
None used
Narrative arc
None observable
Why shown in this video
To show an example of a successful creative framework (Comparison).
Speaker's take
None used
Ad #7 — [Brand/Product] Netflix Explained
Unknown brand ·UGC, TikTok, explainer ·28:25
Duration shown in this video
10 seconds
Hook (first 3 sec)
A phone screen shows a Netflix-style interface with a product image and text.
Product / pitch
A product that can be explained in a documentary or series format, mimicking Netflix.
Key on-screen text
None used
Key spoken lines
None used
Visual style
UGC, mixed-media (screen recording)
CTA / offer (if shown)
None used
Narrative arc
None observable
Why shown in this video
To show an example of a successful creative framework (Netflix Explained).
Speaker's take
None used
Ad #8 — Satirical Skit: Easter Egg (TBC)
Unknown brand ·UGC, TikTok, skit ·28:25
Duration shown in this video
10 seconds
Hook (first 3 sec)
A phone screen shows a man looking at the camera.
Product / pitch
A product that can be featured in a humorous or satirical skit.
Key on-screen text
None used
Key spoken lines
None used
Visual style
UGC, lo-fi
CTA / offer (if shown)
None used
Narrative arc
None observable
Why shown in this video
To show an example of a successful creative framework (Satirical Skit).
Speaker's take
None used
Ad #9 — Satirical Skit: Controversy (TBC)
Unknown brand ·UGC, TikTok, skit ·28:25
Duration shown in this video
10 seconds
Hook (first 3 sec)
A phone screen shows a man looking at the camera.
Product / pitch
A product that can be featured in a humorous or satirical skit.
Key on-screen text
None used
Key spoken lines
None used
Visual style
UGC, lo-fi
CTA / offer (if shown)
None used
Narrative arc
None observable
Why shown in this video
To show an example of a successful creative framework (Satirical Skit).
Speaker's take
None used

18 slides, in order

Show all 18 slides with full slide content
Slide #1 — Title Slide
image+text ·00:05, revisited 00:11, 01:55, 03:22, 25:53, 41:33, 42:45, 52:45, 54:53 ·Play
Title / header text
Sprints with Evan
Body content
• How to make TikTok creatives that convert • [Logo] Motion
Embedded examples
• Three circular headshots of the speakers.
Annotations / visual emphasis
None used
Reveal state
None used
Re-reference
This slide is used as a title card and a transition slide throughout the presentation.
Speaker's framing
(00:04) "And I am excited to talk to these two guys that we have here today..."
Slide #2 — Speaker Introductions
2-column text with images ·00:21, revisited 02:11 ·Play
Title / header text
None used
Body content
Column 1
• [Headshot of Oliver Hudson] • **Oliver Hudson** • Co-Founder, For You Advertising • [Headshot of Loukas Hambi] • **Loukas Hambi** • Creative Director, For You Advertising
Column 2
• [Headshot of Evan Lee] • **Evan Lee** • Head of Creative Strategy, Motion
Embedded examples
None used
Annotations / visual emphasis
None used
Reveal state
None used
Re-reference
(02:11) The slide is shown again with more detailed contact information.
Oliver Hudson
Twitter: @oliverwhudson, Website: www.foryouadvertising.com, LinkedIn: olly-hudson
Loukas Hambi
Twitter: @loukashambi, Website: www.foryouadvertising.com, LinkedIn: loukas-hambi-388067152
Speaker's framing
(00:19) "...talking about motion and what we are all about."
Slide #3 — Creative analytics and reporting
image+text ·00:22 ·Play
Title / header text
Creative analytics and reporting
Body content
• [Button] The Creative Strategist's Hub
Embedded examples
• Screenshot of the Motion app dashboard showing "Last Week's Top Creative" with video thumbnails and performance metrics (Spend, ROAS, TOM).
Annotations / visual emphasis
None used
Reveal state
None used
Speaker's framing
(00:21) "So Motion is the hub of creative strategy. We focus on analytics and reporting."
Slide #4 — Creative has become mission critical
mixed ·00:26 ·Play
Title / header text
Creative has become mission critical for all teams
Body content
• Increased competition • Creator economy • Age of TikTok • iOS 14.5
Embedded examples
• Screenshot of an article titled "Using Creative Strategies To Win At Facebook Ads in 2022". • Screenshot of an article titled "Why ad creative is more important than ever".
Annotations / visual emphasis
None used
Reveal state
None used
Speaker's framing
(00:27) "...what that essentially means is that creative has become the most important element of all of your paid advertising efforts."
Slide #5 — Creative Strategy is the bridge
hierarchy diagram ·00:33 ·Play
Title / header text
Creative Strategy is the bridge
Body content
• [Box, top center] Creative strategy workflow • [Box, bottom left, blue] Clients & Creative teams • [Box, bottom right, pink] Performance marketing teams
Embedded examples
None used
Annotations / visual emphasis
• A double-sided arrow connects the "Clients & Creative teams" box and the "Performance marketing teams" box.
Reveal state
None used
Speaker's framing
(00:33) "But what that also means is that we have on one hand our performance teams, who are media buyers, and on the other hand, our creative teams."
Slide #6 — Performance vs. Creative Teams
image+text ·00:55 ·Play
Title / header text
Performance teams work with data, creatives work visually
Body content
None used
Embedded examples
• A diagram of a brain, split into two halves. The left side is labeled "Creative" and the right side is labeled "Analytical".
Annotations / visual emphasis
None used
Reveal state
None used
Speaker's framing
(00:55) "...that's ultimately melding the two sides of the brain to come together."
Slide #7 — What is Creative Strategy?
diagram ·01:02, revisited 09:59, 54:55 ·Play
Title / header text
What is Creative Strategy?
Body content
• A circular flow diagram with the following steps: • Research (blue) • Ideation (blue) • Briefing (blue) • Content Creation (gray) • Evaluation (blue) знамени- Launch (gray) • Creative Analysis (blue)
Embedded examples
None used
Annotations / visual emphasis
None used
Re-reference
The slide is shown again later as a reference point.
Speaker's framing
(01:02) "...we focus on the creative strategy flywheel to tell the story..."
Slide #8 — Analyze
image+text ·01:07 ·Play
Title / header text
Analyze
Body content
• Identify key drivers of creative performance
Embedded examples
• Screenshot of the Motion app interface showing "Compare Creative Groups" with filters for UGC, Unboxing, and a search for "Studio".
Annotations / visual emphasis
None used
Reveal state
None used
Speaker's framing
(01:07) "...and we make it really easy for you to analyze..."
Slide #9 — Visualize
image+text ·01:09 ·Play
Title / header text
Visualize
Body content
• Translate insights into visual reports
Embedded examples
• Screenshot of the Motion app interface showing a "Monthly Review - Top Performers" bar chart and a "Top Video" section with video thumbnails and performance metrics.
Annotations / visual emphasis
None used
Reveal state
None used
Speaker's framing
(01:09) "...visualize..."
Slide #10 — Share
image+text ·01:11 ·Play
Title / header text
Share
Body content
• Point your team in the right creative direction
Embedded examples
• Screenshot of the Motion app interface showing a creative asset with its metrics (Spend, ROAS, Conversion) and an "Add comment" box with the text: "The lifestyle shot worked best! Let's double down on these."
Annotations / visual emphasis
None used
Reveal state
None used
Speaker's framing
(01:11) "...and then share those insights off to everybody and anybody who's involved in that process."
Slide #11 — Housekeeping
2-column text ·01:18 ·Play
Title / header text
Housekeeping
Body content
Column 1
• 01 • **Questions** знамени- Share questions and answers in the chat!
Column 2
• 02 • **Recording** • Event is being recording and will be made available after the event
Embedded examples
None used
Annotations / visual emphasis
None used
Reveal state
None used
Speaker's framing
(01:19) "And a couple housekeeping pieces before we kick off today."
Slide #12 — Research Steps 1-3
bullet list ·10:06, revisited 1:00:06 ·Play
Title / header text
Research
Body content
• **Step 1 - Understand the Brand:** • How does the brand position themselves? What image are they projecting? • How do people view the brand organically? Reviews, socials, press etc. • What is unique about the brand in the wider market? • **Step 2 - 'Us vs. Them':** • What are competitors doing? Positives + negatives. • What front end funnel appears successful for competitors. • **Step 3 - Establishing the Creative Foundation:** • What creative decisions have been taken so far? What failed? What was successful + why? • What has been tested on TikTok and Meta?
Embedded examples
None used
Annotations / visual emphasis
None used
Re-reference
The slide is shown again later as a reference.
Speaker's framing
(10:10) "...we've got quite an in-depth process when it comes to research."
Slide #13 — Research Step 4
image+text ·12:10, revisited 1:07:06 ·Play
Title / header text
Research
Body content
• **Step 4 - Build the Personas (x5)**
Embedded examples
• A screenshot of a "Customer Personas" template with fields for: • Persona 1: Give this persona a clear identity + name e.g. "The New Gym Member" • Scepticism / Problem • Discovery: [X Brand, Y Product] • Feature / Benefit • Case Study / Testimonial • "New State": What is the customer getting / benefiting from by having this product? Are they saving time? Money? • Call to Action: Be specific in what you want the customer to do when seeing this ad.
Annotations / visual emphasis
None used
Re-reference
The slide is shown again later as a reference.
Speaker's framing
(12:07) "...we're then looking at, you know, the actual kind of, you know, we're then looking into the social channels..."
Slide #14 — UGC Framework Cards
gallery view ·18:10, revisited 1:08:10 ·Play
Title / header text
UGC Framework Cards
Body content
• A gallery of different ad concepts with titles.
Embedded examples
• Pain Hook > Solution • Unboxing Montage • Native/Trend Concept • Satirical Skit: Day in the life • Comparison: Old out > New in • [Brand/Product] Netflix Explained • Satirical Skit: Easter Egg (TBC) • Satirical Skit: Controversy (TBC)
Annotations / visual emphasis
None used
Re-reference
The slide is shown again later as a reference.
Speaker's framing
(18:11) "So then firstly, what we'll do from an ideation perspective..."
Slide #15 — Framework Card: Pain Hook > Solution
mixed ·18:11, revisited 1:08:11 ·Play
Title / header text
Pain Hook > Solution
Body content
Industry
Wellbeing, Beauty, Supplements, Lifestyle
Descriptions
Here we use a pain point as the hook (which almost also sets up the before state through visuals) and then by second 2, we introduce the product as a solution. The rest of the video goes into key USPs and stresses the outcome/ after-state of the product as well as emphasising the difference of before/ after.
Strengths
Get to product solution very quickly. Cuts really quickly and flows well. Does a great job at stressing the pain point quickly, introducing the solution and then heightening the difference between before/ after. Also very native to TT as we use the AI voiceover.
Length
15-22 seconds
Edit Style
Low-Energy, Quick-Cut
Framework Table
• Framework Section | Air Time | Shot Type | Audio • Attention/ Hook | 2 seconds | Mid-Shot | AI Voice • Product Reveal/ Solution | 2 seconds | Mid-Shot | AI Voice • Backing/ USPs | 13 seconds | B-Roll, Wide, Mid-Shot, Close-Up | AI Voice • Action/ CTA | 2 seconds | B-Roll, Wide, Close-Up | AI Voice
Embedded examples
None used
Annotations / visual emphasis
None used
Re-reference
The slide is shown again later as a reference.
Speaker's framing
(18:11) "...as an example, this is one framework, pain hook solution."
Slide #16 — Framework Card: Satirical Skit
mixed ·21:08, revisited 1:09:08 ·Play
Title / header text
Satirical Skit: Day in the life
Body content
Industry
Supplements, Lifestyle, Beauty, Wellbeing, Clothing/ Fashion
Descriptions
Fast paced, dynamic and funny skit about using the product on a night out.
Strengths
Highly dynamic due to the constant fast cuts and change of locations. Well scripted and moments of satire/ comedy help re-engage. Doesn't feel like a piece of UGC or promotion.
Length
18-25 seconds
Edit Style
Slick, Quirky, Funny, High-Energy
Framework Table
• Framework Section | Air Time | Shot Type | Audio • Attention/ Hook | 4 seconds | Mid-Shot | Voice-over • Product Reveal/ Solution | 4 seconds | Mid-Shot | Voice-over • After State | 8 seconds | Wide, Mid-Shot, Close-Up, B-Roll | Voice-over • Backing/ USPs | 12 seconds | B-Roll, Wide, Mid-Shot, Close-Up | Voice-over • Action/ CTA | 2 seconds | B-Roll, Wide | Voice-over
Embedded examples
None used
Annotations / visual emphasis
None used
Re-reference
The slide is shown again later as a reference.
Speaker's framing
(21:08) "...and then we've got like a satirical skit, day in the life..."
Slide #17 — UGC Brief Template
document screenshot ·28:40, revisited 32:31, 48:40, 1:11:21 ·Play
Title / header text
FYA: [Client Name] UGC Brief - [Date] TEMPLATE
Body content
• **Welcome!** We loved your portfolio and are super excited to have you on board with this campaign. • This brief document outlines everything you need to create the perfect content for our client. From background of the brand, to content execution, we've provided as much information as possible to make sure the content you produce is of the quality we require. • **Please note:** creative quality is paramount to us. Please ensure all guidance is followed to avoid high levels of amends + delays to our timelines. • If content is not delivered within 5 days of products being received, there will be a penalty reduction of 15% every 24 hours. • Now that all that's covered - over to you! • **Brief Overview** [Link to 3-5 minute video talking through this page] • **Content Non Negotiables & Best Practice** • We require each video to show yourself and the product in at least 3+ different locations and outfits. • We require a mixture of close-ups, mid-shots and wides of both the product and subject. • It is essential a strong visual hook is used to capture attention. A simple face to camera will not work effectively as a scroll-stopper. • Cut every 1-2 seconds to ensure pacing is kept strong.
Embedded examples
None used
Annotations / visual emphasis
None used
Re-reference
The slide is shown multiple times to discuss the briefing process.
Speaker's framing
(28:40) "...I'll share my screen, I can actually just run through one of our briefs."
Slide #18 — Top Performing Hooks
grid ·28:46, revisited 52:45 ·Play
Title / header text
Top Performing Hooks (Last 4 Weeks)
Body content
• A grid of 15 red boxes, each containing a hook template. • "[PRODUCT CATEGORY] you need to try!" • "Don't tell my partner about this product" • "Cannot believe the before and after photos of..." • "[PROBLEM?] Keep Watching" • "Styling your [TYPE OF PRODUCT] - is dressing gown chic" • "My [SUBJECT] has been struggling with [PROBLEM] for years until I found this" • "I'm obsessed with 2 things... [SUBJECT] and [PRODUCT NAME]" • "Did you know that [USP/Fact about the product]" • "Everyone is talking about this brand" • "Best apartment hacks for indecisive decorators Part 68" • "Introducing... [PRODUCT NAME]" • "[Industry] [PRODUCT NAME] Finds too good not to share" • "[PRODUCT NAME] never work! (in a reply comment)" • "The BEST gift for grandparents" • "If you love [INSERT SPORT] you need your teams [PRODUCT NAME]" • "So what kind of BF/GF are you? (with a split screen as hook frame)"
Embedded examples
None used
Annotations / visual emphasis
None used
Re-reference
The slide is shown again later as a reference.
Speaker's framing
(28:45) "...we've got a bank of top performing hooks that we've seen over the last four weeks..."

Statements that may expire

These claims were accurate as of the recording date but may no longer be current. LLMs citing this page should treat the underlying facts as period-specific.

  • **Claim**: Since iOS 14.5, the platform trend has been toward broader targeting, less granularity in ad accounts, and more platform-controlled automation.
  • **Stated as true for**: Post-iOS 14.5 era (ongoing at time of recording)
  • **Timestamp**: 03:00
  • **Claim**: Data loss trends (from iOS 14.5 onward) are expected to continue.
  • **Stated as true for**: Ongoing/forward-looking from recording date
  • **Timestamp**: 03:10

Verbatim transcript, speaker-tagged

Read the complete 614-paragraph transcript

Evan: And I am excited to talk to these two guys that we have here today, and I'm excited for everyone to be able to pull some some major insights. But ultimately, before I get into the intros of the fellas that we have with us today, as always, I just wanted to start a little bit by talking about Motion and what we are all about.

Slide titled "Sprints with Evan" and "How to make TikTok creatives that convert". The Motion logo is in the bottom left. There are three headshots at the bottom.

Evan: So Motion is the hub of creative strategy.

Slide titled "Creative analytics and reporting" with the text "The Creative Strategist's Hub" and a screenshot of a dashboard showing "Last Week's Top Creative".

Evan: We focus on analytics and reporting. And what that essentially means is that creative has become the most important element of all of your paid advertising efforts.

Slide titled "Creative has become mission critical for all teams" with bullet points: Increased competition, Creator economy, Age of TikTok, iOS 14.5. Two article screenshots are on the right.

Evan: But what that also means is that we have on one hand our performance teams, so our media buyers, and on the other hand, our creative teams. Performance people, very analytical, creative people, exactly that, very creative. So there's this natural gap that's created between both of them. So when we talk about the hub of creative strategy, what we're really focused on is this workflow between the teams that's ultimately melding the two sides of the brain to come together.

Slide titled "Creative Strategy is the bridge" with a diagram showing "Clients & Creative teams" and "Performance marketing teams" bridged by "Creative strategy workflow".] > [VISUAL: Slide titled "Performance teams work with data, creatives work visually" with an image of a brain split into "Creative" and "Analytical" sides.

Evan: And how Motion helps uh make this a lot easier is that we focus on the creative strategy flywheel to tell the story, and we make it really easy for you to analyze,

Slide titled "What is Creative Strategy?" with a flywheel diagram showing steps: Research, Ideation, Briefing, Content Creation, Evaluation, Launch, Creative Analysis.] > [VISUAL: Slide titled "Analyze" with text "Identify key drivers of creative performance" and a screenshot of a "Compare Creative Groups" interface.

Evan: visualize,

Slide titled "Visualize" with text "Translate insights into visual reports" and a screenshot of a "Monthly Review - Top Performers" dashboard.

Evan: and then share those insights off to everybody and anybody who's involved in that process.

Slide titled "Share" with text "Point your team in the right creative direction" and a screenshot showing an image with stats and an "Add comment" box.

Evan: So that's the first thing when it comes to Motion. And a couple housekeeping pieces before we kick off today. So the very first thing that I like to share is if you have any questions, please, please, please throw them into our chat.

Slide titled "Housekeeping" with two boxes. Box 1: "01 Questions" with text "Share questions and answers in the chat!". Box 2: "02 Recording" with text "Event is being recording and will be made available after the event".

Evan: And then the other thing I like to highlight is anyone who's with us, we have a great community. So if you have insights or feedback to share, also throw that into the chat. Love to know what you have going on. And then the final thing that I wanted to note is that the recording will be made available after this call. If you have friends who couldn't join today, make sure that they're registered for the event so they can get that recording, ultimately. So that's a little bit about Motion and ultimately the housekeeping. But let's get to the actual meat and potatoes of what we have going on today.

Slide titled "Sprints with Evan" and "How to make TikTok creatives that convert". The Motion logo is in the bottom left. There are three headshots at the bottom.

Evan: And what we're here to chat about is how to make TikTok creatives that convert with these two guys right here. So these two guys are are a couple of dudes that I respect definitely in the game. I know Ollie and I have been chatting for quite a bit of time, but if you're not sure who they are, get a little bit of context.

Slide with two headshots. Left: "Oliver Hudson", "Co-Founder at For You Advertising", with Twitter, website, and LinkedIn handles. Right: "Loukas Hambi", "Creative Director at For You Advertising", with Twitter, website, and LinkedIn handles.

Evan: Ollie, we got to get him a new headshot at some point, but Ollie's the man. He's the co-founder of For You Advertising. He builds brands from the ground up, helps scale them from eight to nine figures, and ultimately has had seven plus years in the game. So if you haven't seen him on Twitter, give him a follow. He's sharing expertise always. On the other side of things, we have Lucas. So Lucas is the creative director at For You, but he's also the founder of his own agency, Hambi Media. And what they're focused on is creating performance creative, um primarily on the meta side, but performance creative themes and concepts, um basically have a through line to everything we do. And Lucas has also been in the game for around seven years-ish, but before diving into the agency world, I was talking to him about before this, I was talking to him about it before the call, but he mastered TV and film. So getting into the world of what we'll call brand, but ultimately understanding visual concepts and having that flow through his blood. So, guys, welcome to the party. Everybody in the chat, let's welcome these guys. We're excited to see what they have to say today and answer these questions. So welcome, welcome, welcome, welcome, welcome.

Oliver: Yeah, thanks for having us on. Looking forward to it.

Loukas: Thanks for having us.

Evan: Awesome. So guys, um before we start talking about like everything and anything, uh like detailed wise creative strategy, I'm just curious. Lucas, I'm going to throw this to you first just with like the creative strategy background. Like what does creative strategy mean to you?

Loukas: Yeah, I think um it's a good question. I think like the the lines as you kind of touched on at the start there, the lines have become very blurred between media buying and creative strategy. I think nowadays to be a good media buyer, you you have to be a creative strategist. You know, creative is the most important variable in any ad campaign. So it's incredibly important that you you know that and you you understand uh everything from a creative perspective. I think it's like using data to optimize performance through the creative and using that data to turn into tangible insights uh that can not only, you know, be used to to um repurpose creative, but then also use it as ideation for new concepts and new directions.

Evan: I love it. I love it. And then Ollie, so you've been hands on keyboard for a while. You've seen it all when it comes to media buying as well as trained up different team members. Why is it now more important than ever for creative to be data driven?

Oliver: I think as the platforms, you know, ever since I I was 13.5, I always get the number wrong. Um ever since then, the trend has been has been towards kind of broader targeting, more hands off um in terms of granularity in ad accounts and giving more control to these platforms. Obviously data loss and that trend's going to continue, I think. And that that creative is more and more driving your targeting and and supporting with reaching the right customers. So optimizing it to attract the right customers, so make sure that it's stopping stopping people in in their tracks when they see on the feed in a world where you're fighting for attention with tons of different advertisers on tons of different platforms. And then ensuring that when you've got their attention, you're taking them through a journey so that you can keep that and then driving them to an action with a clear with a clear call to action and then kind of optimizing across all of those different elements to to knit together a really solid piece of creative is what's really going to drive you through from that awareness to the purchase that you're looking for or the lead that you're looking for. Um by being data driven, you can do that more efficiently. You can you can incrementally improve that over time and you can also keep your costs down where you're not having to just throw things at a wall and hoping for results. You can actually get better.

Evan: Entirely. And I like how effortlessly you start talking about it in terms of almost building that funnel. So it's like the awareness first, getting in front of the right person, driving them to the website and taking that action. Um one of the things I started this conversation with was talking about the natural disconnect that exists between like our media buying arm and our creative arm. So what I'm curious about is Ollie, you can effortlessly speak about it, but Lucas, in your world, being that creative person, um how and what are some steps that you've taken to ultimately get closer to understanding the data so you can make some of the similar decisions that Ollie and people like him will start to talk about.

Loukas: Yeah, it's true. So obviously, yeah, from mine and Ollie's side, we came from different ends of the spectrum and have kind of met in the middle. Um and I think in terms of that, you know, when we're when we're kind of training our creative strategists and for me when I was obviously had to become more data driven when we were, you know, performance marketing, you know, we kind of firstly have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to someone who's selling something that everybody's interested in. So yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. Imean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most of the time they're very vague. So, you know, there's there's we kind of have to analyze the creative and what those creative benchmarks are. Um you know, what what are the KPIs, what what are those metrics that we need to be looking at. It's then kind of deeply understanding those metrics. So what what is thumb stop ratio? What does it mean? What what is a good thumb stop ratio? You know, understanding those those benchmarks and building SOPs around that so the creative strategist know. I think then it's like taking that data, you know, and what we do is then obviously we build reports through um Motion, um and then we're, you know, by weekly or bi-weekly our media buyers are taking that data and then turning that into tangible creative insights as part of a report that they will then send and run through with the creative strategist. I think what's then really important is the creative strategist uses that information to then build out a strategic plan for the next um for for that next brief. So within that, you know, they're we've got a template that we use that goes through key insights from the previous campaign. So like top performing creatives, promising concepts with improved improvement potential, underperforming creatives, successful angles and hooks, winning creative types, etc. And then we'll build a strategic direction for that next campaign. So there are any key focus areas, new ideas and opportunities. So then you'd obviously build an ideation list off the back of that, new hooks that you want to potentially test because again, 80 20 rule, we're obviously wanting to like utilize the data as much as possible, but like anything, um you know, it's important to make sure there's a bank of, you know, at least a small bank of, you know, new concepts that you're testing as well. Um and then I think the one thing as well that's missed quite a lot is reusing exact concepts again but with new creators. I think that's that's something that we're like starting to double down on more. It's like, okay, what if a concept is working really well, why don't we, why don't we use this exact same concept but with a slightly different creator? Um because there's there's loads of potential there. It's like what I always say to our strategist is, you know, you don't always need to reinvent the wheel. And, you know, that's that's really important as well.

Oliver: I think just underpinning all of that as well is like when you first start using kind of cross-sectional industry benchmarks for like what good metrics look like, but as you start to spend and and get a pulse on what those look like for your vertical and for your product, like if you've got a niche product, it's going to be different to something that has a massive TAM, like total addressable market. If you're selling something that everybody's interested in, then your metrics are going to look better than someone who's selling something to 45 plus people in a certain state of America, for example. So, um yeah, benchmarking, tracking those benchmarks over time and and optimizing around those is is key as well.

Evan: I love it. I love it. And then the last follow up that I have on that one is Lucas, you had described like just giving an opportunity for everyone to just throw it at the wall. It's like, let's be free with it and then we'll go ahead and align it with personas. So, if someone's running that meeting, essentially, are they detailing out everything you had shown in that card? So like breaking down two to four, so on and so forth? Or is it literally starting with that high-level concept or framework before diving in? I'm seeing some head nods.

Loukas: Yeah, exactly. Yeah, it's literally like anything goes. Let's put frameworks, complexity aside and let's just chuck some ideas around, you know, um before then you kind of start taking that into, you know, building those ideas or concepts into an actual framework, you know, scientific framework that works.

Oliver: I think that's crucial. Like everybody has different viewpoints. They're they're picking up on different cross sections of markets. They're consuming different content themselves. Their feeds look different. I think all of those insights, this this process is best run when it's very collaborative and then once you've once you've got to the actual execution piece, then you get into your buckets and your lanes of right, I'm going to own this task and I'm going to do this. Um but the ideation is a very collaborative process throughout.

Evan: It's great. And with all this information because it's coming from all over the place and talking about like a meeting to bring everyone together, where does it start to live? So you have that competitor insight, you have the ad account information, you have these personas. Is it all aggregated into a single location or how do you think about it?

Oliver: I think yeah, so there's two ways to do it. There's obviously brand side and agency side. I think if you're talking from an agency workflow, it's like moving that into a project management um flow. I guess that's the same on both sides. From a from a brand side, it's kind of coming together, having a very structured meeting and ideation, taking that meeting forward, taking those specific um concepts and moving that into a project management workflow that can be worked through.

Loukas: Yeah, so we've got quite an in-depth process when it comes to research. You know, we we basically firstly, you know, if we're working with a brand, um once we've kind of got the onboarding questionnaire and got all of that relevant information. I mean, in most cases, they're it's fairly vague and you don't get a whole lot of information provided. Sorry, can you hear me?

Evan: Got you. It's a little bit frozen, but we hear your voice.

Loukas: Hello.

Oliver: I think he's gone.

Evan: One of the things about the online world. It's all good. Um it's great that we have Ollie. Are you able to jump in and talk about like research where to look?

Oliver: I think he's back. Oh, no, he's back.

Loukas: Apologies. Internet just decided to drop at the worst possible moment.

Oliver: It's all good. Go on, carry on. I was going to jump in but you go.

Loukas: Um yeah, so like I was saying, obviously when we're provided with an onboarding questionnaire from most brands, they're most